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"Offers and unfolds the concept of anthropomediality which makes it possible to think the human-media-relation as a general precondition for human existences and mediatic bodies"--
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"Offers and unfolds the concept of anthropomediality which makes it possible to think the human-media-relation as a general precondition for human existences and mediatic bodies"--
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"This fully updated second edition is an innovative introductory textbook that offers a new way of thinking about media that challenges conventional accounts of what media do to people, focusing instead on what people do with media in the course of everyday life"-- Media and Everyday Life offers an accessible overview for students of media, communication and cultural studies looking to explore how modern-day media practices impact on the experience of everyday life, making this the essential companion to introductory media studies courses.This innovative introduction to media studies challenges conventional accounts of what media do to people – focusing instead on what people do with media in the course of everyday life. By rejecting the conventional media studies approach, the book provides a fresh way of thinking about media cultures and provokes thought into how media influences daily social norms. Each chapter offers a broad discussion of various facets of media, such as technology, social media and industries. Key trends and traditions are also considered, helping to define how media has become so entwined in the everyday experience.This second edition has been thoroughly updated to incorporate all the recent developments in media including new social media platforms, new technologies like wearables and smart speakers, and the spread of algorithms into so much of the media we encounter every day. The second edition also takes stock of the environmental impact of digital media and its hidden infrastructures, as well our engagement with social issues and movements from Black Lives Matter to Extinction Rebellion.
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"This book presents the Cultural Transduction framework as a conceptual tool to understand the processes that media and cultural products undergo when they cross cultural and national borders. Using a series of examples from pop culture, including films, television series, videogames, memes and other digital products, this book provides the reader with a wider understanding of the procedures, interests, roles, assumptions and challenges, which foster or hinder the travels of media and cultural products. Compiling in one single narrative a series of case studies, theoretical debates and international examples, the book looks at a number of exchanges and transformations enabled by both traditional media trade and the internet. It reflects on the increase of cultural products crossing over regional, national and international borders in the form of videogames and TV formats, through music and video distribution platforms or via digital social media networks, to highlight discussions about the characteristics of border-crossing digital production. The cultural transduction framework is developed from discussions in communication and media studies, as well as from debates in adaptation and translation studies, to map out the travels of media and cultural products from an interdisciplinary perspective. It provides a tool to analyse the markets, products, people and processes that enable or constrain the movement of products across borders, for those interested in the practical aspects that underlie the negotiation and transformation of products inserted into different cultural market settings. This volume provides a new framework for understanding the travels of cultural products, which will be of use to students and scholars in the area of media industry studies, business studies, digital media studies, international media law and economics"-- Provided by publisher.
Cultural industries. --- Mass media --- Mass media and culture. --- Marketing.
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"Written with media students in mind, this accessible book provides both students and researchers with a new perspective on how to research engagement, not as a metric but as a marker of power relations. This book navigates the reader through a tighter analytical notion of engagement within an understanding of media, culture and democracy. Hill and Dahlgren offer a new definition of engagement as an energizing internal force, and as such a powerful means to further human agency. From this definition they build a generative theory of engagement as a nexus of relations we make and break with media on a daily basis, with examples from political activism, news and misinformation, and the global pandemic. They identify five parameters of engagement in order to understand the relations we have with media across changing public and mediated spheres. This new perspective offers students and researchers pathways for investigating the meaning of media engagement as a resource for living. It will be particularly useful for undergraduate courses on media audiences and publics, political communication and democracy, media and cultural theory, journalism, and for media, communication and sociology studies more broadly"--
Mass media --- Mass media --- Mass media and culture --- Social action --- Political participation
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At the heart of many studies in media anthropology is an interest in media practices. While practice-oriented approaches have gained momentum as of late, there has been little discussion about how they can include particular “media texts” or “media content” into their research designs. This is especially true for digital content on social media platforms, such as digital images, captions, emojis, hashtags, and so on, which have become popular objects of ethnographic investigation. Though digital content has clear empirical value for ethnographic studies, researchers are unclear about how to approach it conceptually and methodologically. In the following chapter, I argue that digital content itself can be analysed as practice. Using my ethnographic study of digital practices at the Memorial to the Murdered Jews of Europe as an example, I show that digital content can be studied as routines in the interplay of human bodies, social and cultural conventions, and the affordances of digital media technologies. My practice approach does not read content as text; rather, it asks how the practices of its creators live on through digital content. This perspective offers a new way of conducting content analysis from an ethnographic perspective and expands the toolbox available for media anthropological research.
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Although every area of life is permeated by digital processes, the majority of Germans seem to resist digital alternatives when it comes to the activity of reading. The printed book continues to enjoy much greater popularity than the eBook. This seems surprising, since the entire communication behavior has moved to digital devices. So what lies behind this? Why are there still printed books in digital times? Previous studies of the printed book have focused primarily on its media future, as this seemed threatened by digitization. In this work, Janina Krieger instead examines the past from three perspectives in order to gain insights into the present. While other studies always chose one method, which mostly belonged to the quantitative approach, here three subjects are identified, which are examined with different methods and in their combination can provide an answer to the research question: the consumers of literature (the readers), literature itself (the selected genre is the novel), and the media theories of the 20th century, which have already dealt with media change. The author Janina Krieger holds a PhD in German Literature and Media Studies from the University of Mannheim. The translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content.
Mass communications --- Literature --- communicatie --- literatuur --- Literature. --- Mass media and culture. --- Literature and technology. --- Mass media and literature. --- Media Culture. --- Literature and Technology.
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Depuis les années 2000, les sexualités féminines sont sorties du silence grâce aux séries télévisées : après Sex and The City, les productions les plus récentes ambitionnent de raconter la singularité de l'expérience des femmes. Avec pédagogie, Sex and The Series explore les métaphores et les schémas inédits que proposent ces séries récentes, et la révolution télévisuelle que nous vivons : comment le "regard masculin" est-il transformé ou contredit ? Quelles nouvelles narrations nous sont proposées ? Sex and the series est à la fois un essai détonnant et un éloge de notre plaisir de téléspectateur- ice.
Women --- Television broadcasting --- Television series --- Mass media and culture --- Sexualité féminine --- Séries télévisées --- Sexual behavior --- On television. --- À la télévision. --- Société.
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What was the perception of Greece in Europe during the later 19th century, when the attraction of romantic philhellenism had waned? This volume focuses on the reception of medieval and modern Greece in the European press, rigorously analysing journals and newspapers published in England, France, Germany, Italy, and The Netherlands. The essays here suggest that reactions to the Greek state's progress and irredentist desires were followed among the European intelligentsia. Concurrently, new scholarship on the historical development of the Greek language and vernacular literature enhanced the image of medieval and modern Greece. This volume's contributors consider the press's role in this Europe-wide exchange of ideas, explore the links between romantic and late philhellenism and highlight the scholarly nature of the latter.
Mass media and culture. --- HISTORY / Europe / General. --- Language, Identities, Cultural transfers, cultural networks, Journals, the Press, Greece, Europe. --- Culture and mass media --- Culture --- Philhellenism. --- European newspapers --- History --- Greece --- In mass media --- Politics and government --- Public opinion
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This book provides novel insights into the perspectives of journalists in Sierra Leone and on their work by examining their perceived journalistic values and the influences that shape them. It treats journalism as an occupational identity and as a community that works on the foundation of the sub-Saharan African philosophies that exalts communal values in every sphere of life. When journalists speak about their social function in society and values, they are sharing both their individual knowledge and experiences on their work. Therefore, journalistic values are never isolated ideologies, but exist within the contexts in which they practice. In this book, Sarah Bomkapre Koroma examines the perceptions of journalists on the societal influences that impact their work, ranging from individual, procedural, organizational, political, economic, and many more. Questions explored include: What journalism cultures exist in Sierra Leone? What effects do societal factors have on these journalistic cultures? How do journalists in Sierra Leone describe their roles? What epistemological underpinnings do they consider during practice? What ethical considerations do the journalists share?
Journalism. --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Mass media and culture. --- Ethnology—Africa. --- Culture. --- Media Culture. --- African Culture. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Culture and mass media --- Social aspects
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