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"The senses are made, not given. This revolutionary realization has come as of late to inform research across the social sciences and humanities, and is currently inspiring groundbreaking experimentation in the world of art and design, where the focus is now on mixing and manipulating the senses. The Sensory Studies Manifesto tracks these transformations and opens multiple lines of investigation into the diverse ways in which human beings sense and make sense of the world. This unique volume treats the human sensorium as a dynamic whole, which is best approached from historical, anthropological, geographic, and sociological perspectives. In doing so, it has altered our understanding of sense perception by directing attention to the sociality of sensation and the cultural mediation of sense experience and expression. David Howes challenges the assumptions of mainstream Western psychology by foregrounding the agency, interactivity, creativity, and wisdom of the senses as shaped by culture. The Sensory Studies Manifesto sets the stage for a radical reorientation of research in the human sciences and artistic practice."--
Senses and sensation --- Senses and sensation --- Senses and sensation --- Senses and sensation in art --- Aesthetics --- History --- Social aspects
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"Drawing on phenomenology and everyday affective encounters of grieving, befriending, rearing, and bonding, Flakne warns against the disorientation and division implicit in what we think we mean by common sense. Instead, she invites us to relearn sensing together as key to an inevitable ethics of interembodiment"--
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Perception. --- Sens et sensations. --- Perception --- Senses and sensation --- Senses and sensation.
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"The interaction of our bodies in space is intrinsically linked to the ways in which we design. In spatial design we tend to focus on solely the visual, often treating it as the dominant sense while ignoring the other four senses: touch, sound, smell, taste. While research has been carried out on the perception of multisensorial experiences and design in the last two decades, there is no combined resource on how to address multisensory design in landscape architecture, architecture, urban and environmental design. This is a textbook for design students, professionals, and educators to develop multisensorial literacy. This book is the first of its kind, providing introductions on each of the five senses, along with exercises that demonstrate how to observe, record, and visualize them. It explores current design school pedagogy, and how we might imagine a more mindful way of teaching. The book is a foundational resource for students, professionals, and instructors to understand and ultimately create multisensorial spaces that are inclusive for all. This book imagines a world where seeing is redefined in a way that encompasses all of the senses-not just the visual"--
Landscape design. --- Senses and sensation. --- Design --- Human factors.
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Pain. --- Pain --- Anesthesia. --- Measurement. --- Anaesthesia --- Anesthesiology --- Analgesia --- Aches --- Emotions --- Pleasure --- Senses and sensation --- Symptoms --- Suffering
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Pain in children. --- Pain in children --- Chemotherapy. --- Pediatric pain --- Children --- Senses and sensation in children --- Diseases
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En décrivant le phénomène de la perception, la phénoménologie entreprend de remonter du monde où nous nous trouvons vers la source de l'apparaître, vers la conscience intentionnelle qui anime une matière sensible pure. Mais comment alors est-il possible de rendre compte de la donation de cette matière première ? Une première voie consiste à se satisfaire d'une conception transcendantale de la chair qui permet un sentir pur. Une deuxième voie propose de remonter en-deçà, en direction d'un événement grâce auquel il y aurait du sensible. La chair a alors pour fonction d'assurer le passage entre cette première donne du sensible et le monde tel que nous le constituons. Cette deuxième voie semble aujourd'hui privilégiée. Mais elle pose la question de savoir comment articuler les deux sens de la chair, événemential et expressif, afin d'en éviter la déchirure. L'exploration du corps érotique permet-elle de réconcilier la chair avec elle-même pour ainsi nous livrer le secret de notre condition sensible ? Telle est l'interrogation qui guide cet ouvrage, qui s'appuie sur les ressources offertes par la phénoménologie jusque dans ses développements les plus contemporains pour en éclairer les enjeux
Chair (philosophie) --- Sens et sensations --- Sensualité -- Phénoménologie --- Perception (Philosophy) --- Senses and sensation --- Sensuality --- Phenomenology --- Phenomenological anthropology
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Senses and sensation --- Theological anthropology --- Perception (Philosophy) --- Religious aspects --- Christianity --- Christianity
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How does experience change the way we perceive the world? This Element explores the interaction between perception and experience by studying perceptual experts, people who specialize in recognizing objects such as birds, automobiles, dogs. It proposes perceptual expertise promotes a downward shift in object recognition where experts recognize objects in their domain of expertise at a more specific level than novices. To support this claim, it examines the recognition abilities and brain mechanisms of real-world experts. It discusses the acquisition of expertise by tracing the cognitive and neural changes that occur as a novice becomes an expert through training and experience. Next, it looks "under the hood" of expertise and examines the perceptual features that experts bring to bear to facilitate their fast, accurate, and specific recognition. The final section considers the future of human expertise as deep learning models and artificial intelligence compete with human experts in medical diagnosis.
Experience. --- Perception. --- Supraliminal perception --- Cognition --- Apperception --- Senses and sensation --- Thought and thinking --- Knowledge, Theory of --- Philosophy --- Psychology --- Reality --- Pragmatism
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