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Il volume intende ricordare la figura e l'opera della prima Direttrice del Museo di Fisica dell'Università di Napoli Federico II, attraverso i suoi lavori sugli strumenti scientifici della collezione napoletana, riconosciuta essere tra le più importanti esistenti, sia per consistenza sia per rilevanza storica e scientifica. Vengono qui riproposti al pubblico, in ristampa anastatica digitale, gli introvabili Le macchine del re. La collezione Reale nel Museo del Dipartimento di Scienze Fisiche a cura di E. Schettino e R. Spadaccini e la serie di opuscoli su La collezione degli antichi apparecchi dell'Istituto di Fisica, oltre ad un inedito e prezioso rapporto di attività su La collezione degli strumenti di Fisica scritto nel 1990 da E. Ragozzino, R. Rinzivillo ed E. Schettino. Brevi note sul profilo biografico, umano e scientifico di Edvige Schettino introducono e completano il volume.

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Il volume intende ricordare la figura e l'opera della prima Direttrice del Museo di Fisica dell'Università di Napoli Federico II, attraverso i suoi lavori sugli strumenti scientifici della collezione napoletana, riconosciuta essere tra le più importanti esistenti, sia per consistenza sia per rilevanza storica e scientifica. Vengono qui riproposti al pubblico, in ristampa anastatica digitale, gli introvabili Le macchine del re. La collezione Reale nel Museo del Dipartimento di Scienze Fisiche a cura di E. Schettino e R. Spadaccini e la serie di opuscoli su La collezione degli antichi apparecchi dell'Istituto di Fisica, oltre ad un inedito e prezioso rapporto di attività su La collezione degli strumenti di Fisica scritto nel 1990 da E. Ragozzino, R. Rinzivillo ed E. Schettino. Brevi note sul profilo biografico, umano e scientifico di Edvige Schettino introducono e completano il volume.

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"Curating Lively Objects explores the role of things as catalysts in imagining futures beyond disciplines for museums and exhibitions. Authors describe how their curatorial collaborations with diverse objects, from rocks to robots, generate new ways of organising and sharing knowledge. Bringing together leading artists and curators from Australia and Canada, this volume addresses object liveliness from a range of entwined perspectives, including new materialism, decolonial thinking, Indigenous epistemologies, environmentalism, feminist critique and digital aesthetics. Foregrounding practice-based curatorial scholarship the book focuses on rigorous reflexive accounts of how curating is done. It contributes to global topics in curatorial research including time and memory beyond and before disciplinarity; the relationship between human and non-human across different ontologies; and the interaction between Indigenous knowledge and disciplinary expertise in interpreting museum collections. Curating Lively Objects will be of interest to scholars and students in the fields of curatorial studies, museum studies, cultural heritage, art history, Indigenous studies, material culture and anthropology. It also provides a vital resource for professionals working in museums and galleries around the world who are seeking to respond creatively, ethically, and inclusively to the challenge of changing disciplinary boundaries"--

Museum exhibits. --- Museums --- Curatorship. --- Social aspects.

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This Element addresses the cultural production of ancient Egypt in the museum as a mixture of multiple pasts and presents that cohere around collections; their artefacts, documentation, storage, research, and display. Its four sections examine how ideas about the past are formed by museum assemblages: how their histories of acquisition and documentation shape interpretation, the range of materials that comprise them, the influence of their geographical framing, and the moments of remaking that might be possible. Throughout, the importance of critical approaches to interpretation is underscored, reasserting the museum as a site of active research and experiment, rather than only exhibitionary product or communicative media. It argues for a multi-directional approach to museum work that seeks to reveal the inter-relations of collection histories and which has implications not just for museum representation and documentation, but also for archaeological practice more broadly.

Museum exhibits. --- Musealization. --- Egypt --- Antiquities. --- Musealisation --- Museumization --- Museum techniques --- Historic preservation --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions

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Les contraintes de l'impératif évènementiel sont inévitables. Elles se reflètent sur la production culturelle contemporaine et sur les musées. Mais qu'est-ce qu'un évènement en muséologie?? Lorsque l'évènementiel entre dans les musées d'art, comment cela influence-t-il les collections, la mise en récit de l'art qui se déploie jusque dans la présentation et la conception patrimoniale des oeuvres?? Le retour aux collections auquel nous assistons depuis quelques décennies donne lieu à de nouvelles pratiques muséales et curatoriales et confirme l'avènement d'un temps convulsif évènementiel qui vient ébranler le cours tranquille et le temps figé du récit canonique des collections dites «?permanentes?».Réinventer la collection?: l'art et le musée au temps de l'évènementiel est composé de cinq parties qui invitent à un déplacement de sens et d'idées autour des collections faisant écho aux formules dynamiques, interrogatives et inclusives que tendent à adopter les musées. Les recherches qui y sont publiées ont, pour la grande majorité, été menées dans le cadre des activités du Groupe de recherche et de réflexion CIÉCO, fondé en 2014. Les différents chapitres interrogent l'impact de l'évènementiel sur les collections ou analysent des stratégies muséales qui cherchent à valoriser les collections par les ressorts évènementiels. Cet ouvrage, qui vient combler une importante lacune dans l'étude sur les collections, s'adresse à quiconque s'intéresse au patrimoine, aux musées, aux expositions, aux oeuvres d'art que ce soit dans la perspective de l'histoire de l'art, de la muséologie, des arts visuels, de l'architecture, de l'ethnographie ou de la sociologie.

Art museums --- Museum exhibits --- Museum techniques --- Collection management --- Applied museology --- Museography --- Museum practices --- Museums --- Museum studies --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Collection management in art museums --- Collections management in art museums --- Technique --- Collections management --- Museum techniques. --- Museum exhibits. --- museology. --- Museologie. --- Objets exposes. --- Art --- Musees d'art --- Collection management. --- Expositions. --- Gestion des collections.