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"Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"-- Provided by publisher.
African American art. --- African American artists. --- Art and race.
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One of the most important American contemporary artists, Kerry James Marshall is known for artworks that address the ‘crisis of under-representation’ of the black figure in the pictorial traditions of the Western world, from museums to comic books. His work has been widely celebrated in major museum retrospectives such as Kerry James Marshall: Painting and Other Stuff (Antwerp, Copenhagen, Barcelona, Madrid) in 2014 and Mastry (Chicago, New York, Los Angeles) in 2017, and through numerous awards, including a MacArthur Fellowship in 1997. Best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. An assiduous worker, he spent his youth acquiring time-honored skills of art – drawing and painting, but also wood engraving and printing. By his midtwenties, he recalls, ‘I could paint in egg tempera.… I was good at printmaking. I could do woodcuts, etchings, aquatints. I knew all of those techniques.’ Most of his prints have been produced not in professional print workshops, but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12 panel woodcut Untitled (1998–99), to iterations of his ongoing magnum opus, Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist’s archive and are unknown to the public. This catalog raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall’s work as a whole.
Marshall, Kerry James --- Marshall, Kerry James, --- Graphic arts --- catalogues raisonnés --- printmakers --- prentkunst --- African American artists --- Artists, Black --- Prints, American --- African American artists. --- Artistes noirs américains. --- Artistes noirs --- Estampe américaine --- Artistes noirs américains --- bookworks. --- 1900-2099
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"The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
African American collage --- Collage, American --- African American art --- African American artists --- Collage (Art) américain --- Art noir américain --- Artistes noirs américains --- 2000-2099
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The most comprehensive publication to date on widely celebrated artist Rashid Johnson. This edition has been signed by Rashid Johnson.Working with a variety of media that includes painting, sculpture, photography, video, and performance, Rashid Johnson has created a nuanced and iconographic body of work that connects literature, music, and art. Personal references and pervasive cultural narratives are interweaved with the legacy of modernist abstraction, producing what critics have labelled ‘conceptual post-black art’. A precocious talent (his work was included in the seminal ‘Freestyle’ exhibition in New York in 2001), Johnson received the High Museum of Art’s David C. Driskell Prize, which honours contributions in the field of African-American art.
Johnson, Rashid, --- African American artists --- Art, Modern --- Art --- paintings [visual works] --- sculpture [visual works] --- outdoor sculpture --- installations [visual works] --- music [performing arts genre] --- photography [process] --- video art --- performance art --- Plantae [kingdom] --- literature [documents] --- ethnicity --- narrative art --- mosaics [visual works] --- Johnson, Rashid
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"The first major monograph on Simone Leigh's multimedia explorations of community, Black feminism and the traditions and material cultures of the African diaspora. Over the past two decades, Simone Leigh has created artwork that situates questions of Black femme-identified subjectivity at the center of contemporary art discourse. Her sculpture, video, installation and social practice explore ideas of race, beauty and community in visual and material culture. Leigh's art addresses a wide swath of historical periods, geographies and traditions, with specific references to materials across the African diaspora, as well as forms traditionally associated with African art and architecture. This publication includes substantial new scholarship addressing Leigh's work across mediums and topics. The volume, timed with a major exhibition and national tour of the artist's work, includes contributions by her longtime collaborators, new scholars who add diverse insights and perspectives, and a conversation highlighting Leigh's voice. Additionally, generous and lushly illustrated plates feature her critically acclaimed work for the 59th Venice Biennale and works made throughout her 20-year career. A special section featuring Leigh's research images gives access to Leigh's research methodologies and encourages readers to fully engage with all aspects of Leigh's work. This monograph provides a timely opportunity to gain a holistic understanding of the complex and profoundly moving work of this groundbreaking artist." --
Leigh, Simone --- Criticism and interpretation. --- African American sculptors --- African American sculpture --- African American women artists --- African American artists --- Art, American --- Art, Modern --- Artists --- Sculpture, American --- Sculpture, Modern --- Sculpteurs noirs américains --- Sculpture noire américaine --- Femmes artistes noires américaines --- Artistes noirs américains --- Art américain --- Art --- Artistes --- Sculpture américaine --- Sculpture --- ART / General. --- 2000-2099 --- United States --- African American
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