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kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- beeldhouwkunst --- installaties --- Aerts Nel --- Vercruysse Jan --- Murphy John --- 7.039 --- Vercruysse, Jan --- Aerts, Nel --- Murphy, John

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Dan Graham was a contrarian. His art confronted viewers with a multiplicity of possible perceptions and intersubjective experiences. Some Rockin’ was his last project and—through conversations with friends, artists, architects, curators, and former assistants—articulates his sensitivity to context, media, and people. The interviews address rock music and urbanism, humor and astrology, history and the hybrid form. Mediating historical and social experience was a major concern of his. “The Museum in Evolution,” an essay he finished just before his death, and published here, highlights that nothing is final in becoming. Rather, it allows for: Some Rockin’.

kunst --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- concept art --- conceptuele kunst --- Verenigde Staten --- kunst en muziek --- muziek --- kunstenaarsgeschriften --- astrologie --- humor --- performance --- installaties --- film --- videokunst --- kunst en architectuur --- Graham Dan --- 7.071 --- 7.01 --- Graham, Dan, --- Graham, Daniel H., --- Gureamu, Dan, --- Interview

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This unique, visually exciting look at the evolution of nightclubs across America and Europe since the 1960s reveals an unwavering truth about club culture—the one constant is change.Opening with the psychedelic haunts of the 1960s New York pop art scene and closing more than half a century later with the rise of post-club happenings, Temporary Pleasure shows how nightlife spaces have evolved to meet the needs of their generation, and how each generation was seeking something a little different from the one before.Each chapter focuses on a distinct phase and city: Italy’s politically radical clubs of the ‘60s; New York City’s disco scene; Detroit and Chicago’s house and techno paradises; Ibiza’s counterculture communal retreats; Britain’s rave culture; and Berlin’s techno scene. The clubs come to life in double-page spreads that feature specs and detailed profiles. Author John Leo Gillen offers his take on various important cultural, design and architectural details, while numerous photographs offer their own vibey stories. The book features interviews with people who were involved in a number of the scenes included, from NYC disco mainstay DJ Justin Strauss to Ben Kelly, architect of Manchester’s legendary venue The Haçienda.As the world emerges from its Covid-induced isolation, this celebration of crowded rooms, dance-worthy beats, and communal transcendence feels more important than ever.

Steden ; Berlijn ; tijdelijke projecten en strategieën --- Architecturale constructies en installaties ; 21ste eeuw ; Jozef Wouters --- Architectuur ; restaurants ; bars ; clubs --- Kunst en maatschappij ; underground cultuur --- Interieurarchitectuur ; cafés ; clubs ; dancings --- 725.71 --- Openbare gebouwen ; cafés, restaurants, bars, kantines --- Boîtes de nuit, dancings, etc. --- 725 --- 725.8 --- 725.81 --- Openbare, commerciële, industriële gebouwen --- Gebouwen voor amusement en ontspanning --- Concertzalen --- Nightclub --- Architecture intérieure --- Design

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Graham, Dan ; Vermeiren, Didier ; Schütte, Thomas ; Vercruysse, Jan ; Cornelis, Jef ; Kippenberger, Martin ; West, Franz ; Kelley, Mike ; Nauman, Bruce ; Baldessari, John ; Zobernig, Heimo

7.074 --- 7.038 --- Herbert Foundation --- verzamelingen --- kunst --- België --- collecties --- Herbert Annick --- Herbert Anton --- Art & Language --- conceptuele kunst --- concept art --- installaties --- muziek --- kunst en muziek --- performances --- Sonic Youth --- Graham Dan --- Kippenberger Martin --- Kelley Mike --- Roth Dieter --- West Franz --- Zobernig Heimo --- Graham Rodney --- Feldmann Hans-Peter --- Vercruysse Jan

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Michel François’s studio is like a garden—un jardin contre nature—in which objects hang, transform, appear, disappear. Through minimal gesture with maximum effect, François transforms seemingly meaningless objects and materials into meaning-laden objects. Their spiritual character makes us pause in amazement at the artist’s impact on his surroundings, but in a larger context also on our own influence on the world we inhabit. In an agonisingly slow manner, a black block of marble is dripped with vinegar from above via an infuse, causing the surface to slowly burn and dissolve—la torture Chinois. Neon lights are laid in long strips on the ground, after which the artist walks over them, leaving a trail of destruction. A schematic view of the armed forces in Syria is drawn on the wall in chalk. Hundreds of dandelions are hung inverted from the ceiling at their most vulnerable moment—PAS TOMBER !. Michel François conceives exhibitions as ‘total works of art’: his works occupy the entire space, and the exhibition space becomes an extension of the studio. Works become, as they are combined and arranged, new installations that evoke new internal associations. The book Contre nature is the exhibition catalogue accompanying the leading Belgian artist’s eponymous retro/prospective exhibition at Bozar – Centre for Fine Arts Brussels—and casts a look at his artistic career of 40 years. The book follows a similar structure to the exhibition and highlights the many aspects of François’ work: sculpture, installation, drawings, video and photography.

kunst --- België --- eenentwintigste eeuw --- twintigste eeuw --- 7.071 --- installaties --- videokunst --- fotografie --- François Michel --- tekenkunst --- Arte Povera ; invloed 21ste eeuw --- Beeldende kunst en poëzie --- Tentoonstellingscatalogi ; Brussel ; Bozar ; Paleis voor Schone Kunsten --- Belgische kunstenaars --- François, Michel °1956 (°Sint-Truiden, België) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- François, Michel, --- François, Michel --- Art --- paintings [visual works] --- sculpture [visual works] --- assemblages [sculpture] --- installations [visual works] --- photography [process] --- iconography --- video art --- environments [sculpture] --- materials [substances] --- philosophy of art