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James M. Neumann proposes that there is far more at work in Mark's portrayal of Jesus as Son of God, and what it means for Mark to depict him as such, than past scholarship has recognized. He argues that Mark presents Jesus's life from beginning to end as the actualization of Psalm 2: a coronation hymn describing the Davidic king as God's “son,” which was interpreted messianically in early Judaism and christologically in early Christianity. Rather than a simple title, the designation of Jesus as God's “Son” in Mark contains and encapsulates an entire story of its own.Beginning with an analysis of why this most important identity of Jesus in the Gospel has been under-studied, Neumann retraces the interpretive traditions surrounding Psalm 2 in early Judaism and Christianity alike. Pointing to Mark's first introduction of Jesus as God's Son into the narrative via an allusion to Ps 2:7 and portraying his baptism as a royal anointing, he demonstrates how Jesus begins to realize the implications of his anointment through his disestablishment of Satan's kingdom. Focusing on the repetition of the allusion to Ps 2:7 at Jesus's transfiguration and exploring how the Parable of the Vineyard uniquely encapsulates the Gospel as a whole, Neumann traces the use of the psalm throughout the Markan passion narrative, contending that, in Mark's vision, the hope envisaged by the psalm has been realized: the Son begins to inherit (the worship of) the nations. He concludes that Mark paradoxically portrays the accomplishment of the Messiah's victory through Jesus's crucifixion.

Bible --- Criticism, interpretation, etc. --- Criticism, Narrative

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"As an installment of Routledge's BEA Electronic Media Research Series, Political Communication, Culture, and Society focuses on the expansive concept of political communication and illuminates the processes, contents, and effects related to myriad forms and vehicles of political communication. Whether involving traditional print or broadcast media, social media platforms, or face-to-face discussions, political communication today has shaped how we perceive others and understand the world around us, including our place in it, and ultimately, how we engage with others as social, cultural, and political beings. Hailing from multiple locations and drawing on a multitude of theories as well as quantitative and qualitative methodologies, the volume's contributors examine how communication intersects with politics in a broad swath of contexts, ranging from climate change to migration to the notion of political correctness. Collectively they ask and answer questions about how today's richly textured media ecology shapes our political world and how political messages can fuel - and ameliorate - the issues that deeply cleave societies around the globe. Relevant to scholars and students of journalism, media studies, and communication sciences, this volume will help interested readers better understand today's increasingly complex sociocultural world through the lens of political communication"--

Communication in politics. --- Mass media --- Public opinion --- Political aspects. --- Political aspects.

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Book acquisition --- Book history --- rare books --- national libraries [institutions] --- tangible cultural heritage --- methods of acquisition --- patrimony --- looted art --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- Germany

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The comprehensive story of an icon of modern architecture: the Edith Farnsworth House, designed by Mies van der Rohe.One of the most famous residences in modern history, a glass and steel marvel that seems to float above its site, the Edith Farnsworth House had been legendary in the public imagination long before it could be widely accessed. This book charts the house’s original design by Mies van der Rohe and periods of neglect, flooding, and new ownership by Lord Peter Palumbo.Now publicly accessible and celebrating twenty years of being owned and administered by the National Trust for Historic Preservation, this icon of modern architecture commissioned by client and patron Edith Farnsworth now gets its due. The Edith Farnsworth House is one of the most prized residences in modern architectural history, whose sometimes fraught history culminates in its publicly accessible life today.The book, which newly foregrounds the key role of client Edith Farnsworth, is written and edited by Michelangelo Sabatino, who contributes deep expertise on modernist architecture, and includes an essay by architectural historian Dietrich Neumann, excerpts of Edith Farnsworth’s unpublished memoir, as well as interviews with Mies’s grandson Dirk Lohan, and the house’s second owner, Lord Peter Palumbo.Published in association with the National Trust for Historic Preservation, this book is published is a trove of cultural and visual history, and includes photographs by Hedrich Blessing, Hiroshi Sugimoto, and Annie Leibovitz, in addition to documentation of cultural collaborations with artists, designers, and performance troupes such as Virgil Abloh, Iñigo Manglano-Ovalle, and Gerard & Kelly.