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Hugo van der Goes (c. 1440-1482) was the most important Netherlandish artist of the second half of the 15th century. His innovative pictorial compositions are characterised by monumental figures and realistic narrative moments. They paved the way for the development of Netherlandish painting during the following centuries. The artist worked in Ghent and in the Roode Monastery near Brussels. His works were admired by his contemporaries and were copied countless times until well into the 17th century. This modern monograph pays tribute to the character and importance of his numerically modest works. It juxtapose his great altarpieces with more intimate panels, drawings and miniatures as well as works from his immediate circle. Lavishly illustrated and competently explained, the publication creates a comprehensive overview of the creative oeuvre of a magnificent artist
Drawing --- Painting --- drawing [image-making] --- painting [image-making] --- artistic change --- Early Netherlandish --- Goes, van der, Hugo --- kunst --- België --- vijftiende eeuw --- van der Goes Hugo --- Vlaamse Primitieven --- middeleeuwen --- schilderkunst --- 75.071 --- van der Goes, Hugo --- Van der Goes, Hugo --- Goes, Hugo van der --- (Produktform)Hardback --- Malerei/Mittelalter --- Malerei/Renaissance --- Sakrale Kunst --- Malerei --- 14./15. Jahrhundert --- Painting/Middle Age --- Painting/Renaissance --- Sacral Art --- Arts --- 14th/15th Century --- (VLB-WN)1583: Hardcover, Softcover / Kunst/Bildende Kunst --- Vlaamse primitieven. --- oude meesters. --- van der Goes, Hugo. --- van der Weyden, Rogier. --- 15de eeuw. --- van der Goes, Hugo - approximately 1435-1482 - Flemish painter --- Vlaamse primitieven --- oude meesters --- van der Weyden, Rogier --- 15de eeuw --- Société des Aquafortistes Belges (Brussel, 1886-1914).
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Archaeometry and cultural heritage have lately taken advantage of developments in scientific techniques, offering valuable information to archaeology, art history, and conservation science, involving both instrumental and non-instrumental approaches. Among the possible techniques, X-Ray fluorescence (XRF) has become one of the most applied techniques for cultural heritage elemental material characterization due to its user friendliness; fast, short acquisition times; portability; and most of all, its absolutely non-destructive nature. For this reason, besides being often a first choice for a preliminary overall materials investigation, XRF spectrometers and spectra data handling methods have continuously improved, giving rise to many variations of the same technique; portable spectrometers, micro-probes, and large area scanners are all variations of a very flexible technique. This Special Issue collects papers dealing with most of the analytical techniques related to XRF spectroscopy appropriate for applications to Cultural Heritage materials. We dedicate this Special Issue to the loving memory of Professor Mario Milazzo, a pioneer of Archaeometry in Italy, awarded in 2002 the Gold Medal for Culture by the Italian President. He is remembered as a generous and pleasant man with an insightful, logical mind, who was able to find an appropriate joke for every situation. Many of us following his footsteps in the research field of applied physics for Cultural Heritage still appreciate his vision, teaching, and impact on our lives.
Research & information: general --- Physics --- MA-XRF --- conservation studies --- furniture --- Pietro Piffetti --- chinoiserie lacquered cabinet --- SAM --- STEAM --- pigments --- elemental mapping --- painting stratigraphy --- Giotto --- heritage science --- non-invasive analysis --- portable equipment --- pigment identification --- van der Weyden --- Flemish painting --- calco-potassic glass in painting --- INFN-CHNet --- Opificio delle Pietre Dure --- X-ray fluorescence --- synchrotron radiation --- µXRF --- µXANES --- black gloss --- ancient ceramics --- roman mortar --- historic mortar --- mosaic floors --- XRF --- Bracara Augusta --- Stradivari --- musical instrument --- mandolin --- varnish --- coatings --- multi-layered structure --- reflection FT-IR --- spectroscopy --- pXRF --- PCA --- pottery --- EDXRF --- cultural heritage materials --- pigment analysis --- ceramics classification --- metal alloy quantitative analysis --- n/a
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Archaeometry and cultural heritage have lately taken advantage of developments in scientific techniques, offering valuable information to archaeology, art history, and conservation science, involving both instrumental and non-instrumental approaches. Among the possible techniques, X-Ray fluorescence (XRF) has become one of the most applied techniques for cultural heritage elemental material characterization due to its user friendliness; fast, short acquisition times; portability; and most of all, its absolutely non-destructive nature. For this reason, besides being often a first choice for a preliminary overall materials investigation, XRF spectrometers and spectra data handling methods have continuously improved, giving rise to many variations of the same technique; portable spectrometers, micro-probes, and large area scanners are all variations of a very flexible technique. This Special Issue collects papers dealing with most of the analytical techniques related to XRF spectroscopy appropriate for applications to Cultural Heritage materials. We dedicate this Special Issue to the loving memory of Professor Mario Milazzo, a pioneer of Archaeometry in Italy, awarded in 2002 the Gold Medal for Culture by the Italian President. He is remembered as a generous and pleasant man with an insightful, logical mind, who was able to find an appropriate joke for every situation. Many of us following his footsteps in the research field of applied physics for Cultural Heritage still appreciate his vision, teaching, and impact on our lives.
MA-XRF --- conservation studies --- furniture --- Pietro Piffetti --- chinoiserie lacquered cabinet --- SAM --- STEAM --- pigments --- elemental mapping --- painting stratigraphy --- Giotto --- heritage science --- non-invasive analysis --- portable equipment --- pigment identification --- van der Weyden --- Flemish painting --- calco-potassic glass in painting --- INFN-CHNet --- Opificio delle Pietre Dure --- X-ray fluorescence --- synchrotron radiation --- µXRF --- µXANES --- black gloss --- ancient ceramics --- roman mortar --- historic mortar --- mosaic floors --- XRF --- Bracara Augusta --- Stradivari --- musical instrument --- mandolin --- varnish --- coatings --- multi-layered structure --- reflection FT-IR --- spectroscopy --- pXRF --- PCA --- pottery --- EDXRF --- cultural heritage materials --- pigment analysis --- ceramics classification --- metal alloy quantitative analysis --- n/a
Choose an application
Archaeometry and cultural heritage have lately taken advantage of developments in scientific techniques, offering valuable information to archaeology, art history, and conservation science, involving both instrumental and non-instrumental approaches. Among the possible techniques, X-Ray fluorescence (XRF) has become one of the most applied techniques for cultural heritage elemental material characterization due to its user friendliness; fast, short acquisition times; portability; and most of all, its absolutely non-destructive nature. For this reason, besides being often a first choice for a preliminary overall materials investigation, XRF spectrometers and spectra data handling methods have continuously improved, giving rise to many variations of the same technique; portable spectrometers, micro-probes, and large area scanners are all variations of a very flexible technique. This Special Issue collects papers dealing with most of the analytical techniques related to XRF spectroscopy appropriate for applications to Cultural Heritage materials. We dedicate this Special Issue to the loving memory of Professor Mario Milazzo, a pioneer of Archaeometry in Italy, awarded in 2002 the Gold Medal for Culture by the Italian President. He is remembered as a generous and pleasant man with an insightful, logical mind, who was able to find an appropriate joke for every situation. Many of us following his footsteps in the research field of applied physics for Cultural Heritage still appreciate his vision, teaching, and impact on our lives.
Research & information: general --- Physics --- MA-XRF --- conservation studies --- furniture --- Pietro Piffetti --- chinoiserie lacquered cabinet --- SAM --- STEAM --- pigments --- elemental mapping --- painting stratigraphy --- Giotto --- heritage science --- non-invasive analysis --- portable equipment --- pigment identification --- van der Weyden --- Flemish painting --- calco-potassic glass in painting --- INFN-CHNet --- Opificio delle Pietre Dure --- X-ray fluorescence --- synchrotron radiation --- µXRF --- µXANES --- black gloss --- ancient ceramics --- roman mortar --- historic mortar --- mosaic floors --- XRF --- Bracara Augusta --- Stradivari --- musical instrument --- mandolin --- varnish --- coatings --- multi-layered structure --- reflection FT-IR --- spectroscopy --- pXRF --- PCA --- pottery --- EDXRF --- cultural heritage materials --- pigment analysis --- ceramics classification --- metal alloy quantitative analysis
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