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Les politiques de l’identité sont-elles vraiment porteuses d’une promesse d’égalité ? Pour Asad Haider, il n’en est rien. Au fil d’une analyse qui convoque tant l’héritage des mouvements révolutionnaires noirs que sa propre expérience de militant aux États-Unis, il montre que la compréhension de la race comme identité constitue une impasse pour la lutte antiraciste et, plus largement, pour les mouvements d’émancipation. Dévoilant la fonction consolatrice du langage de l’identité et son inscription dans une vision libérale du monde, cet essai propose une mise au point essentielle sur des sujets brûlants comme la perspective séparatiste, la rhétorique des identités blessées ou les traits constitutifs de la blanchité. Il en résulte une critique résolue du paradigme de la victimisation, qui non seulement reconduit l’idéologie de la race, mais tend à naturaliser les inégalités. À ce paradigme, Haider oppose la revendication d’une universalité insurgée : celle qui advient quand est mise en acte une pensée politique réclamant la liberté pour tous.
Political culture --- Identity politics --- African Americans --- Whites --- United States --- United States
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"The recent United States presidential election as well as the responses to the protests about the death of Blacks at the hands of the police has brought forward the question of racism among white voters. In Racial Resentment in the Political Mind, Darren Davis and David Wilson explore the idea that racial resentment, rather than simply racial prejudice, is the basis for growing resistance among whites to efforts to improve the circumstances faced by minorities in the United States. The authors start with the idea that there is growing sentiment among whites that they are "losing-out" and "being cut in line" by Blacks and other minorities, as reflected in an emphasis on diversity and inclusion, multiculturalism, trigger warnings, and political correctness, an increase in African Americans occupying powerful and prestigious positions, and the election of Barack Obama as the first Black president. The culprits, as they see it, are undeserving Blacks, as well as other minorities, who are perceived to benefit unfairly from, and take advantage of, resources that come at whites' expense. This rewarding of unearned resources challenges the status quo and the "rules of the game," especially as they relate to justice and deservingness. These reactions may not stem from racial prejudice or hatred toward Blacks; instead, they may result from threats to whites' sense of justice, entitlement, and status. This sentiment is occurring among everyday citizens who do not subscribe to hate-filled racial or nationalistic ideologies but rather seek to treat everyone respectfully and equally, even those who are different, and understand that rejecting others because of racial prejudice is offensive"--
Race awareness --- Whites --- African Americans --- Resentment --- Attitudes --- Attitudes --- Social aspects --- United States --- Race relations.
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"Whitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpose of this book is to apply the concept of "whitewashing" in stories that privilege White identities at the expense of Asian/American stories and characters. To understand whitewashing across various contexts, the book analyzes films produced in Hollywood, Asian American independent production, and US-China co-productions. Through the analysis, the book examines the ways in which whitewashing matters in the project of Whiteness and White racial hegemony. The book contributes to contemporary understanding of mediated representations of race by theorizing whitewashing, contributing to studies of Whiteness in media studies, and producing a counter-imagination of Asian/American representation in Asian-centered stories"--
Asian Americans in motion pictures. --- Ethnicity in motion pictures. --- Motion pictures --- Motion pictures --- Whites in motion pictures. --- History --- History
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"In the centuries before Europeans crossed the Atlantic, social and material relations among the indigenous Guaraní people of present-day Paraguay were based on reciprocal gift-giving. But the Spanish and Portuguese newcomers who arrived in the sixteenth century seemed interested in the Guaraní only to advance their own interests, either through material exchange or by getting the Guaraní to serve them. This book tells the story of how Europeans felt empowered to pursue individual gain in the New World, and how the Guaraní people confronted this challenge to their very way of being. Although neither Guaraní nor Europeans were in a position to grasp the larger meaning of the moment, their meeting was part of a global sea change in human relations and the nature of economic exchange. Brian P. Owensby uses the centuries-long encounter between Europeans and the indigenous people of South America to reframe the notion of economic gain as a historical development rather than a matter of human nature. Owensby argues that gain--the pursuit of individual, material self-interest--must be understood as a global development that transformed the lives of Europeans and non-Europeans, wherever these two encountered each other in the great European expansion spanning the sixteenth to nineteenth centuries"--
Exchange --- Reciprocity (Psychology) --- Guarani Indians --- Whites --- Economics --- History --- History --- History --- Relations with Indians --- History --- Moral and ethical aspects --- Paraguay --- Paraguay --- History --- Ethnic relations --- History.
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American comics from the start have reflected the white supremacist culture out of which they arose. Superheroes and comic books in general are products of whiteness, and both signal and hide its presence. Even when comics creators and publishers sought to advance an antiracist agenda, their attempts were often undermined by a lack of awareness of their own whiteness and the ideological baggage that goes along with it. Even the most celebrated figures of the industry, such as Jerry Siegel and Joe Shuster, Jack Jackson, William Gaines, Stan Lee, Robert Crumb, Will Eisner, and Frank Miller, have not been able to distance themselves from the problematic racism embedded in their narratives despite their intentions or explanations. Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels provides a sober assessment of these creators and their role in perpetuating racism throughout the history of comics. Josef Benson and Doug Singsen identify how whiteness has been defined, transformed, and occasionally undermined over the course of eighty years in comics and in many genres, including westerns, horror, crime, funny animal, underground comix, autobiography, literary fiction, and historical fiction. This exciting and groundbreaking book assesses industry giants, highlights some of the most important episodes in American comic book history, and demonstrates how they relate to one another and form a larger pattern, in unexpected and surprising ways.
Comic books, strips, etc --- Outlaws --- Racism and the arts --- Racism --- Superheroes --- Whites --- History and criticism --- Social aspects --- Race identity --- Racisme. --- Blancs. --- Hors-la-loi. --- Super-héros. --- États-Unis. --- Racisme --- Blancs
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A rigorous study of the social meaning and consequences of racist humor, and a damning argument for when the joke is not just a joke.
Racism --- Whites --- Wit and humor --- Race identity --- Attitudes. --- Political aspects --- Social aspects --- United States --- Race relations. --- alt-right. --- anti-blackness. --- far right. --- humor. --- jokes. --- law enforcement. --- police. --- politics. --- race. --- racism. --- white supremacy. --- White people
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In the centuries before Europeans crossed the Atlantic, social and material relations among the indigenous Guaraní people of present-day Paraguay were based on reciprocal gift-giving. But the Spanish and Portuguese newcomers who arrived in the sixteenth century seemed interested in the Guaraní only to advance their own interests, either through material exchange or by getting the Guaraní to serve them. This book tells the story of how Europeans felt empowered to pursue individual gain in the New World, and how the Guaraní people confronted this challenge to their very way of being. Although neither Guaraní nor Europeans were positioned to grasp the larger meaning of the moment, their meeting was part of a global sea change in human relations and the nature of economic exchange. Brian P. Owensby uses the centuries-long encounter between Europeans and the indigenous people of South America to reframe the notion of economic gain as a historical development rather than a matter of human nature. Owensby argues that gain—the pursuit of individual, material self-interest—must be understood as a global development that transformed the lives of Europeans and non-Europeans, wherever these two encountered each other in the great European expansion spanning the sixteenth to nineteenth centuries.
Economics --- Exchange --- Guarani Indians --- Reciprocity (Psychology) --- Whites --- Moral and ethical aspects. --- History. --- Relations with Indians --- Paraguay --- History --- Ethnic relations --- Anthropology. --- Empire. --- European expansion. --- Gift-Reciprocity. --- Globalization. --- Indigenous Studies. --- Intellectual and cultural history. --- Latin America. --- Missions. --- Moral economy. --- White people
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How have whites adjusted to, contributed to and detracted from democracy in South Africa since 1994? Engaging with the literature on 'whiteness' and the current trope that the democratic settlement has failed, this book provides a study of how whites in the last bastion of 'white minority rule' in Africa have adapted to the sweeping political changes they have encountered. It examines the historical context of white supremacy and minority rule, in the past, and the white withdrawal from elsewhere on the African continent. Drawing on focus groups held across the country, Southall explores the difficult issue of 'memory', how whites seek to grapple with the history of apartheid, and how this shapes their reactions to political equality. He argues that whites cannot be regarded as a homogeneous political grouping concluding that while the overwhelming majority of white South Africans feared the coming of democracy during the years of late apartheid, they recognised its inevitability. Many of their fears were, in effect, to be recognised by the Constitution, which embedded individual rights, including those to property and private schooling, alongside the important principle of proportionality of political representation. While a small minority of whites chose to emigrate, the large majority had little choice but to adjust to the democratic settlement which, on the whole, they have done - and in different ways. It was only a small right wing which sought to actively resist; others have sought to withdraw from democracy into social enclaves; but others have embraced democracy actively, either enthusiastically welcoming its freedoms or engaging with its realities in defence of 'minority rights'. Whites may have been reluctant to accept democracy, but democrats - of a sort - they have become, and notwithstanding a significant racialisation of politics in post-apartheid South Africa, they remain an important segment of the "rainbow", although dangers lurk in the future unless present inequalities of both race and class are challenged head on.
Whites --- Democracy --- Politics and government --- South Africa --- Race relations. --- Ethnology --- Caucasian race --- White persons --- Race question --- Democracy. --- Integration, Racial --- Race problems --- Relations, Race --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Self-government --- Political science --- Equality --- Representative government and representation --- Republics --- Since 1900 --- White people
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"Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico"--
Motion pictures. --- Ethnicity in motion pictures. --- Cinema --- Ethnicite au cinema. --- Motion pictures --- White people in motion pictures. --- Histoire et critique. --- Social aspects --- Mexico. --- History and criticism. --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Whites in motion pictures --- History and criticism --- Anáhuac --- Estados Unidos Mexicanos --- Maxico --- Méjico --- Mekishiko --- Meḳsiḳe --- Meksiko --- Meksyk --- Messico --- Mexique (Country) --- República Mexicana --- Stany Zjednoczone Meksyku --- United Mexican States --- United States of Mexico --- מקסיקו --- メキシコ
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Reiss uses P. T. Barnum's Joice Heth hoax to examine the contours of race relations in the antebellum North. Barnum's first exhibit as a showman, Heth was an elderly enslaved woman said to be the 161-year-old former nurse of the infant George Washington. Seizing upon the novelty, the newly emerging commercial press turned her act--and especially her death--into one of the first media spectacles in American history.
Popular culture --- Women slaves --- Freak shows --- Whites --- African Americans in popular culture --- Racism in popular culture --- Death in popular culture --- Afro-Americans in popular culture --- Sideshows --- History --- Social aspects --- Race identity --- Barnum, P. T. --- Heth, Joice, --- Barnum, Phineas Taylor, --- Parn̲am, P. T., --- Barnam, P. T., --- Northeastern States --- Northeast (U.S.) --- Northeastern United States --- United States, Northeastern --- Race relations. --- Race relations --- Barnum, Phineas Taylor --- United States --- Biography --- 19th century --- Heth, Joice --- White persons --- Ethnology --- Caucasian race --- White people --- Enslaved women --- Women, Enslaved --- Enslaved persons
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