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In the late seventeenth and eighteenth centuries, the 'woman writer' emerged as a category of authorship in England. Publishing the Woman Writer in England, 1670-1750 seeks to uncover how exactly this happened and the ways publishers tried to market a new kind of author to the public. Based on a survey of nearly seven hundred works with female authors from this period, this book contends that authorship was constructed, not always by the author, for marketappeal, that biography often supported an authorial persona rooted in the genre of the work, and that authorship was a role rather than an identity.Through an emphasis on paratexts, including prefaces, title pages, portraits, and biographical notes, Leah Orr analyses the representation of women writers in this period of intense change to make two related arguments. First, women writers were represented in a variety of ways as publishers sought successful models for a new kind of writer in print. Second, a new approach is needed for studying early women writers and others who occupy gaps in the historical record. This book shows that astudy of the material contexts of printed books is one way to work with the evidence that survives. It therefore begins with a very familiar kind of author-centric literary history and deconstructs it to conclude with a reception-centered history that takes a more encompassing view of authorship. Inaddition to analysis of many little-known and anonymous authors, case studies include Aphra Behn, Catharine Trotter/Cockburn, Laetitia Pilkington, Marie-Catherine d'Aulnoy, and Anne Dacier.
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The conventional lineage of World Literature starts with Goethe and moves through Marx, Said, Moretti, and Damrosch, among others. What if there is another way to trace the lineage starting with Simone de Beauvoir and moving through Hannah Arendt, Julia Kristeva, and Gayatri Spivak? What ideas and issues get left out of the current foundations that have institutionalized World Literature, and what can be added, challenged, or changed with this tweaking of the referential terminology? While feminism has always been a worldly endeavor, the field of World Literature seems to skirt away from considering feminism and applying this First-World category to non-First-World contexts. Feminism as World Literature challenges the spatial concept of World Literature by reorienting the field's central directions and concerns. Just as "economy" is currently thought of in terms of global circulation, domination, and power but was once a word noting "household management," other ideas built into World Literature and its criticism are viewed here by feminist framings, including the environment, technology, immigration, translation, work, race, governance, image, sound, religion, affect, violence, media, future, and history. In other words, this volume looks to readings and modes of reading that expose how the historical worldliness of texts allows for feminist interventions that might not sit clearly or comfortably on the surfaces.
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Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Essays span topics including book production and authorship; reception; linguistic, literary, and cultural contexts and influences; women's education and spheres of knowledge; women as writers, scribes and translators; women as patrons, readers and book owners; and women as subjects. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women's literary culture.
English literature --- Women and literature --- Literature, Medieval --- Women in literature. --- History and criticism. --- History. --- Women authors --- History and criticism
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Dans l'étude du phénomène menstruel, le temps a moins retenu l'attention que le sang. Depuis la pensée grecque antique des règles, proposée par les traités hippocratiques et les théories aristotéliciennes, puis renouvelée dans les relectures médiévales juives et chrétiennes, s'est développé un imaginaire du flux, de la matière et du temps féminins. La pensée moderniste l'a fait passer des écrits théoriques aux oeuvres romanesques (Woolf, Joyce, Lessing) et d'une conception du corps à une conception de la psyché. La mesure menstruelle des corps révèle la diversité des constructions de la différence sexuelle, de la matérialité des corps et de leur inscription dans l'ordre du monde, ouvrant de nouvelles directions pour penser le temps.
Menstruation --- Blood --- Women --- Time --- Women and literature --- Cycle menstruel --- Corps féminin --- Biologie humaine --- Dans les représentations sociales --- Histoire. --- Dans la littérature --- Dans la littérature.
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During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book.For the first time, based on original research, Jad Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favoured men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease and unwanted pregnancy.
Femmes --- Femmes et littérature --- Yellow book (London, England) --- Women and literature --- Women --- Conditions sociales --- Conditions sociale --- History --- Social conditions --- Femmes et littérature
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American poetry --- English poetry --- Feminism and literature --- Feminist poetry, American --- Feminist poetry, English --- Women and literature --- Women authors --- History and criticism --- Theory, etc. --- History and criticism. --- English literature --- American literature --- Women authors&delete& --- History and criticism&delete& --- Theory, etc
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This biography of Susan Glaspell traces the development of the first important American female playwright and illustrates the ways in which her fascinating, avant-garde life provided the model and materials for her groundbreaking dramas and fiction.
Authors [American ] --- 20th century --- Biography --- Women and literature --- United States --- History --- Women in the theater --- Authors, American --- Theater --- Glaspell, Susan, --- Cook, George Cram, --- Cook, Susan, --- Glaspel, Susan, --- Novelists, American --- Dramatists, American --- Women dramatists, American --- Women novelists, American
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This discusses the ways that innovations of form and structure contain and bolster arguments for personhood. Organized thematically, with chapters focusing on central questions of form, canonized texts are paired with less well-known works.
American prose literature --- Autobiographical fiction, American --- Women and literature --- Literature --- American literature --- Minority authors --- History and criticism. --- Women authors --- History. --- Autobiography --- Minority women in literature. --- Ethnic groups in literature. --- Minorities in literature. --- Literary form. --- Women authors.
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This text examines the histories of gender, knowledge, families, bodies, art, and political thought in Victorian Britain, contributing to both literary studies and cross-disciplinary feminist scholarship.
Women and literature --- Authors, English --- History --- Dilke, Emilia Francis Strong, --- Pattison, Emilia Francis Strong, --- Strong, Emilia Francis, --- Great Britain --- Women authors, English --- Politicians' spouses --- Women art historians --- Women labor leaders --- Feminists --- Dilke, Charles Wentworth, --- Pattison, Mark, --- Marriage. --- Civilization
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Scholarship on early Medieval England has seen an exponential increase in scholarly work by and about women over the past 20 years, but the field has remained peculiarly resistant to the transformative potential of feminist critique. Since 2016, Medieval Studies has been rocked by conversations about the state of the field, shifting from #MeToo to #WhiteFeminism to the purposeful rethinking of the label 'Anglo-Saxonist'. This volume takes a step toward decentring the traditional scholarly conversation with 13 essays by American, Canadian, European, and UK professors, along with independent scholars and early career researchers from a range of disciplinary perspectives. The theoretical and political commitments of this volume comprise one strand of a multivalent effort to rethink the parameters of the discipline and to create a scholarly community that is innovative, inclusive, and diverse.
English literature --- Feminist literary criticism. --- Women and literature --- HISTORY / Europe / Great Britain / Middle Ages (449-1066). --- History and criticism. --- History --- Medieval, Old English, women, gender. --- Literary criticism, Feminist --- Feminism and literature --- Feminist criticism --- Medieval --- gender --- Old English --- women
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