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Sonates --- Traverso --- Viola d'amore --- Basso continuo --- Duitsland --- 18e eeuw
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Cantates --- Sopraan --- Viola d'amore --- Basso continuo --- Duitsland --- 18e eeuw
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Art --- installations [visual works] --- video art --- Viola, Bill
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This book provides the first scholarly history of the viola d'amore, a popular bowed string instrument of the Baroque era, with a unique tone produced by a set of metal sympathetic strings. Composers like Bach made use of the viola d'amore for its particular sound, but the instrument subsequently fell out of fashion amid orchestral standardisation, only to see a revival as interest in early music and historical performance grew. Drawing on literary accounts, iconography, and surviving instruments, this study examines the origins and development of this eye-catching string instrument in the seventeenth and eighteenth centuries. It explores the rich variation of designs displayed in extant viola d'amore specimens, both as originally constructed and as a result of conversion and repair. The viola d'amore is then set into the wider context of Elizabethan England's development of instruments with wire strings, and its legacy in the form of the baryton which emerged in the early seventeenth century, followed by a look at the viola d'amore's own nomenclatorial and organological influence. The book closes with a discussion of the viola d'amore's revival, and its use and manufacture today. Offering insights for organological research and historical performance practice, this study enhances our knowledge of both the viola d'amore and its wider family of instruments.
Music --- musical instruments --- violas d'amore --- Viola d'amore --- Viols --- 78.44.1.4 --- muziekgeschiedenis
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Aria's --- Religieuze muziek --- Sopraan --- Viola d'amore --- Basso continuo --- Duitsland --- 17e eeuw --- 18e eeuw
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Aria's --- Religieuze muziek --- Viola d'amore --- Strijkers --- Basso continuo --- Duitsland --- 18e eeuw
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Cantates --- Sopraan --- Viola d'amore --- Basso continuo --- Italië --- 17e eeuw --- 18e eeuw
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78.44.1.3 --- 78.79 --- Music --- chordophones --- Otterstedt, Annette --- Restauraties --- Viola da gamba --- Duitsland --- 20e eeuw --- 21e eeuw
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The origins of the Vanhaerents Art Collection date back to the 1970s, when a young Walter Vanhaerents began amassing his first works of art. Gathering pieces that were considered extremely fierce and radical at the time, he laid the groundwork for a collection that nowadays ranges among the most prestigious worldwide. This book provides an in-depth look at the Brussels-based collection. Through text and lavish illustrations, it explores the rich history of this family collection and chronicles all exhibitions since 2007, the year the Vanhaerents Art Collection officially opened its doors to the public. Highlighting more than a hundred major works from the collection, this book is a testament to the vanguard spirit of the Vanhaerents family and their passion for new and forward-looking art.
Art --- Handforth, Mark --- Friedl, Peter --- Vo, Danh --- Geers, Kendell --- Nara, Yoshitomo --- Hockney, David --- Shonibare, Yinka --- Saraceno, Tomás --- Altmejd, David --- Warhol, Andy --- Fischer, Urs --- Murakami, Takashi --- Parreno, Philippe --- Wiley, Kehinde --- Banisadr, Ali --- Casebere, James --- Guyton, Wade --- Yang, Haegue --- Jackson, Matthew Day --- Johnson, Rashid --- Mirza, Haroon --- Moshiri, Farhad --- Navarro, Iván --- Noble, Tim --- Pfeiffer, Paul --- Ruby, Sterling --- Sachs, Tom --- Stingel, Rudolf --- Woert, van, Nick --- Boltanski, Christian --- Vezzoli, Francesco --- Webster, Sue --- Koons, Jeff --- Prouvost, Laure --- West, Franz --- Falls, Sam --- Humeau, Marguerite --- Arunanondchai, Korakrit --- Appriou, Jean-Marie --- Moultaka, Zad --- Boafa, Amoako --- Imhof, Anne --- Kaphar, Titus --- Spann, Vaughn --- Labinjo, Joy --- Adams, Derrick --- Barrington, Alvarro --- Botchway, Kwesi --- Elrod, Jeff --- Quaicoe, Otis Kwame Kye --- Taku, Emmanuel --- Mr. --- Sherman, Cindy --- McCarthy, Paul --- Merz, Mario --- Viola, Bill --- Aitken, Doug --- Holzer, Jenny --- Eliasson, Olafur --- Barney, Matthew --- Demand, Thomas --- Fleury, Sylvie --- Gilbert and George --- Halley, Peter --- Hirst, Damien --- Kruger, Barbara --- McCollum, Allan --- Mori, Mariko --- Morris, Sarah --- Nauman, Bruce --- Rhoades, Jason --- Rondinone, Ugo --- Fritsch, Katharina --- Gormley, Antony --- Ligon, Glenn --- Oehlen, Albert --- Richter, Daniel --- Wool, Christopher --- Evans, Cerith Wyn --- Simpson, Lorna --- Ai Weiwei --- Kosuth, Joseph --- AES+F --- art [fine art] --- collecting --- Vanhaerents Art Collection [Brussels] --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- 7.074 --- kunst --- België --- collecties --- verzamelingen --- 7.039 --- eenentwintigste eeuw --- Weiwei Ai --- Aitken Doug --- Arunanondchai Korakrit --- Banisadr Ali --- Barney Matthew --- Boafo Amoako --- Boltanski Christian --- Casebere James --- Demand Thomas --- Eliasson Olafur --- Evans Cerith Wyn --- Falls Sam --- Fischer Urs --- Fleury Sylvie --- Fritsch Katharina --- Geers Kendell --- Gilbert & George --- Gormley Antony --- Guyton Wade --- Halley Peter --- Hirst Damien --- Hockney David --- Holzer Jenny --- Imhof Anne --- Jackson Matthew Day --- Johnson Rashid --- Kaphar Titus --- Koons Jeff --- Kosuth Joseph --- Kruger Barbara --- Ligon Glenn --- McCarthy Paul --- McCollum Allan --- Merz Mario --- Mori Mariko --- Morris Sarah --- Murakami Takashi --- Nara Yoshimoto --- Nauman Bruce --- Navarro Ivan --- Oehlen Albert --- Prouvost Laure --- Rhoades Jason --- Richter Daniel --- Rondinone Daniel --- Ruby Sterling --- Sachs Tom --- Sherman Cindy --- Shonibare Yinka --- Simpson Lorna --- Spann Vaughn --- Stingel Rudolf --- Vezzoli Francesco --- Viola Bill --- Vō Dan --- Warhol Andy --- West Franz --- Wiley Kehinde --- Wool Christopher --- Vanhaerents, Walter --- Vanhaerents, Joost --- Vanhaerents, Els --- art [discipline]
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