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Leonardo da Vinci

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Drawing --- History of civilization --- drawings [visual works] --- Leonardo da Vinci --- Royal Library [Turin] --- Europe

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Léonard de Vinci --- Critique et interprétation. --- Conservation. Restoration --- Painting --- painting techniques --- painting [image-making] --- technical art history --- Italiaanse school --- Leonardo da Vinci

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Unieke kijk op de 'tronies' in de kunst uit de Nederlanden Onze fascinatie voor gezichten is van alle tijden en culturen. Krasse koppen – Rubens, Rembrandt en Vermeer belicht een merkwaardig genre in de schilderkunst dat nog maar weinig aandacht kreeg: de zogenaamde tronies, die vooral een gevoel of karaktertrek verbeeldden. Bij deze ‘koppen’ deed de identiteit van het model er niet toe, waardoor de schilder vrijuit zijn gang kon gaan. De grootste meesters tekenden en schilderden tronies: Dürer, Massijs, Bruegel, Rubens, Rembrandt, Vermeer… Krasse koppen brengt nieuwe inzichten over een genre dat ouder en veelzijdiger is dan we denken. Met tientallen afbeeldingen en met reflecties van hedendaagse kunstenaars voor wie het gezicht tot het wezen van hun werk behoort. Catalogus bij de gelijknamige tentoonstelling in het KMSKA in Antwerpen (van 20 oktober 2023 tot 21 januari 2024) en de National Gallery of Ireland in Dublin (van 24 februari tot 26 mei 2024).

Art --- drawings [visual works] --- prints [visual works] --- easel paintings [paintings by form] --- heads [representations] --- studiekop --- Leonardo da Vinci --- Dyck, van, Anthony --- Jordaens, Jacob --- Massijs, Quinten --- Rubens, Peter Paul --- Rembrandt --- anno 1500-1599 --- anno 1600-1699 --- Europe --- tronies --- portretten --- historiestukken --- passies, emoties, affecties --- Jordaens, Jacques --- Portretten. --- Tentoonstellingscatalogi. --- Vermeer, Johannes. --- Rubens, Peter Paul. --- Rembrandt. --- tronies. --- portretten. --- historiestukken. --- passies, emoties, affecties. --- Rijksmuseum Twenthe (Enschede).

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Quinten Massys’ An Old Woman (‘The Ugly Duchess’) is one of the National Gallery’s most recognisable faces. Yet, despite her fame, she remains an elusive figure. In a fresh review of the iconic image, this book unveils the painting’s vibrant Renaissance context and its status as a pioneering work of satirical art, highlighting the period’s complex attitudes towards women, age and normative beauty. Based on a composition by Italian master Leonardo da Vinci, the painting is considered in light of this artistic exchange and the two artists’ shared experiment in the comic and expressive potential of distorting the human face. Over the centuries, ‘The Ugly Duchess’ has captivated generations of painters, printmakers and cartoonists, most famously John Tenniel, who borrowed her extraordinary features for his much-loved illustrations of Lewis Carroll’s Alice’s Adventures in Wonderland (1865). A final chapter traces the eventful afterlife of this seminal image.

Painting --- kunst --- België --- schilderkunst --- renaissance --- Massijs Quinten --- 75.034 --- vijftiende eeuw --- zestiende eeuw --- tekenkunst --- portretschilderkunst --- Metsys Quinten --- da Vinci Leonardo --- esthetica --- lelijkheid --- kunst en humor --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Massijs, Quinten --- Metsys, Quentin, --- Metsijs, Quinten --- Metsys, Quinten --- Metsijs, Quentin --- Massys, Quinten --- Massys, Quentin --- Massijs, Quentin --- Metsys, Quentin --- Matsys, Quinten --- Matsijs, Quinten --- Messius, Quintinus --- Masiis, Quentin --- Matsys, Quentin --- Messys, Quentin --- Metsijs, Quentib --- Metsys, Quinte --- Metsys, Quinte, --- Aesthetics of art --- ugliness --- influence --- satire [artistic device] --- old age --- Renaissance --- schoonheid (vrouw) --- Leonardo da Vinci --- paintings [visual works]