Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

We beginnen iets nieuws: een te koesteren reeks over de maanden van het jaar. Elke maand schrijft een eersteklas schrijver een boekje over de maand waarin het verschijnt. Annelies Verbeke trapt af. De Maanden is een reeks die je wilt verzamelen, koesteren, een prominente plek in je boekenkast wilt geven. De vormgeving vanbinnen én vanbuiten is chic aantrekkelijk. Alle omslagen worden gemaakt door dezelfde kunstenaar. Elk boekje verschijnt net voor het begin van de maand. Het houdt de lezer gezelschap terwijl de maand verstrijkt en nodigt je uit anders naar de tijd van het jaar kijken. Annelies Verbeke trapt af met September. Ze raapte vijftien jaar aan agenda’s bijeen. Het resultaat is een zelfportret van een leven dat door kunst en literatuur bij elkaar wordt gehouden.

Dutch literature --- September --- Verbeke, Annelies, --- Months --- Flemish literature

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Genealogy. Heraldy --- Archivistics --- anno 1700-1799 --- Flemish Brabant

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Daffodils, pink roses with heads bowed, an orange lily, flaming tulips, bright blue irises and dozens of other flowers fill the painting. The variety of flowers and the bright colours are magnificent and appear to burst out of the panel. Flowers in a Vase with a Clump of Cyclamen and Precious Stones is a masterpiece by one of the most important painters from the late sixteenth and early seventeenth centuries: Jan Brueghel I (1568-1625). Although people would also call him ‘Flower Brueghel’, he only began painting vases of flowers in his late thirties. Flowers in a Vase with a Clump of Cyclamen and Precious Stones is one of the earliest and finest examples, a stunning masterpiece through which this Phoebus Focus zooms in on the sources of inspiration, motivation and method of the master who concentrated on all this floral beauty with such dedication and precision.

Painting, Flemish --- Flowers in art. --- History and criticism. --- Bruegel, Jan, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Cette exposition sur le thème du costume et de sa représentation par les écoles du Nord au XVIIe siècle prend comme point d'appui les collections de peinture des écoles du Nord (Flandres et Pays-Bas) de ces trois musées.L'exposition rassemblera plus d'une soixantaine d'oeuvres, principalement des tableaux, des gravures et des archives qui dialogueront avec des éléments de vêtements et pièces de tissus, anciens ou modernes, aidant le public à appréhender les différentes textures représentées ainsi qu'à comprendre l'agencement habits. La collaboration entre les trois institutions permettra également la venue de tableaux qui pourront être confrontés pour la première fois avec des oeuvres similaires de la collection mancelle

Manufacturing technologies --- Iconography --- Painting --- fashion [concept] --- costume [mode of fashion] --- anno 1600-1699 --- Flanders --- Mode --- Peinture --- Clothing and dress in art --- Art, Flemish --- Portrait painting, Flemish --- Flemish portrait painting --- Flemish art --- Costume in art --- Textiles et tissus --- Thèmes, motifs. --- Dans l'art. --- kleding, klederdracht. --- mode. --- textiel. --- handel. --- 17de eeuw. --- Vlaanderen. --- Noordelijke Nederlanden. --- fashion [culture-related concept] --- Vlaamse school --- kleding, klederdracht --- mode --- textiel --- handel --- 17de eeuw --- Vlaanderen --- Noordelijke Nederlanden --- mythologische figuren --- Apollo (god). --- Marsyas. --- Van Baburen, Dirck.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Jean Bellegambe (c. 1470- 1535/36), whose career as far as we know spanned the first three decades of the sixteenth century, was a successful painter. His patrons included some of the most high-ranking clerics in the Habsburg-Burgundian Netherlands as well as members of the ruling class of Douai, the town where he lived and worked all his life. This is the first study to appear since Dehaisnes' 1890 monograph that is exclusively devoted to the artist. By reassessing primary evidence - archival documents and material evidence from the works of art themselves - it aims to highlight Bellegambe's artistic achievements. Close scrutiny of his paintings and investigation of the artist's working methods will show that Bellegambe visualised the concerns of his patrons by closely linking the physical characteristics of his works to their original imagery, function and use.This volume presents a series of five case studies of his works that were made for a monastic community, two individual clerics, a town hall and a bourgeois layman, thus providing rich evidence of patronage and audiences. The objective here is to examine how Bellegambe met the challenges posed by these commissions, and to gain further insight into the practice of a skilled artist who - rooted in a long line of craftsmanship and artistic tradition and in close collaboration with his colleagues and patrons - produced a body of highly original works.

Painting --- painting [image-making] --- patronage --- Bellegambe, Jean I --- Bellegambe, Jean --- Bellegambe, Jean, --- Painting, Flemish --- Criticism and interpretation. --- Peinture de la Renaissance --- Art - Commande --- Mécénat