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Didactics of the arts --- sound [acoustics] --- sound art --- luisteren
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Caroline Bergvall's celebrated trilogy of interdisciplinary medievalist texts and projects - Meddle English (2011), Drift (2014), and Alisoun Sings (2019) - documents methods of reading and making that are poetically and politically alert, critically and culturally aware, linguistically attuned, and historically engaged.
Drawing on the wide-ranging body of criticism dedicated to Bergvall's work and material from Bergvall's archive, together with newly commissioned texts by scholars, theorists, linguists, translators, and poets, this book situates the trilogy in relation to key themes including mixed temporalities; interdisciplinarity and performance; art and activism; and the geopolitical, psychosexual, and social complexities of subjectivity. It follows routes laid down by the trilogy to move between the medieval past and our contemporary moment to uncover new forms of encounter and exchange.
Poetics. --- Art and literature. --- English poetry --- History and criticism. --- Bergvall, Caroline. --- Alisoun. --- Chaucer. --- Old English. --- Old Norse. --- facilitations. --- performance. --- sound art. --- Bergvall, Caroline --- Criticism and interpretation. --- 1100-1500
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paintings [visual works] --- drawings [visual works] --- sculpture [visual works] --- installations [visual works] --- photography [process] --- video art --- performance art --- stuffed toys --- memory [psychological concept] --- texts [documents] --- sound art --- characters [people by activity] --- narrative art --- Kelley, Mike
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Art --- drawings [visual works] --- photographs --- installations [visual works] --- multimedia works --- ecology --- environmental protection --- video art --- performance art --- sound art --- lichaam (van de mens) --- kunst in de openbare ruimte --- women [female humans] --- Jonas, Joan --- gender [sociological concept] --- Leonard, Zoe
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Art --- sculpture [visual works] --- installations [visual works] --- multimedia works --- video art --- wall pieces --- environments [sculpture] --- interactive art --- sound art --- Tirtiaux, Adrien --- Tayou, Pascale Marthine --- Denicolai & Provoost --- Lizen, Frederik --- Philips, Karl --- Verstraeten, Thomas --- Nsengiyumva, Laura --- Vos, De, Kasper --- Aydoslu, Leyla --- Garnica, Maika --- Gbaguidi, Pélagie --- Vertessen, Liliane --- Alÿs, Francis --- Mesmaeker, Jacqueline
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Art --- paintings [visual works] --- sculpture [visual works] --- art [discipline] --- video art --- wall pieces --- Animalia [kingdom] --- animal communication --- sound art --- animals [general term] --- rights [legal concept] --- Horn, Rebecca --- Saraceno, Tomás --- Dingenen, Van, Filip --- Bonajo, Melanie --- Forti, Simone --- Lima, Laura --- Maes, Annemie --- Painlevé, Jean --- Palestine, Charlemagne --- Paulino, Rosana --- Baehr, Antonia --- Saeed, Lin May --- Krakowiak, Katarzyna --- Minoliti, Ad --- Maimon, Dafna --- Krishnakumar, K.P. --- Braga, Elen --- Schneemann, Carolee --- Abuarafeh, Noor --- Belorusets, Yevgenia --- Rafa, Janis --- Marakatt-Labba, Britta --- Waliszewska, Aleksandra --- Bismuth, Pierre --- Coe, Sue --- Gilardi, Piero --- García Uriburu, Nicolás --- Panamarenko --- Golden Snail Opera Collective
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Art --- paintings [visual works] --- sculpture [visual works] --- art [discipline] --- video art --- wall pieces --- Animalia [kingdom] --- animal communication --- sound art --- animals [general term] --- rights [legal concept] --- Horn, Rebecca --- Saraceno, Tomás --- Dingenen, Van, Filip --- Bonajo, Melanie --- Forti, Simone --- Lima, Laura --- Maes, Annemie --- Painlevé, Jean --- Palestine, Charlemagne --- Paulino, Rosana --- Baehr, Antonia --- Saeed, Lin May --- Krakowiak, Katarzyna --- Minoliti, Ad --- Maimon, Dafna --- Krishnakumar, K.P. --- Braga, Elen --- Schneemann, Carolee --- Abuarafeh, Noor --- Belorusets, Yevgenia --- Rafa, Janis --- Marakatt-Labba, Britta --- Waliszewska, Aleksandra --- Bismuth, Pierre --- Coe, Sue --- Gilardi, Piero --- García Uriburu, Nicolás --- Panamarenko --- Golden Snail Opera Collective
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