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This book reconstructs the factional-ideological conflicts surrounding socialist transformation and political reform in China that were played out through 'factional model-making', a norm-bound mechanism for elites of the Chinese Communist Party to contest the party line publicly. Dazhai, Anhui, Nanjie, Shekou, Shenzhen, Guangdong and Chongqing were cultivated into factional models by party elites before Xi Jinping came to power in 2012. Although factional model-making undermined party discipline, it often did not threaten regime security and even contributed to regime resilience through strengthening collective leadership and other means. This follows that the suppression of factional model-making under Xi might undermine longer-term regime resilience. However, Xi believes that regime security rests on his strongman rule, not any benefits that factional model-making may contribute. It is in this spirit that he grooms Zhejiang into a party model for his policy programme of common prosperity, which is designed to legitimize his vision of socialism.

HISTORY / Asia / China. --- Chinese Communist Party, factionalism, ideology, model, policymaking.

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Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era.Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.

HISTORY / Asia / China. --- history of the chinese novel, Ming Dynasty literature, four classic novels of china, Water Margin meaning, vernacular Mandarin novels.

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Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era.Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.

HISTORY / Asia / China. --- history of the chinese novel, Ming Dynasty literature, four classic novels of china, Water Margin meaning, vernacular Mandarin novels.