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This book explores tools and techniques for creating the arts with groups. It provides insights into why workshops are such an effective and relevant form of creative practice. Throughout, two experienced practitioners share successful principles and qualities. They also include examples of workshops that explore ways of facilitating creative exploration. The authors believe that underpinning any good workshop practice is an understanding of what constitutes a workshop. This is a process in which the relationship between artist/researcher and participant/audience, maker, and witness is fluid. It extends each individual’s abilities and connects doing to learning to inquiring in a single process. The book itself is a dialogue on, and an investigation into, this practice. It fully explores the specificities of workshop practice in relation to how it engages others in arts-based research. Readers learn how workshops involve inquiry into six areas: inquiry into subjects, artistic processes, skills, self, the world, and relationships with others. In the end, this informed investigation helps practitioners to better reflect on their own approaches to arts-based inquiry and research. This, in turn, leads to a better understanding of how readers can use workshops for the maximum benefit of all participants, both individuals and groups.
Art—Study and teaching. --- Education—Research. --- Creativity and Arts Education. --- Research Methods in Education. --- Tallers --- Creació artística --- Ensenyament de l'art
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This book stories social movements on the margins. Foregrounding historically silenced, dismissed and ignored Aboriginal, young, voiceless, and intersex Australian activists, the book theorizes how movement away from exclusionary praxis at the margins can offer renewed hope. Using diverse and creative forms of research underpinned by storying, social movement and critical race theoretical knowledge with a commitment to social justice, this book will be of interest and value to scholars of cultural studies, Indigenous studies, education, human geography, political sciences, and sociology. Louise Gwenneth Phillips is an Associate Professor in Education at Southern Cross University, Australia. Tracey Bunda is Academic Director of the Aboriginal and Torres Strait Islander Studies Unit, University of Queensland, Australia.
Art—Study and teaching. --- Social justice. --- Human geography. --- Creativity and Arts Education. --- Social Justice. --- Human Geography. --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Equality --- Justice --- Moviments socials --- Justícia social
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This book offers reflections from Arts-Based Educational Research (ABER) scholars who, since 2005, were awarded the American Educational Research Association ABER Special Interest Group's Outstanding Dissertation Award. The book includes essays from ten awardees who, across diverse artistic disciplines, share how their ABER careers evolve and succeed—inspiring insights into the possibilities of ABER. It also examines the essential role of mentorship in the academy that supports and expands ABER scholarship. Drawing from dissertation exemplars in the field, this book allows readers to look at how ABER scholars learn with the world while creatively researching and teaching in innovative ways “This text is remarkable for the immense diversity of situating creativity as inquiry in educational research from multiple cultural, theoretical, and substantive perspectives. The scholars in this text demonstrate the interdisciplinary understanding and enactment of Arts-Based Educational Research, thus allowing the work to exceed the boundaries of education in generative ways. This text is also a pedagogical text that can be used to teach multiple graduate-level classes within education and beyond. Most importantly, this text creates a fertile ground for cognitive, affective, and spiritual shifts that are transformative, offering the reader possibilities for inquiry that exceed traditional expectations.” — Kakali Bhattacharya, Professor. Qualitative Research Program. Research, Evaluation, Measurement. College of Education, University of Florida “Arts-Based Educational Research Trajectories provides a historically-situated, intergenerational account of ABER, calling attention to how it has – over the last 30 years – forged its space in the academy and among researchers. The essays highlight the art, creativity, and scholarship of ABER as contributors engage storytelling, textual and visual inquiry and reflect on their ABER journeys. ABER Trajectories is the book I needed as a budding ABER scholar, and I am overjoyed to know it is in the world now, further cementing the legitimacy already known to and felt by the scholars who embrace it!” — Qiana Cutts, PhD, Mississippi State University. Arts- Based Educational Research Chair, 2021-2023.
Education—Research. --- Art—Study and teaching. --- Education, Higher. --- Educational Research. --- Creativity and Arts Education. --- Higher Education. --- College students --- Higher education --- Postsecondary education --- Universities and colleges --- Education --- Ensenyament de l'art --- Educació superior --- Desenvolupament professional --- Mentoria
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This open access book discusses the functionality of the use of the language of photography in teachers' initial and ongoing training. It analyzes the nature of photography as a representation system, facilitating inquiry and reflection on its practice for teachers and evocating on theories and beliefs that may guide their work in classrooms. Photography is used to represent symbolically and affectively possible contradictions in teaching activities or the inconsistencies between planned teaching tasks and the educational purposes pursued. Resolving these conflicts is one of the ways to promote professional development. This book also describes photo-elicitation and photographic storytelling as work procedures. By analyzing the contributions of these techniques, the development of teachers is improved.
Teachers—Training of. --- Professional education. --- Vocational education. --- Art—Study and teaching. --- Teaching and Teacher Education. --- Professional and Vocational Education. --- Creativity and Arts Education. --- Education, Vocational --- Vocational training --- Work experience --- Education --- Technical education --- Education, Professional --- Career education --- Education, Higher --- Fotografia en l'ensenyament --- Formació del professorat
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This book shows the continuing importance of art education. Art education attracts students who see multiple meanings and justifications for the worth of that education. Their engagement in art education is not limited to the uncertain prospects for jobs or routes into employment in the arts. Fürst and Nylander approach art education through a rich array of empirical examples derived from Swedish folk high school programs in music, visual arts, and creative writing. Based on an analytical framework of pragmatic sociology, the book allows the reader to understand the competences and critical capacities held by students and teachers. The book challenges the dominant public perception of art education and broadens our understanding of what it is good for. The Value of Art Education is essential reading for those defending the status of this vital sector of education, offering a deeper understanding of why people engage, what they gain, and the social importance of the arts. Henrik Fürst earned his PhD degree in Sociology from Uppsala University, Sweden. He is an Associate Professor in Education at Stockholm University. Erik Nylander is lecturing at the folk high school teacher program at Linköping University, Sweden, where he also holds a faculty position as Associate Professor in Education. .
Art—Study and teaching. --- Education. --- Education and state. --- Creativity and Arts Education. --- Education Policy. --- Educational Policy and Politics. --- Education --- Education policy --- Educational policy --- State and education --- Social policy --- Endowment of research --- Children --- Education, Primitive --- Education of children --- Human resource development --- Instruction --- Pedagogy --- Schooling --- Students --- Youth --- Civilization --- Learning and scholarship --- Mental discipline --- Schools --- Teaching --- Training --- Government policy --- Art
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This book examines the role of the visual and performing arts in higher education and argues for the importance of socially engaged transdisciplinary practices, not just to the college curriculum but also to building an informed and engaged citizenry. The first chapter defines and offers an outline for conducting transdisciplinary research. Chapters two through five present examples of transdisciplinary projects facilitated in Central Florida between 2017 and 2022. Topics and methodological frameworks include ecocriticism and climate change, migration, poverty, and displacement, ageing and disability, and systemic racism and mass incarceration. Each chapter includes descriptions of the projects and outlines how they integrated the essential learning outcomes articulated by the American Association of Colleges and Universities in the Liberal Education and America’s Promise report. A concluding chapter offers reflections on the value of transdisciplinary collaborative work and poses questions for further discussions on the role of the arts in higher education. The book is designed for graduate and undergraduate students, faculty, and non-academics interested in engaging in transdisciplinary projects to address complex societal issues. Julia Listengarten, Pegasus Professor of Theatre and Artistic Director of the School of Performing Arts, University of Central Florida, USA Keri Watson, Associate Professor of Art History and Director of the Florida Prison Education Project, University of Central Florida, USA.
Art—Study and teaching. --- Education, Higher. --- Performing arts. --- Theater. --- Creativity and Arts Education. --- Higher Education. --- Theatre and Performance Arts. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Show business --- Arts --- Performance art --- College students --- Higher education --- Postsecondary education --- Universities and colleges --- Education --- Educació superior --- Ensenyament de l'art --- Arts de l'espectacle --- Interdisciplinarietat en l'ensenyament --- Florida
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This contributed volume book aims at discussing transdisciplinary approaches to address common problems. By working transdisciplinarily, researchers coming from different disciplines can work jointly using a shared conceptual framework bringing together disciplinary-specific theories and concepts. There are numerous barriers that can obstruct effective communication between different cultures, communities, religions and geographies. This book shows that through bringing together different disciplines, researchers not only can surpass these barriers but can effectively produce new venues of thought that can positively affect the development and evolution of research and education. The book discusses new and emerging applications of knowledge produced by transdisciplinary efforts and covers the interplay of many disciplines, including agriculture, economics, mathematics, engineering, industry, information technology, marketing, nanoscience, neuroscience, space exploration, human-animal relationships, among others. Consequently, it also covers the relationship between art and science, as one of the most remarkable transdisciplinary approaches that paves the way for new methods in engineering, design, architecture and many other fields. .
Interdisciplinary research. --- IDR (Research) --- Research, Interdisciplinary --- Transdisciplinary research --- Research --- Theory of knowledge --- Philosophy of science --- Professional ethics. Deontology --- Aesthetics --- Medicine—Research. --- Biology—Research. --- Art—Study and teaching. --- Biomedical engineering. --- Philosophy. --- Economic sociology. --- Biomedical Research. --- Creativity and Arts Education. --- Biomedical Engineering and Bioengineering. --- Economic Sociology. --- Economic sociology --- Economics --- Socio-economics --- Socioeconomics --- Sociology of economics --- Sociology --- Mental philosophy --- Humanities --- Clinical engineering --- Medical engineering --- Bioengineering --- Biophysics --- Engineering --- Medicine --- Social aspects
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Anxiety is perhaps the defining psychological malady of our age, whereas creativity is seen as an almost unassailable good, its importance heralded and promoted in a range of disciplines and domains. A number of diverse thinkers and researchers have tried to unpick the relationship between anxiety and creativity, and this short book explores and connects some of their ideas and findings. Drawing on psychoanalysis and neuroscience, existential psychology and mindfulness, literary studies and philosophy, this book places a range of different disciplines in dialogue. It explores how creativity and anxiety might impact one another, and argues for the importance of establishing a diverse and inclusive cultural space which everyone can draw from and contribute to. Gavin Goodwin is a lecturer in English and Creative Writing at Aberystwyth University, UK. He is a co-director of Contempo (The Centre for Contemporary Poetry), a collaborative, cross-institutional research centre, and a published poet. .
Creative writing. --- Art—Study and teaching. --- Critical psychology. --- Social psychology. --- Mental health. --- Creative Writing. --- Creativity and Arts Education. --- Critical Psychology. --- Social Psychology. --- Mental Health. --- Emotional health --- Mental hygiene --- Mental physiology and hygiene --- Happiness --- Health --- Public health --- Mental illness --- Psychiatry --- Psychology --- Psychology, Pathological --- Mass psychology --- Psychology, Social --- Human ecology --- Social groups --- Sociology --- Psychology, Critical --- Communism and psychology --- Writing (Authorship) --- Authorship --- Creation (Literary, artistic, etc.) --- Creativitat --- Ansietat --- Psicoanàlisi --- Neurociències
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This book introduces the educational philosophies of notable African and Asian thinkers who tend to be little recognized in Europe and North America. It offers specific resources for diversification of higher education curricula. The book expands the philosophy of education, in clear language, to include ideas of major non-western educational thinkers who are little discussed in previous publications. It includes critical analysis of non-western concepts and consideration of their relevance to schools worldwide. The book features discussions of how the work of Tagore and postcolonial thinkers offers diverse visions that increasingly inspire a decolonizing approach to education. This book offers a unique emphasis on how a decolonized philosophy of education can especially enable a rethinking of approaches to education in arts and humanities subjects.
Education—Philosophy. --- Art—Study and teaching. --- Education and state. --- International education. --- Comparative education. --- Educational sociology. --- Educational Philosophy. --- Creativity and Arts Education. --- Educational Policy and Politics. --- Philosophy of Education. --- International and Comparative Education. --- Sociology of Education. --- Education and sociology --- Social problems in education --- Society and education --- Sociology, Educational --- Sociology --- Education --- Education, Comparative --- Global education --- Intellectual cooperation --- Internationalism --- Education policy --- Educational policy --- State and education --- Social policy --- Endowment of research --- Aims and objectives --- History --- Government policy --- Filosofia de l'educació --- Descolonització
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This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art. Bokyung Kim is Instructional Assistant Professor of Art History at the University of Mississippi, USA. Her current research involves several topics in the early interactions between Java (Indonesia) and the mainland of Southeast Asia. Kyunghee Pyun is Associate Professor of Art History at the Fashion Institute of Technology, State University of New York, USA. Her scholarship focuses on history of collecting, reception of Asian art and design, diaspora of Asian artists, and Asian American visual culture.
Art—Study and teaching. --- Teachers—Training of. --- Southeast Asia—History. --- Art—History. --- Creativity and Arts Education. --- Teaching and Teacher Education. --- History of Southeast Asia. --- Art History. --- Art, South Asian. --- Art, Southeast Asian. --- Southeast Asian art --- South Asian art --- Art --- Teachers --- Southeast Asia --- Study and teaching. --- Training of. --- History. --- Art history --- History of art --- Teacher education --- Teacher training --- Teachers, Training of --- Art education --- Education, Art --- Art schools --- Analysis, interpretation, appreciation --- Education --- Ensenyament de l'art --- Formació del professorat --- Sud-est asiàtic
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