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In recent years, there has been a growing interest in the use of experimental approaches to the study of media histories and their cultures. Doing media archaeological experiments, such as historical re-enactments and hands-on simulations with media historical objects, helps us to explore and better understand the workings of past media technologies and their practices of use. By systematically refl ecting on the methodological underpinnings of experimental media archaeology as a relatively new approach in media historical research and teaching, this book aims to serve as a practical handbook for doing media archaeological experiments. Doing Experimental Media Archaeology: Practice is the twin volume to Doing Experimental Media Archaeology: Theory, authored by Andreas Fickers and Annie van den Oever.

Mass media --- Research --- Methodology. --- Hands-on History.

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Artificial hands. --- Artificial arms. --- Artificial hands --- Artificial arms --- Design and construction. --- Hand prostheses --- Hands, Artificial --- Prosthetic hands --- Arm prostheses --- Arms, Artificial --- Artificial limbs --- Artificial Limbs ǂ0 (DNLM)D001186 --- Prostheses and Implants ǂ0 (DNLM)D019736 --- Artificial Limbs --- Prostheses and Implants

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Tactile Sensing, Skill Learning and Robotic Dexterous Manipulation focuses on cross-disciplinary lines of research and groundbreaking research ideas in three research lines: tactile sensing, skill learning and dexterous control. The book introduces recent work about human dexterous skill representation and learning, along with discussions of tactile sensing and its applications on unknown objects' property recognition and reconstruction. Sections also introduce the adaptive control schema and its learning by imitation and exploration. Other chapters describe the fundamental part of relevant research, paying attention to the connection among different fields and showing the state-of-the-art in related branches. The book summarizes the different approaches and discusses the pros and cons of each. Chapters not only describe the research but also include basic knowledge that can help readers understand the proposed work, making it an excellent resource for researchers and professionals who work in the robotics industry, haptics and in machine learning.

Robotics. --- Robot hands. --- Tactile sensors. --- Automation --- Machine theory --- Hands, Robot --- Robots --- Force sensors --- Touch sensors --- Detectors --- Robotics

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Hands on Film is a comprehensive study of the representations and uses of that human limb from the birth of cinema to contemporary times. It examines how filmmakers have framed the hand for a variety of effects, from stylistic to thematic, and for the development of characterisation and narrative. The book offers insights into how films have created meaning by focusing on that part of the anatomy and, in turn, proposes a variety of ways in which its on-screen appearances might shed light on what it means to be sentient, cultured, and creative beings in the world.

Hand. --- Human body in motion pictures. --- ART / Film & Video. --- Body, Human, in motion pictures --- Motion pictures --- Hands --- Paw --- Paws --- Arm --- Left- and right-handedness --- Film, Hands, Ontology, Aesthetics, Theory. --- Hand in art.

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Most artists have, at some point, represented the universal symbol of creation which is the hand. Many of them have also chosen the hand as a recurring pattern in their work. This observation inspired Cécile Poimboeuf-Koizumi — editor and founder of Chose Commune — to gather the works that caught her attention in a book, following no thematic or chronological order. The selection was made in collaboration with Stephen Ellcock, who has made a name for himself over the past few years for bringing the art gallery directly to people with his glorious collection of images which he shares everyday on Instagram and Facebook. From Pablo Picasso to Helena Almeida, from Louise Bourgeois to Alberto Giacometti, from John Baldessari to Francesca Woodman, and comprising a multitude of treasures from the ancient ages to documents from popular imagery, Jeux de mains confronts and mixes famous, emerging and anonymous artists from a wide-range of practices. The result is a collection of more than a hundred images compiled intuitively in this book. ALBARRÀN CABRERA — ALBIN-GUILLOT Laure — ALMEIDA Helena — ÁLVAREZ BRAVO Manuel — AUBÖCK Carl — BALDESSARI John — BALLEN Roger — BARK Jared — BAUGHAN Rosa —BERNHARD Ruth — BLUMENFELD Erwin — BORREMANS Michaël — BOUCHER Pierre — BOURGEOIS Louise — BUONAROTTI Michelangelo — CAHUN Claude — CALLE Sophie — CARAFA Giovanni — CHIEH-JEN Chen — CLARK Harold T. — CUDDON Katie — DE BLAUWER Katrien — DE MOÜY Iris — DEGAS Edgar — DIEULEFILS Pierre — DILL Lesley —DYKE William — EDGERTON Harold — GHIRRI Luigi — GIACOMETTI Alberto — GIBSON Ralph — GILL Simryn — GORDON Daniel — GUITTARD Alice — GUSTON Philip — GUÉRARD Henri Charles — HIROSHIGE Utagawa — HOLBEIN (Le Jeune) Hans — HOPPÉ Emil Otto — INGRES Jean-Auguste-Dominique — ISHIUCHI MIYAKO — ITURBIDE Graciela — JEEWON KIM Shantal — KAWAUCHI Rinko — KEITH ROACH Clementine — KERTÉSZ André — LEPPÄLÄ Anni — LOTAR Eli — L’ADMIRAL Jan — MAURER Dora — MELOTTI Fausto — MICHALS Duane — MINKINNEN Arno — MOHOLY-NAGY Lazslo — MORELLI Giovanni — MUNARI Bruno — MUÑOZ Oscar — NADAR Félix — NESHAT Shirin — ONES Fiona — O’BRIEN John — PARADIN Claude — PESCE Gaetano — PICASSO Pablo — PINARD Guillaume — PÉTROVITCH Françoise — RAY Man — RICHTER Gerhard — ROCHAS-PÀRIS Lia — RODIN Auguste — SCHIELE Egon — SHOVLIN Jamie — STEINBERG Saul — STIEGLITZ Alfred — SUDA Issei — TARABELLA Philippe — UEMATSU Keiji — VON MENZEL Adolf Frierdrich Erd-mann — VRELANT Willem — WAESE Alice — WATSON Claire — WHITE CO H.C WILHELMUS COUWENBERG Henricus — WOODMAN Francesca — YOGANANTHAN Vasantha

Art --- art [fine art] --- hands [animal components] --- Ellcock, Stephen --- Kunstenaarshanden --- Thema's in de kunst ; 20ste eeuw ; handen --- Thema's in de fotografie ; handen : gebaren --- 7.049 --- Iconografie ; verschillende onderwerpen --- art [discipline]