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Essays --- Race --- Feminist criticism --- Imperialism --- Patriarchy --- Racism --- Slavery --- Women --- Whiteness --- Blackness --- Black feminism --- Book
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Philosophy --- History --- Imperialism --- Racism --- Sexism --- Socialism --- Socialist feminism --- Women --- Blackness --- Black feminism --- Book --- Communism --- Intersectionality --- United States of America
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Sociology of minorities --- History --- Popular culture --- Racism --- Sexism --- Slavery --- Women --- Blackness --- Black feminism --- Book --- Intersectionality --- Europe --- Africa --- North America --- Caribbean area
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"Marquis Bey offers a meditation on blackness and gender nonnormativity in ways that recalibrate traditional understandings of each, conceiving of black trans feminism as a politics grounded in fugitivity and the subversion of power."--
Feminism --- Black people --- Gender identity. --- African American feminists --- Queer theory. --- SOCIAL SCIENCE / LGBTQ Studies / Transgender Studies --- SOCIAL SCIENCE / Feminism & Feminist Theory --- Race identity. --- History. --- Sociology of the family. Sociology of sexuality --- United States --- United States of America --- Gender --- History --- Transgender --- Queer --- Black feminism --- Book --- Abolitionism --- African American feminists. --- Feminism. --- Féminisme --- Féministes noires américaines --- Gender Identity. --- Identité de genre. --- Personnes noires --- Théorie queer. --- sex role. --- Histoire. --- Identité ethnique. --- United States.
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This study deals with the formative powers of modern liberal ideas of private property. The liberal subject emerged with the formations of European liberalism, Atlantic slavery, and settler colonial expansion in the New World. Toni Morrison’s A Mercy is thus identified as a key literary text that generates a fundamental critique of the connections between self-making and private property at its 17th-century scene.
Right of property. --- Slavery. --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Afropessimism. --- Black Feminism. --- Toni Morrison. --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- Ownership of property --- Private ownership of property, Right of --- Private property, Right of --- Property, Right of --- Property rights --- Right of private ownership of property --- Right of private property --- Right of property --- Right to property --- Civil rights --- Property --- Law and legislation --- Enslaved persons
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Identity politics --- Culture conflict --- Social classes --- Class distinction --- Classes, Social --- Rank --- Caste --- Estates (Social orders) --- Social status --- Class consciousness --- Classism --- Social stratification --- Cultural conflict --- Culture wars --- Conflict of cultures --- Intercultural conflict --- Social conflict --- Identity (Psychology) --- Politics of identity --- Political participation --- Political aspects --- Political philosophy. Social philosophy --- Sociology of minorities --- Political sociology --- Gender --- History --- Capitalism --- Colonialism --- Marxism --- Migration --- Racism --- Extreme right --- Socialism --- Whiteness --- Black feminism --- Book --- Decolonization
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"Chakaia Booker: The Observance" is the first comprehensive monograph on this important yet understudied American artist. Illuminating more than three decades of Booker’s practice, the publication explores her signature form – monumental works made of rubber – while showcasing her innovations across mediums including photography, painting, and prints. The book features some of Booker’s most topical works. With new photography of the wide-ranging exhibition at ICA Miami, historic images, and newly commissioned scholarship, it illuminates key themes in the artist’s practice. With special attention to Booker’s totemic and anthropomorphic assemblages fabricated from cast-off tyres, the publication engages the artist’s ongoing expression of ecological and technological concerns, examinations of racial and economic disparities and interest in the symbolism of the automobile in American culture.
Art --- photographs --- assemblages [sculpture] --- bronzes [visual works] --- installations [visual works] --- ecology --- racial discrimination --- black [color] --- easel paintings [paintings by form] --- recycling --- tires --- rubber [material] --- Booker, Chakaia --- Black Feminism --- Kunst, ecologie, posthumanisme --- Beeldhouwkunst ; installaties ; 20ste en 21ste eeuw --- Textielkunst ; hergebruik van restanten textiel ; textielafval --- Beeldende kunst ; Verenigde Staten ; 21ste eeuw --- Beeldende kunst ; Verenigde Staten ; 2de h. 20ste eeuw --- Booker, Chakaia °1953 (°Newark, New Jersey) --- 73.07 --- Beeldhouwkunst ; beeldhouwers A - Z --- paintings [visual works]
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"Black women have long recognized the power of film for storytelling. For far too long, however, the cultural and historical narratives about film have not accounted for the contributions of Black women directors. This book remedies this omission by highlighting the trajectory of the culturally significant work of Black women directors in the U.S., from the under-examined pioneers of the silent era, to the documentarians who sought to highlight the voices and struggles of Black women, and the contemporary Black women directors in Hollywood. Applying a Black feminist perspective, this book examines the ways that Black women filmmakers have made a way for themselves and their work by resisting the dominant cultural expectations for Black women and for the medium of film, as a whole"--
Cinema --- Productrices et realisatrices de cinema noires americaines --- Motion picture industry --- Motion pictures --- African American women motion picture producers and directors --- Histoire. --- History. --- United States. --- Black women, Black women directors, American film studies, African American directors, L.A. rebellion, mainstream media, black women movies, black narratives, African American women, African American studies, African American filmography, female directors, black feminism, gender studies, film, filmmaking, movie, directing, film studies.
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From a star theoretical physicist, a journey into the world of particle physics and the cosmos--and a call for a more just practice of science.
United States --- Particles (Nuclear physics) --- Astrophysics --- Cosmology --- African Americans --- Feminism --- Feminist theory --- Science --- Elementary particles (Physics) --- High energy physics --- Nuclear particles --- Nucleons --- Nuclear physics --- Study and teaching --- Methodology --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Scientific method --- Logic, Symbolic and mathematical --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- African American studies --- Afro-American studies --- Black studies --- Astronomy --- Deism --- Metaphysics --- Astronomical physics --- Cosmic physics --- Physics --- Philosophy --- Emancipation --- United States of America --- Sexual division of labour --- Racism --- Blackness --- Black feminism --- Book --- Experiences
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"Single Lives is a collection of singleness studies essays from the interdisciplinary humanities that explores the last two hundred years of literature and popular media by, about, and for single women in the US and the UK. Independent women have always been a center around which social anxieties and excitement coalesced. Moving between the family home and domestic independence, between household and public labor, and between celibacy and a range of sexual relations, the single woman remains a literary and cultural focus, as she has been from the 19th to the 21st centuries. This collection offers readers the opportunity to uncover the social, political, economic, and cultural connections between the "singly blessed" women and "bachelor girls" of the 19th and early 20th century and "all the single ladies" of the 21st century. Essays read singleness across genre and field, offering new approaches to studying modern and contemporary single women in literature, film, and history. Authors engage scholarship from wide ranging fields of social history, women's studies, queer theory, and Black feminism. The collection reads familiar texts against the grain, rethinking archival resources, revisiting familiar figures, and exploring new sources: cookbooks, ephemera, personal documents, recovered film histories, and forms of domestic space and labor. This is a book for scholars of gender and sexuality, social history, feminist film and media scholars, and literary historians, and reflects the urgent contemporary interest in single women as a political, economic, and cultural force"--
Single women in motion pictures. --- Single women in literature --- Single women --- Public opinion. --- singleness studies, interdisciplinary humanities, literature, literary studies, media studies, popular media, single women, the US, the UK, Independent women, social anxieties, family home, domestic independence, household, housework, labor, celibacy, sexual relations, sexuality, cultural studies, singly blessed, bachelor girls, all the single ladies, social history, women's studies, queer theory, Black feminism, cook books, ephemera, film histories, domestic, gender and sexuality, feminist film, media scholars, literary history, cultural force, economic force, political force, Melodrama, Jane Armstrong Tucker, Betwixt and Between, Scott Fitzgerald, The Sinking Ship of Future Matrimony, Unmarried, Divorced Mothers, Short Fiction, Spinsters, Spinsters’ Rest?, British Women’, Short Stories, Nannies, Domesticity, Cultural Imaginary.
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