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Maurice Merleau-Ponty (1908-1961) et Emmanuel Levinas (1906-1995) reprennent l’héritage de Husserl et de Heidegger en opérant une réhabilitation du corps et du monde sensible dont les conséquences en philosophie et en éthique sont considérables. Il y a des différences notables entre la phénoménologie de la perception de Merleau-Ponty ou sa description de la structure ontologique du monde et la pensée de Levinas qui fait de la rencontre d’autrui le point de départ de l’éthique. Toutefois, en insistant sur la corporéité du sujet et en l’inscrivant dans un tissu social, ils renouvellent l’un et l’autre la conception de la condition humaine, qui n’est plus pensée seulement à la lumière de la liberté.Cet ouvrage est issu d’un colloque franco-japonais qui s’est tenu à Cerisy du 6 au 12 juillet 2022. Accueillant plusieurs traducteurs japonais de l’œuvre de Levinas et de Merleau-Ponty ainsi que des chercheurs venus de différents pays, il souligne l’actualité de ces phénoménologues ainsi que l’originalité des approches qu’ils ont pu inspirer.Une attention particulière est accordée à la manière dont ils contribuent à renouveler la réflexion sur le soin, l’habitation de la Terre et l’éco-phénoménologie, la philosophie de l’animalité et l’esthétique.
Corps. --- Levinas, Emmanuel, --- Merleau-Ponty, Maurice, --- Phenomenology --- Lévinas, Emmanuel --- Merleau-Ponty, Maurice, - 1908-1961
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This series focuses on the Jewish textual tradition as well as the ways it evolves in response to new intellectual, historical, social and political contexts. Fostering dialogue between literary, philosophical, political and religious perspectives, this series, which consists of original scholarship and proceedings of international conferences, reflects contemporary concerns of Jewish Studies in the broadest sense.
Jewish philosophy --- Language and languages --- Philosophy. --- Religious aspects --- Judaism. --- Derrida, Jacques. --- Scholem, Gershom, --- Emmanuel Levinas. --- Jewish Thought. --- Postmodernism.
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"Examining a series of modernist thinkers and composers who engaged with non-European cultures as they pursued pure sound as a privileged presence, White Musical Mythologies pairs Erik Satie with Bergson, Edgard Varèse with Bataille, Pierre Boulez with Artaud, and John Cage with Derrida to offer an ambitious intellectual history of the colonial roots of modernist musical thought. Each of the musicians studied in this book re-created or appropriated non-European forms of expression as they conceived music ontologically, often thinking music as something immediate and immersive: from Satie's dabblings with mysticism and exoticism in bohemian Montmartre of the 1890s to Varèse's experience of ethnographic exhibitions and surrealist poetry in 1930s Paris, and from Boulez's endeavor to theorize a kind of musical writing that would "absorb" the sounds of non-European musical traditions to Cage, who took inspiration from Eastern thought as he wrote about sound, silence, and chance. Edmund Mendelssohn suggests that the Euro-American idea of "pure sound," and the twentieth-century quest to produce it, was premised on an assumed authority of "the West" over Europe's others. Intended for readers in philosophy, musicology, art theory, the history of modernism, sound studies, and postcolonial studies, this book demonstrates that we cannot fully understand French theory in its novelty and complexity without music and sound"--
Modernism (Music) --- Avant-garde (Music) --- Modernism (Aesthetics) --- Music --- Music --- Philosophy, French --- Postcolonialism and music. --- History --- History --- History --- Foreign influences. --- Philosophy and aesthetics. --- Derrida. --- Levinas. --- Modernism. --- Modernist Music. --- Ontology. --- Performance. --- Philosophy. --- Presence. --- Sound Studies. --- White Mythology.
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