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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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"An important aspect of narrative motivation is emotional understanding. The sequence of events completes an emotional cadence in the audience, which makes narratives meaningful for them. In this regard, negative emotions have an outstanding role. Based on general emotion-theories, positive emotions support approaching action tendencies while negative emotions endorse distancing and avoiding. However, this notion is not valid for aesthetic reception, because as research shows, aesthetic objects eliciting negative emotions greatly attract recipients and increase the intensity of the aesthetic experience. In aesthetic experience, it seems, negative emotions interweave with pleasure; moreover, they can be a source of pleasure. The studies of this volume discuss the role of negative emotions in the reception of fictional narratives with special interest to fear and disgust."-- Publisher's description.
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Der wütende Text war bislang nie Gegenstand einer systematischen Untersuchung. Hier nun ist deren Grundlage eine interdisziplinäre Bestimmung der Emotion Wut selbst. So gelangen die Textanalysen zu Erkenntnissen, die über die bisherigen Befunde in Poetik, Rhetorik, Linguistik und Psychologie hinausgehen. Die Studie knüpft zwar an die Satire-Theorie an, doch bedeutet sie für die Kategorisierung und Analyse aggressiven Schreibens einen Neuansatz. The furious text has not been an object of systematic analysis until now. In this volume, this analysis is based on an interdisciplinary definition of the emotion of fury itself. Text analyses thus provide insights that go beyond previous findings from the fields of poetics, rhetoric, linguistics, and psychology. Although this study takes up the theory of satire, it develops a new approach to categorize and analyze aggressive writing.
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Bringing together scholars from diverse periods and disciplines of Hellenic and Byzantine studies, this volume explores the shifting shapes and functions of laughter and tears, with consideration given to visual, performative and musical arts, as well as to written records. It looks back and forward from focal points at the transitions from late antiquity to Byzantium and from Byzantium to the Renaissance and showcases the variety, audacity and quality of the finest Byzantine works.
Emotions in music. --- Emotions in art. --- Emotions in literature. --- Greek literature --- History and criticism.
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The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion. Looking at a variety of formats including novels, drama, film, graphic fiction, and lyric poetry the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma. This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect--in fields from neuroscience to social theory--are changing the study of literature and of the ways those new understandings are impacted by work on literature also.
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Nel volume sono riuniti studi e letture dedicati alla letteratura settecentesca, secondo una lunga proiezione storiografica che va dal recupero delle offerte della tradizione letteraria - Petrarca e Tasso, da lontano, con significative riprese della linea 'ariostesca' - alle revisioni operate sulla spinta delle enquiries di fine secolo. Convergenti sui nessi che formano la tessitura culturale di un periodo vitalmente innovativo come il Settecento, si succedono i capitoli sulle sperimentazioni teatrali, le rêveries letterarie e l'analitica delle passioni, i viaggi «per lettera», le plurime registrazioni degli «effetti sensibili», i mutamenti dei paradigmi estetici, infine le eredità consegnate alle riflessioni del primo Ottocento. Vanno ad incrociarsi così, tra le altre, le esperienze e le voci di Goldoni, Carlo Gozzi, Zeno, Metastasio, Alfieri, Calzabigi, a contatto con le spinte 'europee' di Racine, Rousseau, Stendhal, Goethe. Le analisi rivolte nella sezione conclusiva a pagine di Foscolo, Manzoni, Leopardi, nate da varie occasioni, se non presumono di tirare le fila con quanto precede, documentano quanto i tre autori, già comparsi in alcune zone del libro, siano, ciascuno per la sua parte, i supremi garanti del profondo rinnovamento della lezione del secolo XVIII.
Literature, Modern --- Aesthetics in literature --- Emotions in literature. --- History and criticism.
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Emotions are at the core of much ancient literature, from Achilles' heartfelt anger in Homer's Iliad to the pangs of love of Virgil's Dido. This volume applies a narratological approach to emotions in a wide range of texts and genres. It seeks to analyse ways in which emotions such as anger, fear, pity, joy, love and sadness are portrayed. Furthermore, using recent insights from affective narratology, it studies ways in which ancient narratives evoke emotions in their readers. The volume is dedicated to Irene de Jong for her groundbreaking research into the narratology of ancient literature
Classical literature --- Emotions in literature. --- Narration (Rhetoric) --- History and criticism. --- Emotions in literature --- History and criticism --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Classical literature. --- Littérature ancienne --- Narration (Rhetoric). --- Narration. --- Histoire et critique.
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Fiction --- Characters and characteristics in literature --- Lust in literature --- Emotions in literature --- Narration (Rhetoric) --- Modernism (Literature) --- History and criticism --- History
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