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No other artist, apart from J. M. W. Turner, tried as hard as Claude Monet (1840–1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cézanne called “only an eye, but my God what an eye!” who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of water lilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary. Daniel Wildenstein (1917-2001) was an art historian and member of the Académie des Beaux-Arts (Paris). From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London and Tokyo. He edited several international journals, e.g. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He co-founded the Fondation Wildenstein in 1970 and was a prime mover in many exhibitions of international repute. Daniel Wildenstein also edited the catalogues raisonnés of various 18th, 19th and 20th century artists. He was a world authority on Impressionism, and published catalogues of the works of Gauguin, Manet and Monet.
Painting --- Impressionist [style] --- impressionisme --- Monet, Claude
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impressionisme --- abstracte kunst --- Monet, Claude --- Rothko, Mark
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Painting --- easel paintings [paintings by form] --- Monet, Claude --- France
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zon (als hemellichaam) --- astronomie --- Monet, Claude --- Fromanger, Gérard
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Art styles --- Painting --- easel paintings [paintings by form] --- landscapes [representations] --- Impressionist [style] --- Monet, Claude --- Normandy
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Le catalogue de l'exposition "Monet Mitchell", organisée à la Fondation Louis Vuitton en partenariat avec le musée Marmottan Monet, explore les correspondances entre les œuvres tardives de Claude Monet (1914-1926), qui anticipent les débuts de l'abstraction, et les peintures de Joan Mitchell (1925-1992). Peintre américaine issue de l'expressionnisme abstrait, Joan Mitchell voyage en France dès 1948 et s'installe en 1968 à Vétheuil, lieu d'inspiration où vécut aussi Monet de 1878 à 1881. Les chefs-d'œuvre et les essais ici réunis soulignent les points de convergence liés à la couleur, à la lumière, à la gestualité, à la nature et aux paysages de Giverny et Vétheuil, qui ont profondément inspiré les deux artistes.
Impressionism (Art) --- Abstract expressionism --- Monet, Claude, --- Mitchell, Joan, --- Catalogues d'exposition
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Painting --- paintings [visual works] --- influence --- Rothko, Mark --- Monet, Claude --- France --- United States of America
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Art --- Literature --- History of civilization --- music [performing arts genre] --- fine arts [discipline] --- literature [documents] --- cultuurgeschiedenis --- Zola, Emile --- Tchaikovsky, Peter --- Monet, Claude --- France --- Russia
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Tommy, het liefste hondje van prinses Flo, is dood.?Ik ben zo bang dat ik Tommy zal vergeten?, zucht het prinsesje.Gelukkig heeft de koning een idee. Hij vraagt aan alle kunstenaars van het land om een kunstwerk ter ere van Tommy te maken.Tommy verschijnt in alle vormen en kleuren. Soms grappig, dan weer vreemd of ontroerend mooi. Er zijn kunstenaars die het groot zien en er zijn anderen die het hondje piepklein schilderen. Elke kunstenaar doet het net een beetje anders. Langzaamaan verandert het paleis in een museum voor Tommy. Maar wat als een kunstenaar een portret van zijn kat naar de koning brengt?Een kunstzinnig boek dat kinderen op speelse wijze kennis laat maken met beroemde kunstenaars als René Magritte, Claude Monet, Vincent Van Gogh, Banksy, Rinus van de Velde?Coco & June, oftewel Karen Leten en Barbara Soenen, leerden elkaar al schilderend kennen. Hun illustraties zijn realistisch en gedetailleerd. In 2019 gaven ze 'dier boek' uit, een alfabet van niet zo alledaagse dieren voor beginnende lezers. Ook met 'diervrienden' brengen ze leesbare non-fictie voor kinderen.Bron: uitgever
Dutch literature --- Museum --- Huisdier --- Hond --- Kunst --- Dood --- Herinnering --- Rouwproces --- Verdriet --- Van Gogh, Vincent --- Banksy --- Van de Velde, Rinus --- Magritte, René --- Monet, Claude --- Kunstenaar --- Prentenboeken --- Jeugdboeken 03-06 jaar --- Jeugdboeken 07-09 jaar
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From Renoir to Monet to Gauguin - French Impressionism was not only appreciated by Western collectors at the beginning of the 20th century - it also found an early following in Japan. In 2022, on the occasion of its 100th anniversary, the Museum Folkwang will show its outstanding post-impressionist collection founded by Karl Ernst Osthaus (1874-1921). The museum collection will be supplemented by Impressionist highlights from the Kojiro Matsukata Collection (1865-1950), which laid the foundation for the National Museum of Western Art in Tokyo. This is the first time this collection will be presented comprehensively outside Japan since the 1950s. The catalog features a unique compilation of about 120 works and introduces two important collectors. Transnational collection history is combined with modern masterpieces. Featuring paintings, drawings and sculptures by Paul Cezanne, Paul Gauguin, Edouard Manet, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir and Auguste Rodin, among others, as well as a new installation by Tabaimo and Chiharu Shiota and a selection of East Asian works from the former holdings of Matsukata and Osthaus. Accompanied by a short story by Japanese bestselling author Sayaka Murata.
Impressionism (Art) --- Renoir, Auguste, --- Monet, Claude, --- Gauguin, Paul, --- Osthaus, Karl Ernst, --- Matsukata, Kōjirō, --- 松方幸次郎, --- Gaogeng, Baoluo, --- Gauguin, Eugène Henri Paul, --- Gauguin, Pablo, --- Гоген, Поль, --- Gogen, Polʹ, --- גוגן, פול, --- Mone, Klod, --- Monei, --- Monet, Claude --- מונה, קלוד, --- Renoir, Pierre Auguste, --- Renuar, Ogi︠u︡st, --- Renoar, Pjer-Ogist, --- רנואר, אוגוסט, --- Art collections --- Art styles --- Painting --- easel paintings [paintings by form] --- Modern [style or period] --- art collections --- Impressionist [style] --- Matsukata, Kojiro --- Gauguin, Paul --- Renoir, Auguste --- France --- Japan --- impressionisme --- post-impressionisme --- moderne kunst --- kunsthandel --- verzameling Karl Ernst Osthaus --- verzameling Kojiro Matsukata --- Museum Folkwang (Essen) --- Museum of Western Art (Tokyo) --- Osthaus, Karl Ernst --- 19de eeuw --- 20ste eeuw --- Frankrijk --- Renoir, Pierre Auguste --- Renuar, Ogi︠u︡st --- Renoar, Pjer-Ogist --- impressionisme. --- post-impressionisme. --- moderne kunst. --- kunsthandel. --- verzameling Karl Ernst Osthaus. --- verzameling Kojiro Matsukata. --- Museum Folkwang (Essen). --- Museum of Western Art (Tokyo). --- Renoir, Pierre-Auguste. --- Monet, Claude. --- Gauguin, Paul. --- Matsukata, Kojiro. --- Osthaus, Karl Ernst. --- 19de eeuw. --- 20ste eeuw. --- Frankrijk. --- Japan. --- Renoir, Pierre-Auguste
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