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"Exploring the metamorphoses of the body in the eighteenth-century Robinsonade as a crucial aspect of the genre's ideologies, Castaway Bodies offers focused readings of intriguing, yet often forgotten, novels: Peter Longueville's The English Hermit (1727), Robert Paltock's Peter Wilkins (1751) and The Female American (1767) by an anonymous author. The book shows that by rewriting the myths of the New Adam, the Androgyne and the Amazon, respectively, these novels went beyond, though not completely counter to, the politics of conquest and mastery that are typically associated with the Robinsonade. It is argued that even if these narratives could still be read as colonial fantasies, they opened a space for more consistent rejections of the imperial agenda in contemporary castaway fiction"--

Robinsonades --- English fiction --- History and criticism.

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At the turn of the twentieth century, novelists faced an unprecedented crisis of scale. While exponential increases in industrial production, resource extraction, and technological complexity accelerated daily life, growing concerns about deep time, evolution, globalization, and extinction destabilised scale's value as a measure of reality. Here, Aaron Rosenberg examines how four novelists moved radically beyond novelistic realism, repurposing the genres-romance, melodrama, gothic, and epic-it had ostensibly superseded. He demonstrates how H. G. Wells, Thomas Hardy, Joseph Conrad, and Virginia Woolf engaged with climatic and ecological crises that persist today, requiring us to navigate multiple temporal and spatial scales simultaneously. The volume shows that problems of scale constrain our responses to crisis by shaping the linguistic, aesthetic, and narrative structures through which we imagine it. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

English fiction --- Scale (Philosophy) --- Crises in literature. --- History and criticism.

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Examining how British writers are addressing the urgent matter of how we form and express group belonging in the 21st century, this book brings together a range of international scholars to explore the ongoing crises, developments and possibilities inherent in the task of representing community in the present. Including an extended critical introduction that positions the individual chapters in relation to broader conceptual questions, chapters combine close reading and engagement with the latest theories and concepts to engage with the complex regionalities of the United Kingdom, with representation of writers from all parts of the UK including Northern Ireland. Including specific focus on the most challenging issues for community in the past five years, notably Brexit and the Covid-19 crisis, with a broader understanding of themes of local and national belonging, this book offers detailed discussions of writers including Ali Smith, Niall Griffiths, John McGregor, Max Porter, Amanda Craig, Bernadine Evaristo, Jonathan Coe, Bernie McGill, Jan Carson, Guy Gunaratne, Anthony Cartright, Barney Farmer, Maggie Gee and Sarah Hall. Demonstrating some of the resources that literature can offer for a renewed understanding of community, this book is essential reading for anyone interested in how British Literature contributes to our understanding of society in both the past and present, and how such understanding can potentially help us to shape the future.

Communities in literature --- English fiction --- Communautés --- Dans la littérature.

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Tales of terror, mythoi of the macabre, phobic fantasies, and numinous narratives have played an integral role in collective cultural expression since antiquity. It was, however, in 19th-century Europe that weird fiction reached its first apogee as a cultural and political antithesis to the adverse conditions of modern life. It expressed Western society's collective disappointment with the Enlightenment’s unrealized promises for a better world, capturing the agony of urban populations in suffocating industrial cities, the suffering caused by centuries of ongoing military confrontation, and the hopelessness of the common citizen in the wake of rapid and complex technological and political change. This volume presents a rational demystification of irrational cultural expressions, with the dual intention of being used as both an academic reference and a popular guide into the realm of chimeric cultural visions. It analyzes the correlation of urban mythologies and their concurrent cultural paradigms, tracing the impact of the collective subconscious through literature, comic-strips, cinematography, music, architecture, and art.

Horror in mass media --- English fiction --- History --- History and criticism

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“Like a reporter covering nineteenth-century copyright trials, public debates between prominent authors, and major legislative developments, Annie Nissen weaves through a range of examples of writers, including Charles Dickens, Mary Elizabeth Braddon, and George Bernard Shaw, and the many adaptations of their books for stage and screen. This book provides a detailed picture of the business of authorship and adaptation across page, theater, and early film. Enlightening and indispensable.” —Lissette Lopez Szwydky, PhD, Associate Professor, University of Arkansas, USA “Nissen does an outstanding job of pushing deep into a complex matrix of issues. This is an impressive piece of scholarship and an excellent resource for adaptation studies.” —Glenn Jellenik, Associate Professor of English, University of Central Arkansas, USA “Spanning a wide range of authors and a long historical arc, Authors and Adaptation offers important new information about and insights into literature, theatre, film, and adaptation studies. Nissen resurrects theoretically and historically dead authors as live writers creating and critiquing intermedial adaptations, invaluably bridging gaps between theory and practice as well as between disciplines, media, and periods.” —Kamilla Elliott, Professor of Literature and Media, Lancaster University, UK This book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media. Annie Nissen currently works at Lancaster University, UK, where she has been an Associate Lecturer for both Film Studies and English Literature and a Research Associate for the ‘Cinema Memory and the Digital Archive’ project. .

English fiction --- History and criticism. --- Adaptation (Literary, artistic, etc.). --- Adaptation Studies.