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Manufacturing technologies --- fashion design --- clothing --- disabilities
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The making of fashionable women's dress in Georgian England necessitated an inordinate amount of manual labour. From the mantuamakers and seamstresses who wrought lengths of silk and linen into garments, to the artists and engravers who disseminated and immortalised the resulting outfits in print and on paper, Georgian garments were the products of many busy hands. This Element centres the sartorial hand as a point of connection across the trades which generated fashionable dress in the eighteenth century. Crucially, it engages with recreation methodologies to explore how the agency and skill of the stitching hand can inform understandings of craft, industry, gender, and labour in the eighteenth century. The labour of stitching, along with printmaking, drawing, and painting, composed a comprehensive culture of making and manual labour which, together, constructed eighteenth-century cultures of fashionable dress.
Fashion design --- Costume --- Clothing and dress --- History --- Dressmaking --- Fashion prints
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"There is widespread rhetorical agreement that the fashion industry must get itself onto a more sustainable footing. What does this mean in practice, and how can sustainability be achieved in different regions around the world? This book brings together expert scholars and reflective practitioners via a network of dialogue and exchange to help drive forward a sustainable future for the fashion industry. With a focus on how technological innovation, the contributions to this book provide a range of case studies from design thinking, through digital clothing and inclusive fashion. This book will be of interest to researchers and scholars in the fields of sustainable business and the fashion industry, and provides a unique resource for readers seeking to understand more about the need for responsible fashion and how technology might be able to help"--
Clothing trade. --- Clothing trade --- Fashion design. --- Sustainable methods.
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For the first time ever, Walter Van Beirendonck opens up his personal archives to reveal an incredibly rich but meticulously curated selection of the transmutative drawings that have been crucial in bridging the gap between his mind, his runways and the world at large. As one of the most influential fashion designers ever, the Antwerp Six member has been rethinking and reshaping what contemporary clothing can look and feel like for over four decades. Previously stored within his private vault, this curation of more than five hundred drawings on paper, some dreamt up in the eighties, others just weeks ago, offer an unprecedented insight into the wonderful, wild, hopeful world of a true artist who relentlessly follows his calling, no matter the hurdles or setbacks along the way. This Walter Van Beirendonck bible, filled with more than 500 of his most magnificent drawings, is an indispensable addition to the personal library of any fashion lover.
Drawing --- design drawings --- fashion design --- Beirendonck, Van, Walter --- fashion designers
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This book examines the intersection of intellectual property rights and the fashion industry, focusing on how copyright law has been pivotal for haute couture designers in maintaining their market positions. It delves into the legal landscape in the USA and EU, particularly in Italy, France, the Netherlands, Germany, and Poland, to explore the challenges and importance of intellectual property protection in fashion. The book is targeted at researchers and academics in the fields of Intellectual Property Law, Copyright Law, and Fashion Law, with an emphasis on business law as it pertains to fashion design. Authored by Marlena Jankowska, an expert in intellectual property law, the book provides a comprehensive analysis of legal frameworks and strategies employed in the fashion sector.
Copyright --- Design protection --- Fashion design --- Intellectual property --- Law and legislation
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Sustainable Fashion, Migrants, Embroidery: Ateliers of 'Social Integration' tells of community-led 'solidarity ateliers' engaged in sewing and embroidery activities which, in the Global North and Global South, are providing a vital alternative to neoliberal and neo-colonial fashion paradigms. On encountering several ateliers solidaires/sartorie sociali during her immersive fieldwork, for which she travelled to Morocco and Southern Italy, and contrasting her findings with her knowledge of parallel and analogous initiatives in London, Alessandra Lopez y Royo suggests that despite their different outlook and approach these ateliers can be inscribed within an ever-growing economy of solidarity and sharing. With a uniquely combined focus on sustainability, fashion and migration, Lopez y Royo examines how the ateliers foreground a powerful social inclusion agenda, encouraging migrants (and refugees) to collaborate, exchange knowledge, and foster communities on a level playing field with locals. Questioning widely accepted notions of 'empowerment' and 'social integration', and drawing on her background in archaeology and material culture studies, Lopez y Royo uses micro-studies to illuminate a broader path to a more inclusive, sustainable, and socially conscious industry, presenting a fresh perspective on repurposing and upcycling. In a world grappling with the need to shift away from fast fashion's wasteful practices, this thought-provoking exploration shows how slow-growth 'solidarity ateliers' can challenge the widely accepted notions of both 'fashion' and 'social integration'.
Clothing trade --- Embroidery --- Migration & integration --- Sustainable methods --- Sewing, --- Fashion design --- Sustainable methods. --- Social aspects. --- E-books
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Applied arts. Arts and crafts --- fashion design --- cosmetics --- Ensor, James --- mode. --- masker. --- Ensor, James.
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"This illustrated guide offers accessible, concise explanations of key fashion terms and describes and explains the most essential components of garments and techniques of clothing construction"--
Clothing and dress --- Fashion --- Applied arts. Arts and crafts --- techniques [processes] --- fashion design --- vocabulary --- fashion [culture-related concept] --- Clothing and dress. --- Fashion. --- Terminology.
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fashion design --- costume [mode of fashion] --- courts [social groups] --- kostuumgeschiedenis --- fashion illustrations [layout features] --- fashion designers --- Velázquez, da Silva y, Diego --- Philip IV [King of Spain] --- anno 1600-1699 --- Spain
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