Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Après environ quarante ans d'existence au Cameroun, la télévision est l'objet d'un ouvrage qui la présente en faisant émerger les interrogations qu'elle suscite sur ses représentations politique, juridique, économique, culturelle et esthétique. Elle a pris une importance substantielle dans les vies quotidiennes au point que les citoyens, les entreprises, les pouvoirs publics, les organisations sociales et politiques ainsi que les ménages en font un usage qui, depuis 1985, s'est considérablement accru. Avec la télévision, les perceptions du temps comme de l'espace ont changé, de même que les pratiques relationnelles, politiques, culturelles et territoriales. Il en résulte des enjeux inédits qui se traduisent par de nouveaux défis pour les autorités, à tous les niveaux institutionnels : régulation du paysage audiovisuel, réorganisation de l'économie du secteur, remodelage de la citoyenneté et mutation de la vie démocratique, adaptation technologique aux normes internationales et aux TIC, encadrement esthétique en vue de la préservation du patrimoine culturel, etc. Avec cet ouvrage à la fois pédagogique et réflexif, les auteurs, par une approche pluridisciplinaire, soulignent combien la télévision s'est imposée comme un acteur social majeur et comme un objet de recherche en sciences sociales.

Télévision et société --- Télévision -- Influence --- Influence --- télévision --- société --- Cameroun --- Television --- Télévision --- Social aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Television has a prime role to play in the formation of discursive domains in the everyday life of South Asian publics. This book explores various television media practices, social processes, mediated political experiences and everyday cultural compositions from Afghanistan, Bangladesh, India, Nepal, Pakistan and Sri Lanka. With the help of country specific case studies, it captures broad range of themes which foreground the publics and their real-life experiences of television in the region. The essays in this book discuss gendered television spaces; women seeking solace from television in pandemic; the taboo in digital TV dramas; television viewership and localizing publics; changing viewership from television to OTT; news and public perception of death; re-defining 'the national'; theatrical television; and post truth television news, among other key issues. Rich in ethnographic case studies, this volume will be a useful resource for scholars and researchers of media and communication studies, journalism, digital media, South Asian studies, cultural studies, sociology and social anthropology"-- Provided by publisher.

Television broadcasting --- Television viewers --- Social aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This book examines the phenomenal growth over recent years of Star Times, a Chinese pay television company with around 30 million subscribers providing satellite television to twenty African countries. The broadcaster, whose markets include demographic groups deemed uneconomic by Western television providers, combines entertainment such as Chinese drama and kung fu content dubbed into African languages with Chinese state programming, thus making the station at least partially a public diplomacy instrument. At the same time, the channel provides new indigenous language channels, widened access to television in rural areas, and sponsors African soccer brands. The book considers all aspect of Star Times: how it fits into China's development assistance programmes; its structure as a private company nonetheless financed by Chinese banks; and, based on extensive interview research in Ghana, Kenya and Zambia, how the station is perceived by media professionals. Overall, the book shows how this major Chinese international media expansion both contributes very significantly to African development in a way which is sensitive to local concerns, and at the same time enhances China's international image"--

Television programs --- Television broadcasting --- Culture diffusion --- StarTimes (Firm)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sociolinguistics --- Television broadcasting --- Social aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Closures surveys the seven-decade history of the American sitcom from the perspective of trans theory. With detailed close readings of shows from The Mary Tyler Moore Show to Who's the Boss to Third Rock from the Sun, Friends, BoJack Horseman, The Office, and others, Grace E. Lavery highlights the centrality of the blended family narrative that situates the family as a perpetually incomplete project as well as the weakening of social ties as the sitcom evolves from a family setting to a friendship group to a workplace setting. The book's title refers to how episodic narrative closure in the serialized sitcom paradoxically requires a continual reopening of the stable family, disrupting the traditional finality of the comedic marriage plot. In this way, the sitcom character, operating in a situation of endless becoming, is rendered structurally trans"--

Situation comedies (Television programs) --- Sex role on television. --- Heterosexuality. --- Homosexuality on television. --- PERFORMING ARTS / Television / History & Criticism --- SOCIAL SCIENCE / Gender Studies --- History and criticism. --- Social aspects