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Regional documentation --- Thevenet, Louis --- Halle [Flemish Brabant]
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Seventeenth-century Dutch art is famed throughout the world. Yet how ‘Dutch’ are those paintings in actual fact? Did the countless history pieces, landscapes, portraits, still lifes and scenes from everyday life truly originate in cities like Amsterdam, Haarlem, Delft and Leiden? Or might the cradle of these genres actually be located somewhere else? This book presents over 90 masterpieces by Flemish and Dutch artists to show how 17th century Dutch painting could never have flourished the way it did without the foundations laid in 16th century Antwerp. Thoroughly researched, it tells the story of the talented and accomplished artists and merchants who migrated north in search of religious liberty and new commercial opportunities after Antwerp fell to Spanish Catholic troops in 1585. From Antwerp to Amsterdam is a timeless reference work containing unique paintings by outstanding masters such as Joos Van Cleve, Pieter Aertsen, Maarten De Vos, Frans Floris, Frans Hals, Peter Paul Rubens, Anthony Van Dyck, Jacob Jordaens, Jan Steen and Rembrandt Van Rijn.
Vie artistique --- Peinture --- Painting, Dutch --- Painting, Flemish --- Painting --- 1500-1699 --- Europe
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Nature protection --- Regional documentation --- Flemish Brabant --- Heverlee --- Landschapsgeografie --- Landschappen ; België --- Biodiversiteit ; België
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Dieric Bouts (ca. 1410/20-75) is one of the most elusive figures in the history of Western art. Flemish primitive of the second generation, painter of silence – such are the labels that are usually attributed to him. But was the Master of Brabant not more than that? This book, published in association with the exhibition, DIERIC BOUTS. Creator of Images, at M Leuven, attempts to get closer to this enigmatic figure. Dieric Bouts had both feet in his world: it is perhaps that we seem unable to understand his work. This book includes comprehensive essays and shorter texts that focus on specific works by the Flemish master, outlining the social, intellectual, and artistic context in which Bouts worked. They highlight his oeuvre from new angles and offer new perspectives on works that are now more than five centuries old – through a radical confrontation with the visual culture of today. The result is a more nuanced image of the great artist from Leuven. Dieric Bouts regains his place in the history of art as the eye-expanding maker of images that he was. This book is published on the occasion of the impressive retrospective at M Leuven from 20 October 2023 to 14 January, 2023.
Painting --- Early Netherlandish --- Bouts, Dieric --- paintings [visual works] --- Bouts, Dieric, --- Painting, Flemish --- Late Gothic --- Bouts, Thierry
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Hans Memling (vers 1435-1494), artiste clé parmi les Primitifs flamands, est inextricablement lié à la ville de Bruges. Le Retable des deux saints Jean et la Châsse de sainte Ursule, qu'il a réalisés pour l'hôpital Saint-Jean, figurent parmi ses oeuvres les plus impressionnantes. Sept autres chefs-d'oeuvre de ce maître du XVe siècle sont encore exposés à Bruges, au Musée Hôpital Saint-Jean et au Musée Groeninge, où l'on peut toujours les admirer. Cet ouvrage présente les peintures époustouflantes de Memling et les décrit dans leurs moindres détails. Il offre une occasion unique de mieux connaître ou de redécouvrir l'ensemble de son oeuvre.
Painters --- Painting, Flemish --- Memling, Hans, --- Hôpital Saint Jean (Bruges, Belgium)
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Sinds 1997 heeft de Stichting Cultuur Inventarisatie (SCI) zich ingezet voor de ontsluiting van museale collecties van Hollandse en Vlaamse schilderijen in ver uiteenlopende gebieden als Midden- en Oosteuropa, India en Cuba. Het 25-jarige jubileum vormt de aanleiding voor deze presentatie van 25 schilderijen die een indruk geven van zowel de collecties als de werkzaamheden: 25 schilderijen met een verhaal.00Die werkzaamheden bestaan niet alleen uit het toeschrijven van werken maar ook uit de verdere ondersteuning van behoud, beheer en (digitale) ontsluiting van de collecties, veelal in samenwerking met instituten als het Rijksbureau voor het Cultureel Erfgoed (RCE) en het Conservation Institute SRAL. De keuze van de schilderijen is gemaakt door de stichting en door de musea waar intensief mee is samengewerkt.
Painting --- collecting --- easel paintings [paintings by form] --- art collections --- Foundation for Cultural Inventory [Amsterdam] --- anno 1500-1799 --- Netherlands --- Flanders --- Painting, Dutch --- Painting, Flemish --- Conservation and restoration --- Stichting Cultuur Inventarisatie (SCI) --- History. --- Flemish painting --- Dutch painting --- Peinture
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Painting, Flemish --- Christian art and symbolism --- Painting --- Appreciation --- religious art --- kunst en godsdienst --- Vlaamse school --- anno 1500-1599 --- Seville --- Flanders
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