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In this study on the musical lives of nuns in colonial Latin America, author Cesar D. Favila argues that the sounds of cloisters were deemed essential for the promotion of the Immaculate Conception of the Virgin Mary and, by extension, the salvation of early modern society. Through analysis of these "immaculate sounds," rarely studied archival sources, rulebooks, devotional literature, and nun's biographies, Favila locates women's agency within a hierarchical society that silenced some women and required others to sing.
Church music --- Music in convents --- Nuns as musicians --- Catholic Church --- History --- History. --- Conceptionists
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This volume examines musical culture both inside and outside 17th-century Sienese convents. The author argues that cloistered women in Siena enjoyed a significant degree of freedom to engage in musical pursuits.
Nuns as musicians --- Church music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Women musicians --- Catholic Church. --- History and criticism --- Religious aspects --- Christianity --- Catholic Church --- 78.21.2 Siena --- 78.93 --- Music in convents --- History and criticism.
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