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The words 'grounding', 'rhetoric', and 'earth' represent the book's tripartite structure. Using a philological method Del Caro reveals the 'ecological' Nietzsche whose doctrines are strategies for responsible and creative partnership between humans and earth. The major doctrines are shown to be related to early writings linked to paganism, the quotidian, and the closest things of Human, All Too Human. Perspective is shifted from time to place in the eternal recurrence of the same, and from power to empowerment in the will to power. This book is the first to comprehensively address the issue of where Nietzsche stands in relation to environment, and it will contribute to the 'greening' of Nietzsche.
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Aesthetics, Modern --- Aesthetics --- History --- Nietzsche, Friedrich Wilhelm, --- Nietzsche, Friedrich Wilhelm --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Aesthetics. --- Thematology --- German literature
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Filosofie. --- Philosophy. --- Superman (Philosophical concept). --- Philosophy --- Superman (Philosophical concept) --- Mental philosophy --- Humanities --- Overman (Philosophical concept) --- Superman --- Philosophical anthropology
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With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.
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