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"This edited volume uses an interdisciplinary approach to art and design that not only reframes but also repositions agendas and actions to address fragmented global systems. Contributors explore the pluriverse of art and design through epistemological and methodological considerations. What kinds of sustainable ways are there for knowledge transfer, supporting plural agendas, finding novel ways for unsettling conversations, unlearning and learning and challenging power structures with marginalised groups and contexts through art and design? The main themes of the book are art and design methods, epistemologies and practices that provide critical, interdisciplinary, pluriversal and decolonial considerations. The book challenges the domination of the white logic of art and design and shifts away from the Anglo-European one-world system towards the pluriverse. The book will be of interest to scholars working in art history, visual studies, arts-based research, and design studies"-- Provided by publisher.
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"This edited volume uses an interdisciplinary approach to art and design that not only reframes but also repositions agendas and actions to address fragmented global systems. Contributors explore the pluriverse of art and design through epistemological and methodological considerations. What kinds of sustainable ways are there for knowledge transfer, supporting plural agendas, finding novel ways for unsettling conversations, unlearning and learning and challenging power structures with marginalised groups and contexts through art and design? The main themes of the book are art and design methods, epistemologies and practices that provide critical, interdisciplinary, pluriversal and decolonial considerations. The book challenges the domination of the white logic of art and design and shifts away from the Anglo-European one-world system towards the pluriverse. The book will be of interest to scholars working in art history, visual studies, arts-based research, and design studies"-- Provided by publisher.
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"This edited volume uses an interdisciplinary approach to art and design that not only reframes but also repositions agendas and actions to address fragmented global systems. Contributors explore the pluriverse of art and design through epistemological and methodological considerations. What kinds of sustainable ways are there for knowledge transfer, supporting plural agendas, finding novel ways for unsettling conversations, unlearning and learning and challenging power structures with marginalised groups and contexts through art and design? The main themes of the book are art and design methods, epistemologies and practices that provide critical, interdisciplinary, pluriversal and decolonial considerations. The book challenges the domination of the white logic of art and design and shifts away from the Anglo-European one-world system towards the pluriverse. The book will be of interest to scholars working in art history, visual studies, arts-based research, and design studies"-- Provided by publisher.
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This book portrays the phenomenon of cultural diversity in its true context and helps readers to understand a variety of multicultural and intercultural issues. It also explores how cultural diversity can be learned and coexist with and create a conducive environment of creativity and innovation.
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Explores efforts of rural citizens to counter intolerance, build inclusive communities, and become better neighbours.
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"Globalizing International Theory adds to the literature on non-Western IR theory by probing the question of what it means to globalize international theory. The book starts with the premise that international theory is unfinished, incomplete, and homogenous, because it provides a limited conception of the international which, in turn, derives from its partiality that reflects its narrow Western-centric bias. The contributors argue that the IR vision of the world is projected through a polarizing Western-filtered lens. Rather than utilizing an objective set of explanatory tools for explaining world politics, the reality is that orthodox IR theory only tells us why 'the West is best' and why 'the Rest should become like the West'. This means that international theory is not truly international. In provincializing Western international theory, this volume navigates beyond the Eurocentric and imperial frontier of the prevailing limited conception of the international to explore the hidden contributions to international theory which can be found in the non-Western world. Bringing in excluded, non-Western conceptions of international theory highlights a broader conception of the international. The book provides a framework for theorizing globally, exploring the fundamental problems with Western IR theory, and how to overcome them. This book will be used by advanced undergraduate and postgraduate students, scholars, researchers, and IR theorists worldwide who are interested in non-Western IR theory. It will help navigate the problem of internationalness in the face of the grand theoretical problem of our time: the use and misuse of international theory in making sense of, and responding to, the complex global realities of the 21st century"--
International relations --- Cultural pluralism. --- Multiculturalism. --- Philosophy.
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Partir, revenir et faire circuler : telle est la vie en mouvement permanent des gens de Santo Antão, cette île au nord de l'archipel du Cap-Vert. Au fil d'une expérience ethnographique menée sur plusieurs années et dans plusieurs lieux (Cap-Vert, Luxembourg, Belgique), l'auteure invite à basculer dans un monde où le départ en migration est transmis en héritage. Et où circuler devient alors la condition pour perpétuer le lien entre les individus, que ce soit à l'échelle de la famille ou de toute la société
Cultural pluralism --- Ethnology --- Group identity --- Cabo Verde
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Lorsque Shuna franchit la porte d'entrée de la maison familiale, elle change de visage et s'efforce d'être une bonne fille musulmane aux yeux de ses parents. Prise entre deux cultures - celle de son père, anglais, et celle de sa mère, bangladaise-, la jeune femme est de plus en plus tiraillée et mal à l'aise dans ce rôle. Le jour où elle accepte la demande en mariage de David, un non-musulman, le masque se brise définitivement. A la cérémonie, ses parents sont absents. Ils refusent de célébrer cette union. "Je suis métisse" dépeint à la fois les conflits intergénérationnels et ceux autour de l'identité. Au fil des pages, Sayra Begum nous invite au plus profond des fractures émotionnelles et spirituelles qui divisent la famille.
Cultural pluralism --- Intermarriage --- Diversité culturelle --- Mariage mixte
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