Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Je souhaite une photographie ouverte, une photographie qui part du document mais n’oublie pas sa part sensible, poétique, plastique et qui peut aussi laisser entrer une part de fiction. […] Je pars du réel pour ensuite laisser la place au spectateur."J.BJ érôme Blin s’intéresse à cette jeunesse des campagnes à l’heure de ses choix et non choix, entre un ici et un ailleurs, rester ou tout quitter, peut-être pour mieux revenir.

Blin, Jerome --- Photography, Artistic

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Bijna iedere stad kent een Herenstraat. De naam roept het beeld op van brede wegen en statige panden. De Herenstraat bij mij in de buurt laat iets anders zien: de arbeiderswoningen en winkeltjes van vroeger hebben plaatsgemaakt voor jaren '70 huizen. Nieuwsgierig begeef ik me in de straat; ik observeer en leg contact. De Herenstraat blijkt een plek te zijn van sociale verbinding. Er is een groot contrast tussen het eenvormige uiterlijk van de straat en de veelkleurigheid van haar bewoners.

Blin, Jerome --- Photography, Artistic

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Girolamo completa il Commentario al profeta Abacuc nel 393 e lo dedica all'amico Cromazio, vescovo di Aquileia. Nel percorso esegetico che lo vede impegnato a spiegare l'intero corpus profetico, l'interpretazione di Abacuc dipende fortemente da Origene, sulla cui eredità sorgerà proprio in quell'anno la famosa controversia. Girolamo offre un doppio commento, al testo ebraico e a quello greco dei Settanta. Al primo dedica una spiegazione per lo più letterale, mentre al secondo è riservata l'esegesi di stampo allegorico. Un punto qualificante del commento di Girolamo è la coerenza interpretativa, che riesce a stabilire anche fra l’esegesi dei primi due capitoli e il terzo, il cosiddetto cantico di Abacuc, che ha la forma di un salmo. I suoi predecessori, notando una certa estraneità fra la vicenda storica dell’oppressione di Nabucodonosor (cap. 1-2) e il cantico, avevano dato di quest’ultimo testo una lettura cristologica indipendente dall’interpretazione della prima parte. Girolamo, invece, riesce a congiungere nella sua esegesi anche quest’ultima parte (che verosimilmente risulta aggiunta da un redattore al testo profetico), anticipando e applicando il senso cristologico anche ai primi due capitoli grazie a inserti in cui annuncia proletticamente la venuta di Cristo. La versione latina originale del testo proposto in traduzione in questo volume è pubblicata nella collana Corpus Christianorum. Series Latina con il titolo Hieronymus – Commentarius in Abacuc (CCSL 76-76A bis 1). I rimandi alle pagine corrispondenti dell’edizione sono forniti a margine di questa traduzione.

Jerome, --- Bible. --- 224.95 --- 224.95 Habakuk --- Habakuk --- Habakkuk (Book of the Old Testament) --- Ḥavaḳuḳ (Book of the Old Testament)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Citizenship on Catfish Row focuses on three seminal works in the history of American culture: the first full-length narrative film, D. W. Griffith's The Birth of a Nation; the first integrated musical, Oscar Hammerstein and Jerome Kern's Showboat; and the first great American opera, George Gershwin's Porgy and Bess. Each of these works sought to make a statement about American identity in the form of a narrative, and each included in that narrative a prominent role for Black people.Each work included jarring or discordant elements that pointed to a deeper tension between the kind of stories Americans wish to tell about themselves and the historical and social reality of race. Although all three have been widely criticized, their efforts to connect the concepts of nation and race are not only instructive about the history of the American imagination but also provide unexpected resources for contemporary reflection"-- "Citizenship on Catfish Row: Race and Nation in American Popular Culture retrieves three "iconic" works, each of which launched an entire genre-the serious narrative film (The Birth of a Nation), the "integrated musical" (Show Boat), and American opera (Porgy and Bess), to interpret popular entertainment in the Jim Crow era. Despite their manifold differences, these radically innovative works shared two striking features: each attempted to represent the character or spirit of America in narrative form, and each included in that story a central role for the issue of race. As popular entertainment designed to appeal to audiences, these works both endorsed and helped to shape a contemporary social consensus on race that we now find grievously flawed, and each has been sharply and appropriately criticized on that account. But when read with attention to the many ways in which they seem to question, and even contradict themselves, these works appear in a very different light, not as monuments to a dishonorable past but as expressions of a conflicted and uncertain culture burdened by history but groping its way-not always with a purposeful stride, not always with clear sight, and not always in good faith-toward a present moment confident enough of its position to criticize them. By identifying the common ambition in these foundational works, Citizenship on Catfish Row enables us to see them as moments in an evolving popular understanding of American national identity. And by focusing on points of incoherence or dissonance in their telling of the national story, it suggests the impediment to national unity represented by race. Drawing attention to the ways in which popular entertainment confronted, sometimes through evasion and sometimes with a brutal honesty, the issue of race, Harpham proposes that analysis of these works can benefit our polarized and vitriolic conversation about our nation's most important problem"--

Noirs americains dans la culture populaire. --- Race au cinema. --- Race à l'opera. --- African Americans in popular culture. --- Race in motion pictures. --- Race in opera. --- African Americans in musical theater. --- Gershwin, George, --- Kern, Jerome, --- Show boat (Kern, Jerome) --- Porgy and Bess (Gershwin, George) --- Birth of a nation (Motion picture : 1915)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The fur trade was the heart of the French empire in early North America. The French-Canadian (Canadien) men who traversed the vast hinterlands of the Hudson Bay watershed, trading for furs from Indigenous trappers and hunters, were its cornerstone.Though the Canadiens worked for French colonial authorities, they were not unwavering agents of imperial power. Increasingly they found themselves between two worlds as they built relationships with Indigenous communities, sometimes joining them through adoption or marriage, raising families of their own. The result was an ambivalent empire that grew in fits and starts. It was guided by imperfect information, built upon a contested Indigenous borderland, fragmented by local interests, and periodically neglected by government administrators. Heirs of an Ambivalent Empire explores the lives of the Canadiens who used family and kinship ties to navigate between sovereign Indigenous nations and the French colonial government from the early 1660s to the 1780s.Acting as cultural intermediaries, the Canadiens made it possible for France to extend its presence into northwest North America. Over time, however, their uncertain relationships with the French colonial state splintered imperial authority, leading to an outcome that few could have foreseen – the emergence of a new Indigenous culture, language, people, and nation: the Métis.

French-Canadians --- Fur trade --- Métis --- History. --- History. --- History. --- Anishinaabe. --- Atlantic. --- Company. --- Cree. --- Dakota. --- Early. --- Francois Jerome Latour. --- French. --- Hudson Bay. --- Indigenous. --- Lakota. --- Louis Primeau. --- Metissage. --- Monsoni. --- Nakoda. --- New. --- Northwest. --- Ochethi Sakowin. --- Ojibwe. --- Posts. --- Verendrye. --- Western Sea. --- Yankton. --- coureurs bois. --- voyageurs.