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Photoworks Festival "From little acorns" is a photography festival in a box. It is a portable festival where you become the curator and decide where, when, and how to install it". It includes artworks by Mohamad Abdouni, Antony Cairns, Felicity Hammond, Josefa Ntjam, Johny Pitts, Ebun Sodipo, Harit Srikhao, Diana Tamane, Anshika Varma and Charlotte Yonga. Also included are original texts by Jade E. Bradford, Julia Bunnemann, Shoair Mavlian and Ricardo Reveron Blanco -- back of box. "Photoworks Festival 2022 contains the artwork of 10 contemporary artists. There is a wall label for each, giving you information about the artist and their work. Hang it as a group with friends, with fellow artists, classmates, or solo" - from front tab.
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This book offers the first panoramic study on the development and characteristics of the literary-journalistic genre of spectator periodicals in Hispanic America and Brazil. After contextualizing these publications within the emancipation processes of 19th-century American Enlightenment, it explores the new coexistence modes and esthetics they disseminated.
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This book offers the first panoramic study on the development and characteristics of the literary-journalistic genre of spectator periodicals in Hispanic America and Brazil. After contextualizing these publications within the emancipation processes of 19th-century American Enlightenment, it explores the new coexistence modes and esthetics they disseminated.
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"The centre as an existential quest and as a political metaphor - an emotional location in the coordinates that define themselves as the geographical centre of Europe. Several places in seven countries claim to be in the centre of Europe - and each of them points to it with its own monument. The midpoints are located in Germany, Lithuania, Estonia, Poland, Ukraine, Belarus and Slovakia. Since there are different methods for calculating the centre point, several places claim the title. Its shifts are not only the result of "big" history, but also of the movements and adjustments experienced daily by everyone who roams these countries. The project is less an attempt to grasp the essence of a supposed European identity than a willingness to let go of such an idea in order to discover, with each encounter, new centres that in turn designate new "edges of the world", new spaces in between. At every moment of Patricia Morosan's journey, Europe seems to tilt in the process, to find a new equilibrium a little further on." -- Publisher's website.
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A master of colour-saturated images, Harry Gruyaert has roamed the world searching for the perfect light for more than forty years. His very intuitive and physical sense of place immerses the spectator in a world that borrows simultaneously from the cinematic universe and from that of the painter. Dissolving the boundaries between the exterior and interior, Between Worlds offers just such a sensory immersion.No matter the setting, the country or the era, Gruyaert deploys a luminous alchemy suspended in time. Where are we? It doesn't matter: in Gruyaert's world, the pleasure of getting lost reigns.
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The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist’s lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images—a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist’s grandmother in the moody interior of their family’s Sumner, Mississippi home—The Outlands is emblematic of Eggleston’s dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition.Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston’s oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.
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"Je souhaite une photographie ouverte, une photographie qui part du document mais n’oublie pas sa part sensible, poétique, plastique et qui peut aussi laisser entrer une part de fiction. […] Je pars du réel pour ensuite laisser la place au spectateur."J.BJ érôme Blin s’intéresse à cette jeunesse des campagnes à l’heure de ses choix et non choix, entre un ici et un ailleurs, rester ou tout quitter, peut-être pour mieux revenir.
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