Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Zeitgeist --- kunst en politiek --- Baroque

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Sociology of cultural policy --- exhibitions [events] --- fonds [collections] --- cultuurbeleid --- kunst en politiek --- anno 1900-1999 --- Netherlands

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Solidarity has re-entered the global zeitgeist with resounding force in the last decades and is especially urgent to consider today. Yet this concept – both a potent ideal and a slippery notion – is one of the least analysed within the arts. Why? It is perhaps because colonialism, Neoliberalism, hyper-individualism and Western-centred concepts of art have eroded visions of a care-based society. Creating a fair and vital social fabric inspired by mutual dependencies between living beings and all entities including fauna, flora, air, land and water, is fundamental for our collective existence. A critical toolbox with intersectional perspectives is needed to examine this minefield and reveal meaningful and inspiring narratives that can guide our future. Working with these complexities, this Reader considers the agency that artists, collectives and art institutions have generated from the 1970s to today to build the radical imaginaries of care and solidarity needed to transform the conditions of our collective existence in the face of local and global crises. Presenting new and historical material, the Reader narrates a series of stories of solidarity across geographies in relation to emergencies connected to ecocide, femicide, genocide, migration, neocolonialism, inter-religious conflicts, class divisions and heteronormativity, amongst others. It also gives a central place to Indigenous perspectives rarely considered when discussing solidarity in the arts.

Art --- art [fine art] --- sociology --- environments [object groupings] --- colonization --- migration [function] --- environmental art --- social classes --- political art --- cooperation --- Beschaving; Cultuur; Vooruitgang --- Kunst en politiek ; Zuid-Afrika ; apartheid --- Kunsttheorie ; postkolonialisme --- Kunsttheorie : over artistieke samenwerking ; werking --- Kunst en politiek ; solidariteit Palestijnse kwestie --- Kunst en politiek ; 21ste eeuw --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Développement social des quartiers --- Rapports sociaux --- Communauté --- Mouvement social --- kunst --- kunst en politiek --- twintigste eeuw --- eenentwintigste eeuw --- sociologie --- activisme --- postkolonialisme --- 7.038/039 --- politiek --- kunsttheorie --- art [discipline]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Intégralement conçue par l'artiste pour l'exposition éponyme au MAXXI, Rome, cette monographie documente les recherches menées par Thomas Hirschhorn pour la série Pixel-Collage, produite entre 2015 et 2017 (avec plusieurs essaus et une anthologie des écrits d'Hirschhorn). Le contrôle des images, leur authentification en tant que faits, la possibilité de rendre visibles des portions de réalité soustraites à notre regard par la pixellisation – une technique par laquelle l'image devient méconnaissable – sont les thèmes centraux des recherches de Thomas Hirschhorn.Le cycle Pixel-Collage, créé en recombinant des photos publicitaires et des images de corps mutilés, vise à stimuler une réflexion culturelle et politique sur l'imagerie visuelle de notre monde contemporain, sur ce qui est rendu public et ce qui est dissimulé ou censuré. Hirschhorn renverse la logique sélective avec laquelle les images sont normalement montrées : il pixellise le capitalisme, le consumérisme auquel la culture visuelle est constamment soumise, et dépixellise la réalité la plus dramatique ; il rend visible ce qui arrive à nos yeux sans médiation, et invisible ou seulement partiellement visible ce qui arrive artificiel ou filtré.

kunst --- kunst en politiek --- Hirschhorn Thomas --- installaties --- collage --- collages --- pixels --- Zwitserland --- eenentwintigste eeuw --- Exhibitions --- Hirschhorn, Thomas --- Art --- collages [visual works] --- violence --- injury [medical condition] --- corpses [bodies] --- corpses

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Die nationalsozialistische Kunstpolitik prangerte Otto Dix (1891-1969) und sein veristisches Werk als »sittlichkeitsgefährdend« und »den Wehrwillen des deutschen Volkes beeinträchtigend« an. Als Reaktion wandelte sich Dix zu einem Maler, der motivisch und stilistisch zwischen Konservatismus und kritischer Stellungnahme oszillierte und trotz Verfemung nach Anerkennung suchte. Dieser erzwungene künstlerische Umbruch führte auch zu »verborgenen«, teils subversiven, teils widersprüchlichen Ikonografien, denen sich das vorliegende Buch widmet. Analysiert wird die Kunst des Malers vor dem Hintergrund der kunstpolitischen Entwicklungen in Deutschland von der Weimarer Republik bis in die Nachkriegszeit; sämtliche Gattungen – Landschaften, Porträts und (christliche) Figurenbilder – werden betrachtet. The National Socialist arts policy denounced Otto Dix (1891–1969) and his verist oeuvre for "endangering public morality" and "adversely affecting the fighting spirit of the German people." Dix reacted by becoming a painter who oscillated in motifs and style between conservatism and critical commentary, and sought recognition despite being defamed. This forced, radical artistic transformation also led to "concealed," in part subversive or contradictory iconographies, to which this book is dedicated. The painter’s art is analyzed against the backdrop of developments in the arts policy in Germany and the Weimar Republic until into the postwar period; all genres—landscapes, portraits, and (Christian) figurative pictures—are examined.

ART / History / Modern (late 19th Century to 1945). --- National Socialism. --- Otto Dix. --- Weimar Republic. --- painting. --- politics. --- Aesthetics of art --- Painting --- doctoral dissertations --- kunst en politiek --- Dix, Otto