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Representations of treachery in medieval and early modern Spain. Treacherous Foundations is the first sustained study of the theme of treachery in the founding myths of the Iberian Peninsula. It considers literary versions, in epic, chronicle and theatre, of the legends of Fernán González, Bernardo del Carpio and King Sancho II from medieval and early modern Spain and compares the representation of treachery across two critical periods in Spanish history, assessing its political, ideological, and cultural function. This book explores the role played by representations of treachery in foundational texts in highlighting the ideological tensions that arise from movements toward the creation of collective identities. It discusses in particular visions of nationhood and the monarchical state in the thirteenth and late sixteenth centuries. The theme of treachery is expanded to cover all aspects of treason and political disloyalty and, engaging with loyalty, trust and the nature of kingship, the volume sheds new light on aspects of Spanish cultural and political history, and provides insight into the nature of myth and collective memory, historical change and the collective response to crisis. GERALDINE COATES lectures in Medieval Spanish Literature at the University of Oxford.

Spanish literature --- Betrayal in literature. --- History and criticism. --- Founding Myths. --- Generational Differences. --- Global Vision. --- Iberian Peninsula. --- Medieval Spain. --- Political Ideologies. --- Thematic Concerns. --- Treachery.

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Literature --- American literature --- Betrayal in literature --- Comparative literature --- Ethics in literature --- Race relations in literature --- Minority authors --- History and criticism --- Theory, etc

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"Penelope Anderson's original study changes our understanding both of the masculine Renaissance friendship tradition and of the private forms of women's friendship of the eighteenth century and after. It uncovers the latent threat of betrayal lurking within politicized classical and humanist friendship, showing its surprising resilience as a model for political obligation undone and remade. Incorporating authors from Cicero to Abraham Cowley and Margaret Cavendish to Mary Astell, the book focuses on two extraordinary women writers, the royalist Katherine Philips and the republican Lucy Hutchinson. And it explores the ways in which they appropriate the friendship tradition in order to address problems of conflicting allegiances in the English Civil Wars and Restoration. As Penelope Anderson suggests, their writings on friendship provide a new account of women's relation to public life, organized through textual exchange rather than bodily reproduction." [Publisher's description].

English literature --- Female friendship --- Friendship in literature. --- Betrayal in literature. --- Friendship between women --- Friendship in women --- Women's friendship --- Friendship --- History and criticism. --- Women authors --- History --- Women --- Intellectual life --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity

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In 1352 King Edward III had expanded the legal definition of treason to include the act of imagining the death of the king, opening up the category of "constructive" treason, in which even a subject's thoughts might become the basis for prosecution. By the sixteenth century, treason was perceived as an increasingly serious threat and policed with a new urgency. Referring to the extensive early modern literature on the subject of treason, Imaginary Betrayals reveals how and to what extent ideas of proof and grounds for conviction were subject to prosecutorial construction during the Tudor period. Karen Cunningham looks at contemporary records of three prominent cases in order to demonstrate the degree to which the imagination was used to prove treason: the 1542 attainder of Katherine Howard, fifth wife of Henry VIII, charged with having had sexual relations with two men before her marriage; the 1586 case of Anthony Babington and twelve confederates, accused of plotting with the Spanish to invade England and assassinate Elizabeth; and the prosecution in the same year of Mary, Queen of Scots, indicted for conspiring with Babington to engineer her own accession to the throne. Linking the inventiveness of the accusations and decisions in these cases to the production of contemporary playtexts by Udall, Shakespeare, Marlowe, and Kyd, Imaginary Betrayals demonstrates how the emerging, flexible discourses of treason participate in defining both individual subjectivity and the legitimate Tudor state. Concerned with competing representations of self and nationhood, Imaginary Betrayals explores the implications of legal and literary representations in which female sexuality, male friendship, or private letters are converted into the signs of treacherous imaginations.

Sex role in literature. --- English drama --- Law in literature. --- Betrayal in literature. --- Treason in literature. --- Trials (Treason) --- Subjectivity in literature. --- Law and literature --- Treason --- History and criticism. --- History --- Law. --- Literature. --- Medieval and Renaissance Studies.

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African Americans in literature --- American fiction --- Betrayal in literature --- Race in literature --- Race relations in literature --- Social ethics in literature --- History and criticism --- Twain, Mark, --- Influence. --- Southern States --- In literature.