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In schwierigster Zeit, nämlich im Jahre 1944, gelang es dem Slavisten Gerhard Gesemann in Berlin seine "Zweiundsiebzig Lieder des bulgarischen Volkes" zu veröffentlichen, eine Sammlung, die von ihm selbst aus dem Bulgarischen ins Deutsche nicht nur übertragen, sondern auch nachgedichtet wurde. In neuerer Zeit ist sicher kaum eine bessere und vor allem einfühlsamere Nachdichtung bulgarischer Lieder vorgelegt worden, wie sie von ihm durchgeführt wurder.
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In schwierigster Zeit, nämlich im Jahre 1944, gelang es dem Slavisten Gerhard Gesemann in Berlin seine "Zweiundsiebzig Lieder des bulgarischen Volkes" zu veröffentlichen, eine Sammlung, die von ihm selbst aus dem Bulgarischen ins Deutsche nicht nur übertragen, sondern auch nachgedichtet wurde. In neuerer Zeit ist sicher kaum eine bessere und vor allem einfühlsamere Nachdichtung bulgarischer Lieder vorgelegt worden, wie sie von ihm durchgeführt wurder.
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This volume of essays and research papers is dedicated to David Hughes in honour of his contribution to research, teaching and dissemination of the music of Japan, South-East Asia, and other countries over many years. Dr Hughes' academic output from the 1970s to the present has covered many aspects of Japanese traditional music-making, in particular the min'yō (folk song) genre of which he remains the primary scholar outside Japan. His groundbreaking work has also encompassed theories of musical grammars, oral notation systems in cross-cultural perspective, as well as several papers on cultural heritage and preservation societies. The contributors to this volume comprise many of David's former students, as well as scholars from Japan and elsewhere with whom Dr Hughes has collaborated over the years. The papers reflect the depth and breadth of Hughes' research output, demonstrating his continuing influence over ethnomusicologists around the world.
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Folk poetry, Greek --- Folk songs, Greek --- History and criticism.
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Explores how a folk ballad in southern India transforms the landscape and embeds the deities that are its subject within the social worlds of their devotees.
Music --- Folk songs, Kannada. --- Hindu music --- Hindu goddesses
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"This is the first book-length study in the West on the folk epics of the Han Chinese people, who are the majority population of China. These folk epics provide an unparalleled resource for understanding the importance of "the local" in Chinese culture, especially how rice-growing populations perceived their environment and relational world. The folk epics were sung by illiterate farmers while working in the rice paddy or boating along the waterways. It was believed that singing promoted crop fertility and that the rice-plant embodied a female rice spirit whose growth and development paralleled that of human sexuality and procreation. Regarded as "vulgar" due to its erotic content, this song tradition was marginalized and little understood. The erotic content is often removed in editions directed at a national readership. Employing perspectives from memory studies, eco-criticism, and the study of oral traditions, this book examines in detail five iconic folk epics. The author draws on interviews with contemporary song transmitters and ethnologists from the Lake Tai region, as well as a collection of singer transcripts and unedited song material"--
Folklore --- Folk songs --- Epic literature, Chinese --- Fertility --- Rice --- Oral tradition --- History and criticism
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Long before anyone ever heard of 'protest music', people in America were singing about their struggles. They sang for justice and fairness, food and shelter, and equality and freedom; they sang to be acknowledged. Sometimes they also sang to oppress. This book uncovers the history of these people and their songs, from the moment Columbus made fateful landfall to the start of the Second World War, when 'protest music' emerged as an identifiable brand. Cutting across musical genres, Will Kaufman recovers the passionate voices of America itself. We encounter songs of the mainland and the conquered territories of Hawai'i, Cuba, Puerto Rico, and the Philippines; we hear Indigenous songs, immigrant songs and Klan songs, minstrel songs and symphonies, songs of the heard and the unheard, songs of the celebrated and the anonymous, of the righteous and the despicable. This magisterial book shows that all these songs are woven into the very fabric of American history.
Folk music --- Folk songs --- Protest songs --- History and criticism. --- Political ballads and songs --- Songs --- Topical songs --- Radicalism --- Folksongs --- Folk literature --- National music --- Ballads --- National songs
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Bob Dylan's iconic 1962 song "A Hard Rain's A-Gonna Fall" stands at the crossroads of musical and literary traditions. Alessandro Portelli explores the power and resonance of the song, considering the meanings of history and memory in folk cultures and in Dylan's work.
Folk songs --- History and criticism. --- Dylan, Bob, --- Criticism and interpretation. --- Lord Randal. --- Dylan. --- Italian music. --- Lord Randall. --- folk music. --- oral history.
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This landmark collection makes a major contribution to the burgeoning field of broadside ballad study by investigating the hitherto unexplored treasure-trove of over 100,000 Central/Eastern European broadside ballads of the Czech Republic, from the 16th to the 19th century. Viewing Czech broadside ballads from an interdisciplinary perspective, we see them as unique and regional cultural phenomena: from their production and collecting processes to their musicology, linguistics, preservation, and more. At the same time, as contributors note, when viewed within a larger perspective—extending one’s gaze to take in ballad production in bordering lands (such as Germany, Poland, and Slovakia) and as far Northwest as Britain to as far Southwest as Brazil—we discover an international phenomenon at work. Czech printed ballads, we see, participated in a thriving popular culture of broadside ballads that spoke through text, art, and song to varied interests of the masses, especially the poor, worldwide.
Ballads --- Broadsides --- HISTORY / Europe / Eastern. --- History and criticism. --- History. --- Broadside ballads, popular culture, history, music, literature. --- Ballad-sheets --- Broadsheets --- Broadside ballads --- Journalism --- Street literature --- Folk ballads --- Lyric poetry --- Poetry --- Songs --- Vocal music --- Folk songs
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La musique des Inuit est surtout connue dans le monde des Qallunaat (les « non-Inuit ») pour les chants de gorge des femmes du Nunavik et de ses environs, au point que ces étonnantes particularités sonores sont devenues un marqueur identitaire. Ces chants ne sont toutefois pas le seul genre musical que les Inuit pratiquent ; de la Sibérie au Groenland, on peut observer les danses à tambour et leurs chants qui, selon les principes de l'animisme, sont exécutés au cours de rituels, notamment pour assurer une chasse ou une pêche fructueuses. Même si elle a été transformée par la christianisation et le contact avec les Qallunaat, cette musique très ancienne, probablement millénaire, est toujours bien vivante. On trouvera dans cet ouvrage, écrit par un musicologue érudit et passionné, une anthropologie et une histoire de la culture musicale inuit en plus d'un panorama de ses manifestations. Des renvois en ligne à un ensemble d'enregistrements, de vidéos et de documents d'archives en font une véritable anthologie. Son iconographie abondante met l'accent sur les représentations artistiques - sculptures, dessins, estampes - des danses à tambour et des chants de gorge. Enfin, ce livre se veut un hommage à l'immense talent artistique et à la virtuosité musicale de ce peuple qui vient du froid
Inuit --- Songs --- Dance --- Folk songs, Inuit --- Throat singing --- Ethnomusicology --- Inuit art --- Inuit dance --- Inuits --- Chansons inuites. --- Chant de gorge. --- Ethnomusicologie. --- Chansons folkloriques inuites --- Art inuit. --- ethnomusicology. --- Music --- History and criticism. --- Musique. --- Musique --- Histoire et critique.
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