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Innovative study of state politics, identity and buildings that sheds new light on the links between the material and the ideational realms of contemporary life in Africa.Buildings shape politics in the ways they define communities, enable economic activity, reflect political ideas, and impact state-society relations. They are materially and symbolically interwoven with the everyday lives of elites and citizens, as well global flows of money, goods, and contracts. Yet, to date, there has been no research that explicitly connects debates about Africa's domestic and international politics with the study of architecture. This innovative book fills this gap, providing a new and compelling reading of the politics of identity in sub-Saharan Africa through an examination of some of its most significant buildings. Using case studies from nine countries across sub-Saharan Africa, this volume reveals how they are commissioned and built, how they enable elites to project power, and how they form a basis for popular conceptions of the state. Exploring a diverse range of buildings including parliaments, airports, prisons, ministries, regional institutions, libraries, universities, shopping malls, public housing, cathedrals and palaces, the contributors suggest a innovative perspective on African politics, identity and urban development. This book will be a compelling reference for scholars and students of African politics, development studies and city life in its elaboration of and challenges to established concepts and arguments about the relationship between material objects and political ideas.This book is available as Open Access under the Creative Commons license CC-BY-NC-ND.
Architecture and society. --- Urbanization --- Architecture and society
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Architecture matters. To our cities, to our planet, to our personal lives. How we design and what we build has an impact that usually lasts for generations. The more we understand the importance of architecture, and the thinking and decisions behind the buildings we create, the better world we will construct. Who better to guide readers into the rich and complex world of contemporary architecture than Aaron Betsky, former architect, author, curator and museum director, and today dean of the Frank Lloyd Wright School of Architecture. Combining his early experiences working and meeting cutting-edge architects with his frequent role as jury member selecting the world's most prominent global architects to build icon for cities, Betsky possesses rare insight into the mechanisms, politics and personalities that play a role in how buildings in our societies and urban centres come to be. In some fifty themes and drawing from his own experiences and encounters with people and buildings around the world, he explores a broad spectrum of topics, from the meaning of domestic space to the spectacle of the urban realm.
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"Contrary to what Kant believed about the Dutch (and their visual culture) as "being of an orderly and diligent position" and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history".
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