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The first of its kind, this invigorating exhibition book investigates the British landscape as a site of artistic inspiration, action and a heartland for ideas of freedom, mysticism, experimentation and rebellion. Contributions from campaigners, naturalists, environmentalists and social historians explore art in the age of the climate crisis.

Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: from exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate’s climate emergency declaration points to a wider concern and care for the environment that underpins the themes in the Radical Landscapes exhibition.

Structured on three broad thematic sections; ‘Trespass’, ‘Landscape and Identity’, and ‘Climate Breakdown’, it features around 100 works from 1900 to now, and presents a radical and outward-facing image of Britain and its diverse peoples and landscapes to the world. Focussing on activism and how we value, care for, use and draw meaning from the natural landscape, the catalogue showcases an array of viewpoints reflecting the diverse perspectives in modern Britain, examining the artists’ relationship to the landscape, and social history as a stimulus for the imagination as much as action and protest. These conversations are a rare opportunity to reframe Tate’s holdings of landscape art as well as explore how we might commune with nature and collectively work towards a more sustainable and equitable future.

Art --- art [fine art] --- Nature --- landscapes [environments] --- agricultural land --- United Kingdom --- art [discipline]

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Drawing --- drawings [visual works] --- Museum of Fine Art [Budapest] --- anno 1700-1799 --- Italy

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Beuys, Joseph --- Citations. --- Art --- drawings [visual works] --- fine art [art genre] --- performance artists

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Niki de Saint Phalle (1930-2002) is one of the most important women artists of her generation. Most people know her for her sensual *Nanas*-voluptuous, colorful female figures that can often be found in public spaces. Her multifaceted oeuvre encompasses much more, however, including painting and drawing, as well as assemblages, actions, theater, film, and architecture. At the center of her work is a critical questioning of social and political conventions, institutions, and role models - confrontations that continue to maintain their relevance to this day.

Art --- art [fine art] --- color [perceived attribute] --- human figures [visual works] --- Saint-Phalle, de, Niki --- menselijk lichaam --- Saint Phalle, Niki de --- menselijk lichaam. --- Saint Phalle, Niki de.

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Accompanying a major large-scale thematic exhibition at Whitechapel Gallery, this extensive catalogue charts the artists' studio through the last century: as a laboratory or stage set; as place of refuge, or a public space; as a site of resistance or an arena for communal activity. Featuring over 80 artists and collectives from around the world, the catalogue will focus in two sections on 'the public studio' and 'the private studio', accompanied by six thematic essays and full colour plate sections of works by Brancusi, Fischli & Weiss, Roni Horn, Bruce Nauman, Cindy Sherman, Andy Warhol, Nikhil Chopra, Gutai Group, Inji Efflatoun, Francesca Woodman, Ai Weiwei, Marisa Merz and Francis Bacon, amongst many others

kunst --- installaties --- film --- fotografie --- beeldhouwkunst --- schilderkunst --- 7.036/039 --- twintigste eeuw --- ateliers --- kunstenaarsateliers --- eenentwintigste eeuw --- Art --- studios [work spaces] --- artists [visual artists] --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019 --- art [fine art] --- art [discipline]