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The territories of the Adriatic and the Ionian area were separated from each other both from a political and a cultural point of view. Because of this circumstance, they represent a suitable area for the study of commercial and cultural exchange. This meeting of cultures generated mutual influences and cultural osmosis in various ways and at different times, and was linked to different historicaland geographical contexts, which nevertheless sometimes generated similar results. Recent archaeological research allows us toassume that sanctuaries and sacred places are suitable contexts in which these phenomena can be analysed, as they were places in which large amounts of people gathered and centres of cultural mediation that were involved in economic and political interests.The contributions collected in this book consider these issues from different points of view and include studies on historiography, material culture and numismatics. The case studies of the northern Adriatic area are located on the western shore, and in particular in the area of the ager Gallicus and of Picenum, with a particular focuson the period that precedes and witnesses the structuring of the Roman domination of this territory (3 rd/ 2 nd century BC). The casestudies in the southern Adriatic and Ionian area focus on Apulia and the area of Illyria and Epirus between the Archaic era and the beginning of the Roman age (4 th to 1st century BC).
Partisan Film; Yugoslavia; Partisan Novel; Visual Culture; Literature; Film; Slavic Studies; General Literature Studies; Cultural Studies; Literary Studies --- Cultural Studies. --- Film. --- General Literature Studies. --- Literary Studies. --- Literature. --- Partisan Novel. --- Slavic Studies. --- Visual Culture. --- Yugoslavia. --- Slavic philology
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Global Animation Theory offers detailed and diverse insights into the methodologies of contemporary animation studies, as well as the topics relevant for today’s study of animation. The contact between practical and theoretical approaches to animation at Animafest Scanner, is closely connected to host of this event, the World Festival of Animated Film Animafest Zagreb. It has given way to academic writing that is very open to practical aspects of animation, with several contributors being established not only as animation scholars, but also as artists. This anthology presents, alongside an introduction by the editors and a preface by well known animation scholar Giannalberto Bendazzi, 15 selected essays from the first three Animafest Scanner editions. They explore various significant aspects of animation studies, some of them still unknown to the English speaking communities.
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This anthology is based on a selection of the most relevant and interesting presentations from the first three editions of the Symposium for Contemporary Animation Studies, Animafest Scanner.
Animated films --- Animation (Cinematography) --- Animated films . --- Films d'animation. --- Animation (cinéma) --- Cinematography --- Animated television programs --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Technique --- #SBIB:309H1326 --- #SBIB:309H1300 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Filmwezen: algemene werken --- Animation (cinéma)
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