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Warum schrieb Beethoven nur eine Oper? Warum nannte er sie seine „Märtirerkrone"? Warum entstanden zu ihr statt einer schließlich vier Ouvertüren? Wie verbinden sich Sprache, Dramaturgie und Komposition? In welchem Operngeschichtlichen, in welchem Gattungsrahmen steht Fidelio? In welchem Maß und in welcher Weise hat er auf die Oper des 19. Jahrhunderts eingewirkt? Diese und andere Fragen werden in einer Reihe von Aufsätzen behandelt, die aus unterschiedlichen Zusammenhängen stammen - teils als Einführungen in das Themengebiet, teils essayistisch, teils in wissenschaftlichem Diskurs nach Antworten suchend. In der Beethoven-Forschung steht Fidelio bis heute im Schatten der instrumentalen Werke. Nach langer Zeit wird hier erstmals wieder ein Buch vorgelegt, das auf wissenschaftlicher Grundlage viele der neueren Erkenntnisse darstellt und zu weiterem Nachdenken anregt.
Music --- Performance practice (Music) --- History and criticism. --- Beethoven, Ludwig van,
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Beethoven's nine symphonies are a cornerstone of Western classical music and have revolutionised it. Composers succeeding Beethoven found their output measured against this master's work. But how did his symphonies come into being and how did they reach their final form? These are the questions this book seeks to answer. Barry Cooper has been one of the leading advocates of the need for extensive studies of Beethoven's sketches, and we see him here applying his usual investigative rigour to the study of the symphonies.0For most of the symphonies the sketches have not previously been fully examined. In contrast, Cooper's book provides a much deeper exploration of these sketches, along with autograph scores, corrected copies and first editions, while the Beethoven correspondence offers additional information on the first publication and performances of the symphonies. The result is a clear overview of the creation of each symphony in turn, placed within the context of musical life in Beethoven's Vienna. Another strand of the investigation covers Beethoven's unfinished symphonies and how they helped to provide the fertile soil from which the finished ones grew. Most of those did not progress beyond a few bars, but two, known as No. 0 and No. 10, were sketched extensively. This book therefore offers a unique investigation of the composition of the entire corpus of Beethoven's symphonies, reconstructing their creation from Beethoven's rather than posterity's viewpoint.
MUSIC / History & Criticism. --- Beethoven Sketchbooks. --- Beethoven's Fifth Symphony. --- Beethoven's Symphony No. 9. --- Classical Music Composer. --- Classical Music Composers. --- German composers. --- Western Classical Music. --- Beethoven, Ludwig van, --- Criticism and interpretation.
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