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'Watch and Ward' is James' first novel. Serialised in 1871 and published in book form in 1878, it marks an important stage in James's novelistic development. This scholarly edition provides extensive annotations, a detailed textual history, and a full introduction exploring the novel's literary, cultural and historical contexts.
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This book shows how the creative process of modernist writer James Joyce can be reconstructed from his manuscripts. Daniel Ferrer offers a practical demonstration of the theory of genetic criticism, the study of the manuscript and textual development of a literary text. Using a concrete approach focused on the materiality of Joyce’s writing process, Ferrer demonstrates how to recover the process of invention and its internal dynamics. Using specific, detailed examples, Ferrer analyzes the part played by chance in Joyce’s creative process, the spatial dimension of writing, the genesis of the “Sirens” episode, and the transition from Ulysses to Finnegans Wake. The book includes a study of Joyce’s mysterious Finnegans Wake notebooks, examining their strange form of intertextuality in light of Joyce’s earlier forms of note-taking. Moving beyond the single author perspective, Ferrer contrasts Joyce’s notes alluding to Virginia Woolf’s criticism of Ulysses with Woolf’s own notes on the novel’s first episodes. Throughout this book, Ferrer describes the logic of the creative process as seen in the record left by Joyce in notebooks, drafts, typescripts, proofs, correspondence, early printed versions, and other available documents. Each change detected reveals a movement from one state to another, a new direction, challenging readers to understand the reasons for each movement and to appreciate the wealth of information to be found in Joyce’s manuscripts. --University Press of Florida
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"Ben ik ooit graag gezien" vraagt James Ensor aan zijn zus Mitche. Mitche probeert hierop een antwoord te vinden. Want niemand anders dan Mitche kende het gevoelsleven van haar broer James zo goed. Ze legt Ensors moeizame relatie met vrouwen bloot en ontleedt de belangrijke vrouwelijke invloeden op zijn werk. "De oestereetster vertelt" werpt een vrouwelijke, intieme blik in de leef- en gevoelswereld van de venijnige, gekwelde en oh zo gevoelige James Ensor. Het is een faction story over liefde, kunst en krachtige vrouwen.
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James Ensor, peintre, dessinateur, graveur, écrivain, figure controversée à la charnière des XIXe et XXe siècles, et le sujet de ce roman graphique. Personnage excentrique familier aux Ostendais, il se forge une réputation mondiale, notamment avec ses masques et squelettes. Singulièrement, ce célibataire invétéré est entouré de femmes toute sa vie : sa tante, sa mère, sa sœur et sa nièce à Ostende, sa sirène et ses bienfaitrices à Bruxelles. Elles gravitent autour de lui comme des planètes autour du soleil. Ou est-ce Ensor qui a besoin d’elles pour briller ?
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"William James is known as a nineteenth-century philosopher, psychologist, and psychical researcher. Less well-known are the medical fixations that united his multiple identities and drove his ambition to change the way American society conceived of itself in body, mind, and soul. William James, M.D. offers an account of the development and cultural significance of James's ideas and works, and establishes, for the first time, the relevance of medical themes to his major lines of thought. James lived at a time when old assumptions about faith and the moral and religious possibilities for human worth and redemption were increasingly displaced by a concern with the medically "normal" and the perfectibility of the body. Woven into treatises warning of the degeneration of humanity, these ideas comprised the origins of the eugenics movement and were manifest in a growing social stigma attached to illness and invalidism, a disturbing intellectual current in which James felt personally implicated. Most chronicles of James's life have portrayed a distressed young man, a psychological or spiritual crisis, followed by the emergence of a mature thinker who threw off his pallor of mental sickness for good. In contrast, Emma Sutton draws on his personal correspondence, unpublished notebooks, and diaries to show that James considered himself a genuine invalid to the end of his days. Sutton makes the compelling case that his philosophizing was not an abstract occupation but an impassioned response to his own life experiences and challenges. To ignore the medical James is to misread James altogether. Sales points: First book to map William James's preoccupation with medical ideas, concerns, and values across the disciplinary breadth of his work Reveals how themes of invalidism, health, and healing underpinned the genesis of many of James's major philosophical, psychological, and political ideas Draws on the approximately 9,400 items of Jamesian correspondence, together with his private notes and reading lists"--
Physicians --- Physiciens --- James, William, --- James, William
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