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murals [any medium] --- installations [visual works] --- art [fine art] --- Iconography --- Art --- Bart, Cécile --- anno 1900-1999 --- France --- murals [general, decorations on wall] --- art [discipline]
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Mural painting and decoration --- Conservation and restoration --- Secular wall paintings. --- Murals.
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Bart Lodewijks undertook a series of lined chalk drawings in the halls and rooms of a care home for the elderly in Merelbeke, Belgium. But when the global pandemic broke out in March 2020, the living centre had to be closed to outsiders. During this time, he continued his drawings at places where the residents had once lived or worked. Later, after they were moved to a brand-new facility, the artist continued adding chalk textures and shapes to the walls, now in colour.
Drawing --- public art --- murals [general, decorations on wall] --- rest homes --- Lodewijks, Bart --- Merelbeke
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Painting --- History --- murals [general, decorations on wall] --- ceiling paintings --- Lairesse, de, Gerard --- anno 1600-1699 --- Flanders
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1. Begriff 2. Quellen: A. Bildquellen / B. Schriftliche quellen3. Uberblick über die Entwicklung: A. Mittelalter / B. Neuzeit 4. Topographie5. Erscheinungsformen: A. Typen / B. Elemente6. Ikonographie: A. Allgemeines / B. Einzelne Themenkreise
Iconography --- Architecture --- trompe-l'oeil --- illusionism --- mural painting [image-making] --- murals [general, decorations on wall] --- architectuurschilderingen
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Iconography --- Art --- Architecture --- drawing [image-making] --- interior views --- murals [general, decorations on wall] --- ceilings --- Houthakker, Lodewijk
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Ethnology. Cultural anthropology --- cabins [houses] --- murals [general, decorations on wall] --- patterns [design elements] --- Uganda
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Painting --- analysis --- murals [general, decorations on wall] --- pigment --- Bol, Ferdinand --- Lampsins, Jacoba --- Peace Palace [The Hague]
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Architecture --- Painting --- interior design --- faux finishing --- interior decoration --- murals [general, decorations on wall]
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Das fotografische Wandbild, das sogenannte photomural, wurde in den USA der 1930er-Jahre zu einem Inbegriff nationaler Kunst und dabei als Gegenentwurf zum mexikanischen Muralismus positioniert. Johanna Spanke untersucht erstmals, inwiefern der Aufstieg des photomural als das Resultat eines Aushandlungsprozesses zwischen Mexiko und den USA begriffen werden kann, bei dem nicht nur nationale Identitätskonstruktionen und Modernitätsdiskurse eine Rolle spielen, sondern auch eine Medienkonkurrenz verhandelt wird. Der Band leistet einen wichtigen Beitrag zu verflechtungsgeschichtlichen Perspektiven auf die US-amerikanische Kunstgeschichte, der intermediale und transnationale Aushandlungen, aber auch Gender Aspekte zentral in den Vordergrund rückt. Erste Studie zu einem vergessenen fotografischen Medium Vorgeschichte der Fototapete Ein bislang unbekanntes Kapitel der US-amerikanischen Kunst The photographic wall-mounted work, the so-called photomural, became an epitome of the USA's national art in the 1930s; also as a counter-design to Mexican muralism. For the first time, Johanna Spanke analyzes the extent to which the rise of the photomural can be seen as emerging from a process of mediation between Mexico and the United States; one in which national identity constructs and discourses of modernity played a part, as well as negotiated competition between media. This publication makes an important contribution to perspectives on historical entanglements in U.S. art history, bringing to the fore intermedial and transnational debates, as well as gender-related factors. First study concerning a forgotten photographic medium Prehistory to the photo wallpaper A previously unfamiliar chapter in US American art
ART / Techniques / Painting. --- USA. --- entangled histories. --- murals. --- photo fresco. --- photo wallpaper. --- photography.
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