Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ce catalogue rend compte d'une exposition consacrée aux différentes facettes du monde de l'enfance à la fin du XIXe siècle, à travers, entre autres, les œuvres de Pierre-Auguste Renoir, Claude Monet, Camille Pissarro, sans oublier Mary Cassatt et Berthe Morisot, ainsi que des œuvres plus contemporaines. Les maîtres impressionnistes se passionnent pour la description de leurs familles mais aussi celles de leurs amis, de leurs marchands, de leurs commanditaires. Les enfants y tiennent une place particulière. Au moment où la IIIe République développe une active politique d'éducation des classes populaires et où Jules Ferry en devient le héros, les artistes s'emparent du sujet des enfants face à la société moderne. A travers différentes thématiques - maternités, nourrices, enfants d'artistes, éducation, jardins, jeux, plages, animaux, adolescence et rêveries - et une centaine d'œuvres, l'exposition témoignera de toute l'ambiguïté du thème, au-delà d'une représentation archétypique de l'enfant.

impressionisme --- kinderen --- Impressionism (Art) --- Children in art --- Painting --- Impressionnisme (Art) --- Enfants dans l'art --- France --- Portrait painting --- Portrait photography --- Peinture de portraits --- Portraits (Photographie) --- impressionisme. --- kinderen.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Bonnard's Worlds is organized by the Kimbell Art Museum and by The Phillips Collection, which holds the most important group of Pierre Bonnard's paintings outside France. The exhibition was inspired by the Kimbell's 2018 acquisition of the painter's 'Le Cannet,' a stunning work that encompasses the artist himself, his recently purchased house, and the gorgeous vistas surrounding it - a very personal theme for a work that was made specifically for a patron's home. The personal nature of Bonnard's oeuvre as a whole forms the basis for this exhibition's examination of his "worlds" - central themes that repeat throughout his long career. The exhibition's selection and arrangement, as reflected in this book's catalogue entries, reveal these worlds in order of increasing intimacy, from expansive views of Paris or the countryside, to gardens and terraces, to indoor spaces with views through windows or open doors, to dining rooms and sitting rooms, into the private spaces of bedrooms and bathrooms, and, finally, into the artist's own mirror, reflecting his hauntingly personal self-portraits. Because the works in the catalogue are not grouped by date or geography, a chronology offers a biography of the painter, while three essays by distinguished scholars explore the places most essential to Bonnard's development - Paris, Normandy, and the South of France - and a fourth essay examines Bonnard's legacy through his critical reception in the United States. Bonnard's World's offers visitors and readers the opportunity to look closely at more than seventy works, brought together from across the world and placed in visually thought-provoking juxtapositions, to better understand how Bonnard portrayed his own worlds of experience in works of art." - Front jacket flap

Bonnard, Pierre, --- Painting --- Homes and haunts --- Self-portraits --- Painting, French