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Bebel, heinrich (1472-1518) --- Pogge, le (1380-1459) --- Humour allemand --- Humour medieval --- Bebel, heinrich (1472-1518) --- Pogge, le (1380-1459) --- Humour allemand --- Humour medieval
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Après avoir été largement diffusé en Italie, le Liber facetiarum de Poggio Bracciolini ne tarda pas à connaître en France un vif succès, notamment grâce à la traduction que Guillaume Tardif, lecteur de Charles VIII, en donna en 1492 et qui fut réimprimée abondamment au XVIe siècle. Dès 1878, Anatole de Montaiglon en proposait une édition d’après l’impression sortie des presses d’Olivier Arnouillet à Lyon. A la fin de sa préface cependant, il reconnaissait lui-même qu’il existait un meilleur imprimé offrant une version globalement plus satisfaisante et comportant un prologue ainsi que trois facéties supplémentaires. Ce sont donc les cent quinze facéties conservées dans cet imprimé, publié par la veuve Trepperel, que nous avons choisi à notre tour d’éditer selon les critères scientifiques contemporains, avec l’espoir que leur lecture contribuera à mieux faire comprendre le rôle de ce texte, savoureux et plein de verve, dans l’avènement du genre de la nouvelle en France.
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Wit and humor, Medieval. --- Satire, Latin (Medieval and modern) --- Rare books --- Humour médiéval --- Satire latine médiévale et moderne --- Livres rares --- Italy --- Italie --- Social life and customs --- Mœurs et coutumes
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839.3 "04/14" --- 839.3-7 --- 839.3-7 Nederlandse literatuur: humor; satire --- Nederlandse literatuur: humor; satire --- 839.3 "04/14" Nederlandse literatuur--Middeleeuwen --- Nederlandse literatuur--Middeleeuwen --- Medieval Dutch literature --- Dutch literature. --- European wit and humor. --- Humorous stories, European. --- Humour européen. --- Humour médiéval. --- Middeleeuwse Nederlandse letterkunde. --- Wit and humor, Medieval.
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Iconography --- anno 500-1499 --- Christian art and symbolism --- Wit and humor, Medieval --- Art, Medieval --- Wit and humor in art --- Art et symbolisme chrétiens --- Humour médiéval --- Art médiéval --- Humour dans l'art --- Themes, motives. --- Themes, motives --- Thèmes, motifs --- 091.31:7.04 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Subjects --- Geschichte 1000-1400 --- Art et symbolisme chrétiens --- Humour médiéval --- Art médiéval --- Thèmes, motifs
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Wit and humor --- Wit and humor, Medieval --- Humour --- Humour médiéval --- 251 "04/14" --- Homiletiek. Verkondiging. Prediking:--middeleeuwen --- 251 "04/14" Homiletiek. Verkondiging. Prediking:--middeleeuwen --- Humour médiéval --- 244*1 --- 244*1 Religieuze humor --- Religieuze humor --- History of civilization --- Christian church history --- anno 1200-1299 --- Middle Ages --- Women --- Moyen Age --- Femmes --- History --- Religious aspects --- Humor --- Histoire --- Aspect religieux --- Preaching --- Middle Ages, 600-1500 --- Christianity --- Christelijke kerkgeschiedenis --- Cultuurgeschiedenis --- Middle Ages, 500-1500 --- RIRE --- ESPRIT ET HUMOUR --- EGLISE CATHOLIQUE --- VIE INTELLECTUELLE --- EUROPE --- VIE RELIGIEUSE --- HISTOIRE --- EGLISE --- MOYEN AGE --- 0600-1500 (MOYEN AGE) --- Vie intellectuelle
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Despite popular opinions of the 'dark Middle Ages' and a 'gloomy early modern age,' many people laughed, smiled, giggled, chuckled, entertained and ridiculed each other. This volume demonstrates how important laughter had been at times and how diverse the situations proved to be in which people laughed, and this from late antiquity to the eighteenth century. The contributions examine a wide gamut of significant cases of laughter in literary texts, historical documents, and art works where laughter determined the relationship among people. In fact, laughter emerges as a kaleidoscopic phenomenon reflecting divine joy, bitter hatred and contempt, satirical perspectives and parodic intentions. In some examples protagonists laughed out of sheer happiness and delight, in others because they felt anxiety and insecurity. It is much more difficult to detect premodern sculptures of laughing figures, but they also existed. Laughter reflected a variety of concerns, interests, and intentions, and the collective approach in this volume to laughter in the past opens many new windows to the history of mentality, social and religious conditions, gender relationships, and power structures.
Theory of knowledge --- humor --- epistemology --- Affective and dynamic functions --- Art --- Literature --- anno 500-1499 --- anno 1500-1599 --- Laughter in literature. --- Humor in literature. --- Laughter --- Wit and humor, Medieval. --- Wit and humor --- Rire dans la littérature --- Humour dans la littérature --- Rire --- Humour médiéval --- Humour --- History. --- Philosophy. --- Religious aspects. --- History and criticism. --- Histoire --- Philosophie --- Aspect religieux --- Histoire et critique --- Laughter -- History. --- Laughter -- Philosophy. --- Laughter -- Religious aspects. --- Wit and humor -- History and criticism. --- Wit and humor -- History. --- Laughter in literature --- Humor in literature --- Wit and humor, Medieval --- Languages & Literatures --- Literature - General --- History --- Philosophy --- Religious aspects --- History and criticism --- Rire dans la littérature --- Humour dans la littérature --- Humour médiéval --- Laughter (in religion, folk-lore, etc.) --- Laughing --- Bons mots --- Facetiae --- Humor --- Jests --- Jokes --- Ludicrous, The --- Ridiculous, The --- Wit and humor, Primitive --- Emotions --- Nonverbal communication --- Joking --- Laughter / in Literature. --- lachen
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