Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Why the Kalevala and not the Kanteletar? The Kalevala Society's 101st Yearbook maps the processes of canonizing and marginalizing in traditions, cultural heritage and literature by focusing on the fringes of cultural ideals and norms. How and using which criteria have researchers, artists and materials of cultural production been lifted up or pushed aside? What kind of nations would have emerged if writing the nation had rested on the alternatives: the marginal rather than the canonical genres? A look into the blind spots and fringes of culture and research reveals the endless movement in and between hierarchically positioned spheres of culture. Listening to margins changes not only the canon but also the idea of canon.

Folklore.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Folklore

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This comparative anthology showcases the rich and mutually intertwined folklore of three ethno-religious communities from northern Iraq: Aramaic-speaking ('Syriac') Christians, Kurdish Muslims and-to a lesser extent-Aramaic-speaking Jews. The first volume contains several introductory chapters on language, folkore motifs and narrative style, followed by samples of glossed texts in each language variety. The second volume is the anthology proper, presenting folklore narratives in several distinct varieties of North-Eastern Neo-Aramaic and Northern and Central Kurdish. The stories are accompanied by English translations. The material includes different genres such as folktales, legends, fables and anecdotes, and is organised into seven thematic units. The folkloristic material of these three communities is shared to a large extent. The anthology is, therefore, a testament to the intimate and long-standing relations between these three ethno-religious communities-relations that existed in a multilingual environment centuries before the modern era of nationalism.

Folklore

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This comparative anthology showcases the rich and mutually intertwined folklore of three ethno-religious communities from northern Iraq: Aramaic-speaking ('Syriac') Christians, Kurdish Muslims and-to a lesser extent-Aramaic-speaking Jews. The first volume contains several introductory chapters on language, folkore motifs and narrative style, followed by samples of glossed texts in each language variety. The second volume is the anthology proper, presenting folklore narratives in several distinct varieties of North-Eastern Neo-Aramaic and Northern and Central Kurdish. The stories are accompanied by English translations. The material includes different genres such as folktales, legends, fables and anecdotes, and is organised into seven thematic units. The folkloristic material of these three communities is shared to a large extent. The anthology is, therefore, a testament to the intimate and long-standing relations between these three ethno-religious communities-relations that existed in a multilingual environment centuries before the modern era of nationalism.

Folklore

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This comparative anthology showcases the rich and mutually intertwined folklore of three ethno-religious communities from northern Iraq: Aramaic-speaking ('Syriac') Christians, Kurdish Muslims and - to a lesser extent - Aramaic-speaking Jews. The first volume contains several introductory chapters on language, folklore motifs and narrative style, followed by samples of glossed texts in each language variety. The second volume is the anthology proper, presenting folklore narratives in several distinct varieties of North-Eastern Neo-Aramaic and Northern and Central Kurdish. The stories are accompanied by English translations. The material includes different genres such as folktales, legends, fables and anecdotes, and is organised into seven thematic units. The anthology is, therefore, a testament to the intimate and long-standing relations between these three ethno-religious communities - relations that existed in a multilingual environment centuries before the modern era of nationalism"

Folklore --- Kurds