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Animal spectacles are vital to a holistic appreciation of Spanish culture. In Transoceanic Animals as Spectacle in Early Modern Spain, Beusterien christens five previously unnamed animals, each of whom was a protagonist in a spectacle: Abada, the rhinoceros; Hawa'i, the elephant; Fuleco, the armadillo; Jarama, the bull; and Maghreb, the lion. In presenting and analyzing their stories, Beusterien enriches our understanding of the role of animals in the development of commercial theater in Spain and the modern bullfight. He also contributes to growing scholarly conversations on the importance of Spain in the history of science by examining how animal spectacles had profound repercussions on the emergence of the modern zoo and natural history museum. Combining scholarly content analysis and pedagogical sagacity, the book has a broad appeal for scholars of the early modern Spanish empire, animal studies scholars, and secondary and post-secondary instructors looking for engaging exercises and information for their Spanish language, culture, and history students.
Animals and civilization --- History. --- Spain --- Social life and customs. --- Transoceanic animals. --- animal spectacles. --- armadillo. --- early modern Spain. --- rhinoceros.
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This book presents a new interpretation of the co-monarchy of Mary I and Philip II. It reclaims Mary as a great Catholic queen and fleshes out Philip's contributions as king, exposing the sectarian historiography that has cast their reign in a negative light. An important corrective for the history of Tudor England and Habsburg Spain.
Philip --- Mary --- Marriage. --- Spain --- Great Britain --- History --- Anti-Catholic. --- Co-monarchy. --- Early Modern England. --- Early Modern Spain. --- Gynophobia. --- Habsburg. --- Historiography. --- Mary I. --- Philip II. --- Tudor.
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This book proposes a new way of tracing the history of the Early Modern Spanish novel through the prism of literary continuation. It identifies and examines the Golden Age narratives that invented the sequel and the narrative genres that the sequel in turn invented. The author explores the rivalries between apocryphal and authorized sequelists that forged modern notions of authorship and authorial property. The book also defines the sequel's forms and functions, filling a major gap in literary theory in general and Peninsular literary studies in particular. Notably, the author demonstrates that the sequel develops first and foremost in Early Modern Spain, an unacknowledged and unexamined contribution to Western letters. With its panoramic scope, this study serves as an introduction to the central novelistic genres and texts of Early Modern Spain. From this foundational starting point, it also offers a general framework for understanding imaginative expansion in subsequent time periods and literary traditions. William H. Hinrichs is a founding faculty member and Assistant Professor of Modern Languages at Bard High School Early College, Queens.
Spanish fiction --- Sequels (Literature) --- History and criticism. --- Cycles (Literature) --- Literature --- Early Modern Spain. --- Invention. --- Peninsular literary studies. --- Prose Fiction. --- Sequel. --- Western letters. --- William H. Hinrichs. --- apocryphal. --- authorial property. --- authorized sequelists. --- authorship. --- functions. --- imaginative expansion. --- literary continuation. --- sequel's forms.
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The extent to which contemporary rhetorics of nation and kingship reflected the realities of social, economic and cultural life in Habsburg Spain. Early modern Spain's insistent rhetorics of nation and kingship, of a monolithic body of shared values and beliefs, especially in respect of racial and gender stereotypes, and of a centralized and ostensibly absolutist legislativeapparatus did not map unproblematically onto the complex topography of everyday life. This volume explores the extent to which these rhetorics and the ideology they helped to construct or underpin reflected or failed to reflect the realities of social, economic, and cultural life. It sets against their typically exorbitant claims the lived, messy, and sometimes contradictory experience of Spaniards across a broad social spectrum, both at the centre and atthe margins, not just of peninsular society, but of the Hispanic world overseas. Confronting ideology were questions of economic pragmatism, executive feasibility, jurisdictional competence, and, above all, the social and political complexity of the Spain of the period. RICHARD J. PYM is Senior Lecturer in Hispanic Studies at Royal Holloway, University of London. Contributors: TREVOR J. DADSON, MARGARET RICH GREER, BARRY IFE, ALISTAIR MALCOLM, MELVEENA MCKENDRICK, RICHARD J. PYM, HELEN RAWLINGS, ALEXANDER SAMSON, JULES WHICKER
Rhetoric --- History. --- Spain --- History --- Language and languages --- Speaking --- Authorship --- Expression --- Literary style --- early modern Spain. --- economic pragmatism. --- ideological claims. --- kingship. --- political complexity. --- rhetorics of nation. --- social, economic, and cultural life.
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As well as dealing with the lives and major works of the most significant playwrights of the period, this text focuses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship.
Spanish drama --- Theater --- History and criticism. --- History. --- Calderón de la Barca. --- Early-Modern Spain. --- Golden Age theatre. --- Lope de Vega. --- Miguel de Cervantes. --- Spanish theatre. --- Tirso de Molina. --- performance studies. --- theatre history. --- theatrical culture.
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"Seafaring activity for trade and travel was dominant throughout the Spanish Empire, and in the worldview and imagination of its inhabitants, the specter of shipwreck loomed large. Shipwreck in the Early Modern Hispanic World probes this preoccupation by examining portrayals of nautical disasters in sixteenth- and seventeenth-century Spanish literature and culture. The essays collected here showcase shipwreck's symbolic deployment to question colonial expansion and transoceanic trade; to critique the Christian enterprise overseas; to signal the collapse of dominant social order; and to relay moral messages and represent socio-political debates. The contributors find examples in poetry, theater, narrative fiction, and other print artifacts, and approach the topic variously through the lens of historical, literary, and cultural studies. Ultimately demonstrating how shipwrecks both shaped and destabilized perceptions of the Spanish Empire worldwide, this analytically rich volume is the first in Hispanic studies to investigate the darker side of mercantile and imperial expansion"--
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"This collection of original essays presents new ways of looking at Cervantes' final novel. Persiles, a work that engages with geopolitical models of race, ethnicity, nation, and religion, takes its inspiration from the highly influential Ethiopian Story (the Aithiopika) of Heliodorus. With particular relevance to the period, the Persiles questions the issue of cultural pluralism in the Spanish empire and emphasizes the need to rethink the radically altered category of lo bárbaro/the barbarian (which included not only the Jew, the Muslim, and the Gypsy, but also the criollo, the mestizo, and the indiano), a new multiracial and multiethnic reality that posed a profound challenge to early modern Spain. The contributors offer a range of perspectives in spatial theory, psychology and subjectivity, visual culture, and literary theory."--
Epic literature, Spanish --- History and criticism. --- Cervantes Saavedra, Miguel de, --- Trabajos de Persiles y Sigismunda (Cervantes Saavedra, Miguel de) --- Cervantes. --- Don Quixote. --- Heliodorus. --- Persiles. --- Renaissance. --- ancient. --- early modern Spain. --- literary criticism. --- literature. --- novel. --- romance.
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There has been a widely-held consensus among historians that the Moriscos of Spain made little or no attempt to assimilate to the majority Christian culture around them, and that this apparent obduracy made their expulsion between1609 and 1614 both necessary and inevitable. This book challenges that view. Assimilation, coexistence, and tolerance between Old and New Christians in early modern Spain were not a fiction or a fantasy, but could be a reality, made possible by the thousands of ordinary individuals who did not subscribe to the negative vision of the Moriscos put around by the propagandists of the government, and who had lived in peace and harmony side by side for generations. For some, this may be a new and surprising vision of early modern Spain, which for too long, and thanks in large part to the Black Legend, has been characterized as a land of intolerance and fanaticism. This book will help to rebalance the picture and show sixteenth- and seventeenth-century Spain in a new, infinitely richer and more rewarding light. Trevor J. Dadson FBA is Professor of Hispanic Studies at Queen Mary, University of London, andis currently President of the Association of Hispanists of Great Britain & Ireland. In 2008 he was elected a Fellow of the British Academy.
Moriscos --- Religious tolerance --- Assimilation (Sociology) --- Inquisition --- Assimilation (Sociology) / Spain. --- Inquisition / Spain. --- Moriscos / Spain. --- Religious tolerance / Spain / Christianity. --- Christianity. --- Cultural assimilation --- Anthropology --- Socialization --- Acculturation --- Cultural fusion --- Emigration and immigration --- Minorities --- Tolerance, Religious --- Toleration --- Muslims --- Mudéjares --- Spanish inquisition --- Association of Hispanists of Great Britain & Ireland. --- Black Legend. --- Coexistence. --- Early Modern Spain. --- Moriscos. --- Tolerance. --- Trevor J. Dadson. --- assimilate. --- expulsion. --- majority Christian culture. --- sixteenth-century Spain.
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"The Baroque was the first truly global culture. The Ibero-American Baroque illuminates its dissemination, dynamism, and transformation during the early modern period on both sides of the Atlantic. This collection of original essays focuses on the media, institutions, and technologies that were central to cultural exchanges in a broad early modern Iberian world, brought into being in the aftermath of the Spanish and Portuguese arrivals in the Americas. Focusing on the period from 1600 to 1825, these essays explore early modern Iberian architecture, painting, sculpture, music, sermons, reliquaries, processions, emblems, and dreams, shedding light on the Baroque as a historical moment of far-reaching and long-lasting importance. Anchored in extensive, empirical research that provides evidence for understanding how the Baroque became globalized, The Ibero-American Baroque showcases the ways in which the Baroque has continued to define Latin American identities in the twentieth and twenty-first centuries."--
Civilization, Baroque --- Latin America. --- Amerique latine --- Latin America --- Vie intellectuelle. --- Civilization --- European influences. --- Intellectual life. --- Baroque. --- Hispanic history. --- Ibero-American. --- New Spain. --- Spanish monarchy. --- architecture. --- art history. --- art in Latin America. --- early modern Spain. --- literarure. --- musicology. --- painting. --- reliquaries. --- sculpture. --- transatlantic. --- Civilization, Baroque.
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"This collection of original essays presents new ways of looking at Cervantes' final novel. Persiles, a work that engages with geopolitical models of race, ethnicity, nation, and religion, takes its inspiration from the highly influential Ethiopian Story (the Aithiopika) of Heliodorus. With particular relevance to the period, the Persiles questions the issue of cultural pluralism in the Spanish empire and emphasizes the need to rethink the radically altered category of lo bárbaro/the barbarian (which included not only the Jew, the Muslim, and the Gypsy, but also the criollo, the mestizo, and the indiano), a new multiracial and multiethnic reality that posed a profound challenge to early modern Spain. The contributors offer a range of perspectives in spatial theory, psychology and subjectivity, visual culture, and literary theory."--
Literature --- Epic literature, Spanish --- Epic literature, Spanish. --- Littérature épique espagnole --- History and criticism. --- Histoire et critique. --- Cervantes Saavedra, Miguel de, --- Trabajos de Persiles y Sigismunda (Cervantes Saavedra, Miguel de). --- Trabajos de Persiles y Sigismunda (Cervantes Saavedra, Miguel de) --- Cervantes. --- Don Quixote. --- Heliodorus. --- Persiles. --- Renaissance. --- ancient. --- early modern Spain. --- literary criticism. --- literature. --- novel. --- romance.
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