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In Rootedness: Reflections for Young Architects, Juhani Pallasmaa delivers an insightful and expansive collection of his most compelling ideas into architecture’s position among arts and culture. Pallasmaa speaks to architecture students and young professionals, discussing each topic with sincerity and openness, suggesting what can be learned from areas of culture beyond the boundaries of familiar professional disciplines. He outlines the growing need for an architecture based in self-awareness, reconnection to the environment, and a sense of ethical responsibility.Each essay in Rootedness was initially conceived and presented as an educational lecture and has been carefully edited with clarifications, refinements, and valuable expansions. Accompanying sketches by the author emphasize the personal and intimate nature of the essays. Designed for students of architecture at any age, Rootedness: Reflections for Young Architects will also inspire professional architects, designers, and those in other creative professions.
Young architects --- Architecture --- Architects
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When Minnette De Silva founded the Studio of Modern Architecture in Kandy, Sri Lanka (then Ceylon), in 1947, she was one of the first women in the world to establish a professional architectural practice as sole principal. Today, she is known for her designs and constructions of private residences and public institutions, settlement planning, experiments in building and handicraft, research, curation, and writing. Her practice treated architecture as a lived experience and a contemporary expression of heterogeneous pasts. Minnette De Silva: Intersections offers a richly illustrated critical introduction to De Silva’s practice, exploring a range of projects through the intersecting intellectual concerns that shaped her work. Archival materials, drawings, photographs, and extracts from De Silva’s memoir, The Life and Work of an Asian Woman Architect, describe her diverse work in a career situated in Sri Lanka and informed by substantial engagements with India, England, Greece, Hong Kong, and elsewhere. Drawing on modernist architectural techniques and material heritage practices, De Silva forged a distinctive, critically engaged aesthetic program and set of values. This book by architectural historian Anooradha Iyer Siddiqi, researched with Methmini Kariyakarawana and others, offers a primer to the thought and production of one of the twentieth century’s most significant architects and cultural figures.
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"Adolf Loos (1870-1933), architecte controverse et hautement mediatique, est devenu aujourd'hui une figure de l'architecture moderne. Il acquiert cette position dans la dernière partie de sa carrière, du fait d'une large diffusion de sa pensée dans un contexte d'internationalisation de l'architecture. Quittant Vienne au début des années 1920, Loos s'installe à Paris, voyage entre l'Autriche, la France et la Tchécoslovaquie au gré de ses chantiers et de ses réseaux, et s'ouvre à de nouvelles conceptions architecturales. Il s'affirme alors résolument européen et inspire de nombreux architectes. Cet essai interroge les ruptures et les continuités de sa carrière, entre le moment exclusivement viennois d'avant-guerre et le moment européen d'après-guerre. Ni biographie selon une structure chronologique, ni présentation des différentes facettes de Loos, l'ouvrage propose une topographie biographique autour de l'habiter en tant que marqueur professionnel et individuel." --Page [4] of Cover.
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Architecture --- Dutch literature --- architects
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"Honoring the fiftieth anniversary of the death of Louis Kahn in March 1974, this facsimile edition exquisitely reproduces the notebook in which the renowned American architect sketched and wrote during his travels in the last year of his life.Anchored by a magnificent set of drawings illustrating the final design of the Franklin D. Roosevelt Four Freedoms Park in New York City (1973/74, posthumously completed in 2012), "Louis I. Kahn: The Last Notebook" provides an intimate glimpse into the architect’s mind and design process. These private sketches and poetic reflections reveal Kahn’s spiritual understanding of architecture as inclusive of our total environment and shed new light on the architect’s influential philosophy for designing, building and conceiving architecture.The facsimile pays close attention to the material qualities of the original notebook, replicating its delicate, transparent paper. Made widely available for the first time, the publication includes transcriptions of Kahn’s handwriting by Sue Ann Kahn and a commentary by architectural critic and historian Michael J. Lewis.Continuing on from earlier investigations into the importance of drawing in the iconic architect’s work at Lars Müller Publishers, "Louis I. Kahn: The Last Notebook" replicates sketching in its most raw, pure form." -- Verlagshomepage
notebooks --- architects --- Kahn, Louis I.
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