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In 1973, Michael Lesy was a young scholar whose first book had just been published. In the soon-legendary Wisconsin Death Trip he combined 1890s photographs and newspaper clippings to evoke a devastatingly tragic epoch, the real-world antithesis of the fanciful "Gay Nineties." It startled readers then and remains a touchstone of modern photographic interpretation.That year Lesy met and became close friends with the great photographer Walker Evans, who in the 1930s had collaborated with writer James Agee to create another towering landmark in the American photo-essay, Let Us Now Praise Famous Men. Old, frail, with just two years left to live, Evans was still urgently and obsessively photographing. "Outside the rooms he inhabited," Lesy writes, "the world was scattered with objects on their way to oblivion. He photographed them in their passage." Brief as their friendship was, it was intense and rewarding. Each admired the other; each saw himself reflected in the other: aesthetic visionaries who shared a radical belief that photographs were not flat and static documents--that "the plain truth of the images . . . wasn't as plain as it seemed," Lesy explains. "Meanings, beliefs, and emotions lay crisscrossed under the surface of the most plainspoken photographs." Throughout his career in the classroom and in more than a dozen books, Lesy has continually inspired us to open our eyes, our minds, and our hearts to those many layers of meaning and feeling in photos, from seemingly ordinary snapshots to majestic landscapes.In this unconventional, lyrical biography, Lesy traces Evans's intimate, idiosyncratic relationships with men and women--the circle of friends who made Walker Evans who he was. "Wonder and scrutiny produced the portraits Walker made in his prime," Lesy writes. Evans's photographs of Agee, Berenice Abbott, Lady Caroline Blackwood, and Ben Shahn, among others, accompany Lesy's telling of Evans's life stories."Wonder and scrutiny, suffused with desire and dread, produced the portraits he made in his last years," Lesy notes. In the 1970s, Evans became enthralled with the Polaroid SX-70 and its colorful instant images, and he used it to take his last photographs--portraits of people, in extreme close up, and portraits of objects."Good clothes and good conversation, wit and erudition, originality and inventiveness, the charms of smart and pretty women--Walker took pleasure in being alive," Lesy writes. "He photographed objects as if they were people and people as if they were souls. All the while, he never forgot Blind Joe Death. The annihilations of the First War, the extinctions of the epidemic that followed it, the pyres and the pits--these he never forgot. The still silence of his images was, to the very last, transcendental, and always he remembered the skull beneath the skin."Bron : https://www.standaardboekhandel.be/p/walker-evans-last-photographs-life-stories-9780922233526
Evans, Walker --- Emotie --- Vriendschap --- Biografie --- Foto
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Authors, American --- African American women authors --- Social reformers --- Walker, Alice,
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fotografie --- landschapsfotografie --- documentaire fotografie --- Verenigde Staten --- Florida --- twintigste eeuw --- Evans Walker --- eenentwintigste eeuw --- Samoylova Anastasia --- 77.047 --- Samoylova, Anastasia --- Evans, Walker
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"Over the course of 202-2021, during the pandemic, Kara Walker has produced series of drawings in the style of a medieval 'Book of Hours'. Enigmatic images appear to traverse a range of time periods, from scenes of biblical and mythological origins, to images of historical violence, to others that suggest more recent political strife. The highly personal nature of these images capture Walker's own response to the intersection of past and present as a way to understand our contemporary political moment."-Provided by publisher.
Art --- gouaches [paintings] --- human figures [visual works] --- Walker, Kara --- collages [visual works] --- watercolors [paintings] --- violence --- sumi [ink] --- silhouettes --- graphite pencils --- African Americans in art --- Black people in art --- kunst --- tekenkunst --- schilderkunst --- Verenigde Staten --- Afro-Amerikanen --- Afro-Amerikaanse kunst --- Walker Kara --- eenentwintigste eeuw --- 741.071 WALKER --- Afro-Americans in art --- Negroes in art --- Blacks in art --- Walker, Kara Elizabeth.
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Peter Walker, born in 1932, is one of the most seminal and prolific figures in contemporary landscape design – both as a teacher and as practitioner. His career now spans six decades. Amongst his best-known works are Nasher Sculpture Garden in Dallas, Novartis Campus in Basel and the September 11 Memorial in New York. His "generous landscapes" are characterized by minimalist forms; theses spaces are classical but also entirely modern. Scott Melbourne’s review looks at this unique oeuvre in retrospective and pays close attention to how Walker’s urban squares and parks have fared over time. He studies the main design features and provides a comparative analysis of their effects. In the second and updated edition of this book, foreword and bibliography were revised and a subject index was added.
Landscape architecture --- Architecture du paysage --- Designs and plans. --- Dessins et plans --- Walker, Peter,
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In the late nineteenth century, as crippling famine devastated northern China, the Li family had no choice but to leave Shanxi province. Heading north, they began a new life, farming the remote grasslands of Inner Mongolia. They prospered as landowners and teachers, but could not escape the ravages of warlords, soldiers and revolutionaries. Born into this pioneering family, Li Yao grew up in Mao's China. He dreamt of becoming a writer, but his dreams were torn apart by the Cultural Revolution. When the storm finally subsided, the young man turned to translation. In Australian writing, he found colourful tales set in new landscapes, a literature quite unfamiliar to him. Li Yao's story is interwoven with that of his friend, Australian historian David Walker. David's family had also settled in an unfamiliar and difficult land, a world away in distant South Australia. The two men became friends as Li Yao translated one of David's books into Chinese, and their personal histories provide a fascinating, illuminating window into life in China, an experience inevitably shaped by China's relations with the wider world.
Interracial friendship. --- Translators --- Historians --- Yao, Li. --- Yao, Li --- Walker, David --- Friends and associates.
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Peter Walker, born in 1932, is one of the most seminal and prolific figures in contemporary landscape design – both as a teacher and as practitioner. His career now spans six decades. Amongst his best-known works are Nasher Sculpture Garden in Dallas, Novartis Campus in Basel and the September 11 Memorial in New York. His "generous landscapes" are characterized by minimalist forms; theses spaces are classical but also entirely modern. Scott Melbourne’s review looks at this unique oeuvre in retrospective and pays close attention to how Walker’s urban squares and parks have fared over time. He studies the main design features and provides a comparative analysis of their effects. In the second and updated edition of this book, foreword and bibliography were revised and a subject index was added.
Architecture --- Landscape architecture --- Architecture du paysage --- Designs and plans. --- Dessins et plans --- Walker, Peter,
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Art --- art [discipline] --- fiction [general genre] --- myths --- race [group of people] --- identity --- lichaam (van de mens) --- gender --- African diaspora --- Cave, Nick --- Locke, Hew --- Mutu, Wangechi --- Rezaire, Tabita --- Newsome, Rashaad --- Chisom, Sedrick --- Smith, Cauleen --- Viktor, Lina Iris --- Ofili, Chris --- Walker, Kara --- Gallagher, Ellen
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Art --- photographs --- installations [visual works] --- video art --- projections [visual works] --- Baumgarten, Lothar --- Dakić, Danica --- Fosso, Samuel --- Ponger, Lisl --- Jarpa, Voluspa --- Akpokiere, Karo --- Haslund-Christensen, Charlotte --- Kazeem-Kamiński, Belinda --- Belhadj Merzoug, Alba Malika --- Forsthuber, Melanie --- Geisreiter, Pia --- Heller, Magdalena --- Imhoff, Hannah --- Kern, Agnes Elena --- Kern, Vera --- Lindinger, Leonie Mirjam --- Pann, Charlotte --- Reisenbüchler, Sabine --- Schitter, Eva-Maria --- Wienerroither, Angelika --- Zaunschirm, Judith --- Živojinović, Marija --- Walker, Kara --- Jaar, Alfredo --- Piper, Adrian --- Forensic Architecture [London] --- Sculpting Feminism Reading Group --- This World is Ego no Longer
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Flowers have been a source of inspiration for photographers since the medium?s inception; immortalized by luminaries such as Man Ray, Robert Mapplethorpe, Irving Penn, and Julia Margaret Cameron. Today, flower photography has come into full bloom once again, with photographers capturing flowers in inspiring new ways. Featuring two hundred works, Flora Photographica links the very best of flower photography from the past twenty years with its predecessors?canonical floral images from the realms of photography, illustration, and painting that have marked the collective imagination.Works by contemporary photographers such as David LaChapelle, Valérie Belin, Viviane Sassen, and Martin Schoeller appear across ten thematic chapters, among them ?Origins,? ?Arrangements,? ?Essence,? ?Persona,? and ?Reverie,? which also include a brief introduction to the particular topic. These are complemented by two in-depth essays by authors William Ewing and Danaé Panchaud, which explore the relationship between contemporary works and the rich traditions of floral art and photography.Vibrant and abundant with various species of flora, this stunning book is both a celebration of beauty and a study of form, making it a must-have publication for lovers of flowers and photography alike.Bron : https://www.copyrightbookshop.be/shop/flora-photographica/
766.3 --- stillevens --- bloemen --- natuurfotografie --- collages --- fotogrammen --- Soth, Alec --- Spencer, Adele --- Spohler, Henrik --- Steber, Maggie --- Steiner, Rudolf --- Struth, Thomas --- Sturm, Maria --- Gonenli, Cemre Yesil --- Sultan, Larry --- Tölke, Miriam --- Van Dongen, Ron --- Van Empel, Ruud --- Vitturi, Lorenzo --- Walker, Robert --- Wegman, William --- Westerberg, Marcus --- Whaley, Jo --- Masao, Yamamoto --- Yoneda, Tomoko --- Zakariya, Nadirah --- Zuckerman, Andrew --- dieren- en plantenfotografie --- Flowers --- Photography of plants --- Photography, Artistic --- Flowers in art --- Flower painting and illustration --- Flower prints --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography of flowers --- Plants --- History --- Aesthetics --- Bloem (plant) --- Fotografie --- Flora
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