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Die Monografie stellt sich der Herausforderungen des „global turns“ in den Geisteswissenschaften aus der Perspektive der Kunstgeschichte. Eine globale Kunstgeschichte, so argumentiert sie, muss weder der Logik ökonomischer Globalisierung folgen, noch muss sie darauf abzielen, die gesamte Welt allumfassend zu erzählen. Stattdessen zieht sie eine Theorie der Transkulturation heran, um die Schlüsselmomente einer Kunstgeschichte zu erkunden, die nicht länger über eine oberflächliche Globalität erreicht werden kann. Wie kann die kunsthistorische Analyse Beziehungen von Konnektivität theoretisieren, die Kulturen und Regionen über Entfernungen hinweg gekennzeichnet haben? Wie kann sie auf sinnvolle Weise Fragen der Kommensurabilität oder deren Abwesenheit unter Kulturen behandeln? Durch die Verlagerung des Forschungsschwerpunkts der Untersuchung auf Südasien sollen die fünf Betrachtungen, die das Buch umfasst, intellektuelle Ressourcen und Erkenntnisse regionaler Erfahrungen jenseits von Euro-Amerika in eine global verständliche Analyse überführt werden. The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.
Art --- ART / General. --- History. --- Global art, global turn, art history, India, South Asia, transcultural studies, history of science. --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art history --- History of art
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The four contributors to this volume examine the eugenic movements in Germany, France, Brazil, and the Soviet Union. The scientific components of those programmes are considered alongside the social, religious, and political forces which have altered their original scientific goals.
Cross-Cultural Comparison. --- Eugenics --- -Eugenics --- -Homiculture --- Race improvement --- Euthenics --- Heredity --- Involuntary sterilization --- history. --- History --- -Cross-cultural studies --- -History --- -Brazil. --- Germany. --- France. --- USSR. --- Soviet Union --- Union of Soviet Socialist Republics --- Miquelon and Saint Pierre --- Miquelon and St. Pierre --- St. Pierre and Miquelon --- Corsica --- Saint Pierre and Miquelon --- Cross-cultural studies. --- -history. --- Cross-Cultural Comparison --- Homiculture --- Transcultural Studies --- Comparison, Cross-Cultural --- Comparisons, Cross-Cultural --- Cross Cultural Comparison --- Cross-Cultural Comparisons --- Studies, Transcultural --- Study, Transcultural --- Transcultural Study --- Cultural Characteristics --- Culture --- History&delete& --- Cross-cultural studies --- history --- Brazil. --- E-books
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