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An absorbing group biography revealing how exiles from war-torn France brought Surrealism to America, helping to shift the centre of the art world from Paris to New York and spark the movement that became Abstract Expressionism. In 1957 the American artist Robert Motherwell made an unexpected claim: "I have only known two painting milieus well: the Parisian Surrealists, with whom I began painting seriously in New York in 1940, and the native movement that has come to be known as "abstract expressionism", but which genetically would have been more properly called "abstract surrealism". Motherwell's bold assertion, that Abstract Expressionism was neither new nor local, but born of a brief liaison between America and France, verged on the controversial. Surrealists in New York tells the story of this "liaison" and the European exiles who bought Surrealism with them - an artistic exchange between the Old World and the New - centring on taciturn printmaker Stanley William Hayter and the legendary Atelier 17 print studio he founded. Here artists' experiments literally pushed the boundaries of modern art. It was in Hayter's studio that Jackson Pollock found the balance of freedom and control that would culminate in his distinctive drip paintings. The impact of Max Ernst, André Masson, Louise Bourgeois and other noted émigrés on the work of Motherwell, Pollock, Mark Rothko and the American avant-garde has for too long been quietly written out of art history. Drawing on first-hand documents, interviews and archive materials, Charles Darwent brings to life the events and personalities from this crucial encounter. In so doing, he reveals a fascinating new perspective on the history of the art of the twentieth century.
Surrealism --- Abstract expressionism --- kunst --- kunstgeschiedenis --- twintigste eeuw --- Motherwell Robert --- abstract expressionisme --- surrealisme --- 7.037/038 --- Atelier 17 --- grafiek --- wereldoorlog II --- Rothko Marc --- Pollock Jackson --- de Kooning Willem --- Hayter Stanley William --- Bourgeois Louise --- Baziotes Wiliam --- Expressionism (Art) --- Painting, Abstract --- Art informel --- Superrealism --- Surrealism in art --- Arts, Modern --- History --- Hayter, Stanley William --- History. --- New York (N.Y.) --- Intellectual life --- abstract expressionisme. --- Atelier 17 (New York). --- surrealisme. --- Pollock, Jackson. --- Blake, William. --- Bourgeois, Louise. --- Miró, Joan. --- Hayter, Stanley William. --- 20ste eeuw. --- Amerika. --- Europa. --- Atelier 17 (New York) --- Pollock, Jackson --- Blake, William --- Bourgeois, Louise --- Miró, Joan --- 20ste eeuw --- Amerika --- Europa
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Drawing on the avant-garde movements of both Expressionism and Surrealism, the women of Abstract Expressionism redefined artistic practice as an immersive arena for action, process and consciousness. Their paintings were regarded not as images but as events. Although the movement officially began in mid-century USA, it quickly – through myriad means – spread around the world and became a catalyst for redefining ideas around aesthetics, poetry, philosophy and politics. This new publication, accompanying a major European touring exhibition, will include works by 40 artists from across the globe, from well-known practitioners such as Carmen Herrera, Etel Adnan, Sandra Blow and Helen Frankenthaler, to lesser-known names from countries such as Australia, China, Iceland, Japan, Mexico, Mozambique, Romania and Venezuela: women who took up the ideas and methodologies of the movement but endowed them with specific cultural and subjective dimensions.
Painting, Abstract --- Women artists --- Art, Abstract --- kunst --- twintigste eeuw --- abstract expressionisme --- abstractie --- abstracte schilderkunst --- action painting --- 75.036 --- 7.038 --- Abbott Mary --- Adnan Etel --- Afnan Maliheh --- Armer Ruth --- Ayres Gillian --- Barbarigo Ida --- Di Benedetto Noemí --- Bergman Anna-Eva --- Biala Janice --- Bing Bernice --- Blow Sandra --- Bongé Dusti --- Chinyee --- Choi Wook-kyung --- DeFeo Jay --- Edelheit Martha --- Ehrenhalt Amaranth --- Fayoumi Asma --- Fenichel Lilly --- Fine Perle --- Fischer-Hansen --- Flack Audrey --- Fonnesbech-Sandberg Elna --- Francés Juana --- Frankenthaler Helen --- Gechtoff Sonia --- Godwin Judith --- Gómez-Sánchez Gloria --- Gramcko Elsa --- Grilo Sarah --- Hartigan Grace --- Holt Lilian --- Johnson Buffie --- Katsura Yuki --- Khal Helen --- De Kooning Elaine --- Krasner Lee --- Lassnig Maria --- Lazzari Bice --- Lifang --- Lopes Bertina --- Mellis Margaret --- Minujín Marta --- Mitchell Joan --- Miyawaki Aiko --- Mohalyi Yolanda --- Mohamedi Nasreen --- Nakano Emiko --- Nikel Lea --- Ohtake Tomie --- Ostrower Fayga --- Pardo Mercedes --- Park Charlotte --- Parsons Betty --- Passlof Pat --- Rahon Alice --- Rama Carol --- Raymond Marie --- Reigl Judit --- Remington Deborah --- Ringvall Britta --- Rosenstein Erna --- Sadr Behjat --- Saikali Nadia --- Sánchez Zilia --- Sanín Fanny --- Schapiro Miriam --- Schumann Sarah --- Schwabacher Ethel --- Sekula Sonja --- Shinoda Toko --- Snowden Sylvia --- Sobel Janet --- Springford Vivian --- Themerson Franciszka --- Thomas Alma --- Thomas Yvonne --- Thun Hedwig --- Tryggvadóttir Nína --- Vaudrey Elsa --- Vieira da Silva Maria Helena --- West Michael --- Abstraction lyrique
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