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"D'où tu parles ?" : l'interjection bien connue des amphis de 1968 se trouve ici prise au sérieux, comme une invitation à dire non un état ou une situation, et moins encore un bilan, mais une trajectoire, une dynamique. Forte d'une œuvre philosophique qui déploie les enjeux de la pensée féministe, Geneviève Fraisse relie ses différents points d'articulation - la redécouverte des révolutionnaires de 1848, les rapports femmes/raison, l'historicité des sexes, les notions de " genre ", de " consentement " ou d'" habeas corpus " - et ses résonances biographiques ou implications pratiques, avec le MLF d'abord et jusqu'au Parlement européen. Elle met ainsi en relief une conception de la recherche visant, loin des solutions toutes faites, à " augmenter le problème ".
Feminist theory --- Feminism --- Fraisse, Geneviève, - 1948 --- -Feminist theory --- -Femmes dans les sciences. --- Féminisme et sciences. --- Femmes dans les sciences.
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Le manuscrit 1131 de la bibliothèque Sainte-Geneviève (début du XVe siècle) contient des pièces de théâtre dont la composition s'échelonne sur les cent ans qui précèdent. Rééditées ici ensemble, ces pièces d'origines locales diverses, témoignent du brassage linguistique qui s'opère à Paris sans effacer toute marque dialectale. Rassemblées auprès de l'abbaye Sainte-Geneviève de Paris en vue d'éventuelles représentations, elles retracent les épisodes les plus importants de l'histoire de la communauté chrétienne, de la vie de sainte Geneviève, de saint Denis et d'autres saints liés à la ville de Paris. Un ensemble représentatif des diverses tonalités que peut prendre le théâtre de l'époque, visant à la fois à édifier et à divertir le public.
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"What if the Other were you? What if we were the Other? Being part of an environment is second nature to many of us. For others, it is not. Others are perceived as not belonging to by virtue of their language, appearance, skin color, way of dressing, gesticulating, and speaking. In this book, Genevieve Makaping denounces the structural racism of contemporary Italy, emphasizing the way in which diverse forms of inequality-race, color, gender, class-intersect and feed off each other. Drawing on her own experiences, Genevieve Makaping spins the customary gaze of anthropology around, and the gaze that in colonial ethnography was directed at the so-called uncivilized indigenous and Black peoples, now focuses on the white majority as seen from her point of view. She-a Black Italian woman, whom the white gaze often sees as the Other-has chosen the path of participant observation in order to study the white majority: "I gaze at myself who gazes at them who have always gazed at me." This reversal of perspective forces white people who are used to being characterized by "normality" rather than by "whiteness," to experience what it is like to constantly be "the Other". Genevieve Makaping's book-challenging, original, incisive-stimulates reflection. It forces readers, not just in Italy but all over our increasingly globalized world, to become aware of and to confront the question of racism through the retelling of everyday occurrences that we might have experienced as victims, perpetrators, or witnesses. But above all it urges us-all of us-to decide what side "we" are on and what community "we" belong to. It ultimately poses the fundamental question of who "we" are"--
Women, Black --- Women immigrants --- Cameroonians --- Black people --- Bamileke (African people) --- Marginality, Social --- Social conditions. --- Makaping, Geneviève. --- Italy --- Race relations --- History --- anthropological memoir, Traiettorie di sguardi, Università della Calabria, Geneviève Makaping, racism, sexism, Italy, discrimination in Italy, author analysis, trips to italy, Italian scholars, Bamileke Immigrant Woman, Bamileke.
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