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This volume explores the importance of inter-generational oral culture and stories that transcend time, space, and boundaries transmitted historically from one generation to the next through proverbs, idioms, and folklore tales in different geographical and spatial contexts. These important stories and their embedded life lessons are introduced, explained, and supplemented with pre and post educational activities and lesson plans to be used as learning resources. The centering of orality as a tool and medium for educating the future generation is a reclamation and reaffirmation of Indigeneity, Indigenous knowledges. and non-hegemonic approaches to support students in a socio-culturally sustaining manner. Through this understanding, this book explores the interconnectedness between culture, traditions, language, and way of life through oral storytelling, sharing, and listening. .
Teaching --- lesgeven --- Folklore and education. --- Folklore --- Educació
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Wehali defines itself as the ritual centre of the island of Timor. As a ritual centre, Wehali continues to be the residence of a figure of traditional authority on whom, in the 18th century, the Dutch conferred the title of Kaiser (Keizer) and to whom the Portuguese gave the title of Emperor (Imperador).
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Folklore --- Legends --- Werewolves --- History.
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In recent decades, the focus of Folklore Studies has shifted from analysing the products of oral traditions as texts to examining the ways in which people use and produce these items, and the areas of study have broadened to include vernacular cultures and genres in diverse verbal and material forms. As evident from the introduction and twelve chapters of this collection, these interests are today shared by several disciplines that cooperate in the area of cultural studies. This book provides insights into current questions about the "nature" of words: it discusses both the inherent essence of vernacular expression and how that essence is tied to various genre-ecological, performative, and material environments. The chapters include studies on the poetics, form, function, performance, and composition of traditional and new vernacular forms, including explorations of hybridity, materiality, and change, as well as critical examinations of archival practices and publication processes.
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Wie viel er uit een vliegtuig in Genk? Wat zit er in de Duivelsput van Oostduinkerke? Wie gaf er ooit een lift aan Tina Turner in Brussel? Waarom stond er een totempaal in de Antwerpse haven? Wie woonde ooit op een kerkhof in Gent? Radio 2 stuurde de allerbeste mysteriejagers uit naar alle uithoeken van Vlaanderen om er onopgeloste raadsels en vreemde gebeurtenissen uit te pluizen. Van verdwenen schilderijen tot spoken, van massagraven tot geheime boodschappen, van een krokodil in een kapel tot het bed van Napoleon: dit boek biedt een lange reeks spannende en waargebeurde verhalen om uren zoet mee te zijn!
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In recent decades, the focus of Folklore Studies has shifted from analysing the products of oral traditions as texts to examining the ways in which people use and produce these items, and the areas of study have broadened to include vernacular cultures and genres in diverse verbal and material forms. As evident from the introduction and twelve chapters of this collection, these interests are today shared by several disciplines that cooperate in the area of cultural studies. This book provides insights into current questions about the "nature" of words: it discusses both the inherent essence of vernacular expression and how that essence is tied to various genre-ecological, performative, and material environments. The chapters include studies on the poetics, form, function, performance, and composition of traditional and new vernacular forms, including explorations of hybridity, materiality, and change, as well as critical examinations of archival practices and publication processes.
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In recent decades, the focus of Folklore Studies has shifted from analysing the products of oral traditions as texts to examining the ways in which people use and produce these items, and the areas of study have broadened to include vernacular cultures and genres in diverse verbal and material forms. As evident from the introduction and twelve chapters of this collection, these interests are today shared by several disciplines that cooperate in the area of cultural studies. This book provides insights into current questions about the "nature" of words: it discusses both the inherent essence of vernacular expression and how that essence is tied to various genre-ecological, performative, and material environments. The chapters include studies on the poetics, form, function, performance, and composition of traditional and new vernacular forms, including explorations of hybridity, materiality, and change, as well as critical examinations of archival practices and publication processes.
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"Modernization and conversion to world religions are threatening the survival of traditional belief systems, leaving behind only mysterious traces of their existence. This book, based upon extensive research conducted over a period of nearly four decades, brings scientific rigor to one of the questions that have always attracted human curiosity: that of the origin of the "dragon". The author demonstrates that both dragons and rainbows are cultural universals, that many of the traits that are attributed to dragons in widely separated part of the planet are also attributed to rainbows, and that the number and antiquity of such shared traits cannot be attributed to chance or common inheritance, but rather to common cognitive pathways by which human psychology has responded to the natural environment in a wide array of cultures around the world"--
Dragons --- Rainbows --- Folklore. --- Mythology.
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In recent decades, the focus of Folklore Studies has shifted from analysing the products of oral traditions as texts to examining the ways in which people use and produce these items, and the areas of study have broadened to include vernacular cultures and genres in diverse verbal and material forms. As evident from the introduction and twelve chapters of this collection, these interests are today shared by several disciplines that cooperate in the area of cultural studies. This book provides insights into current questions about the "nature" of words: it discusses both the inherent essence of vernacular expression and how that essence is tied to various genre-ecological, performative, and material environments. The chapters include studies on the poetics, form, function, performance, and composition of traditional and new vernacular forms, including explorations of hybridity, materiality, and change, as well as critical examinations of archival practices and publication processes.
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