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According to Carlo Ginzburg, culture is not only the scholars’ knowledge, but it is also made of all the mixture of a population attitudes, beliefs and behaviours. In this sense, objects are one of the culture’s main expressions. Using materiality as a key, the volume analyses the history of the Neapolitan society during the Eighteenth century in some of its multiple articulations: aristocracy, law men, middle class, lower class. The idea of defining the strata of the ancien regime society is now considered unfeasible, partly because the criteria of definition and legitimation were multiple and different at the time: legal certifications, occupation, geographical origin, wealth. In this complicated universe, owning specific goods was part of the process of definition of the individual affiliation to a group, in terms of having a similar life style, as well as adopting the same ideals. The objects, inherited and annotated into inventories, useful to understand this phaenomenon, were not only precious dresses and jewels, but also iron spoons, lead cruxes, or glass beads. Despite their physical features, the value of these goods was not just economic; it stands also in the symbolic meaning they carried. La cultura, come ha affermato Carlo Ginzburg, non è solo la sapienza dei dotti, ma anche quel «complesso di atteggiamenti, credenze, codici di comportamento» che caratterizza una popolazione. Una delle sue espressioni fondamentali è costituita dagli oggetti. Utilizzando la materialità come chiave di accesso, il volume indaga la storia della società napoletana durante il Settecento in alcune delle sue molteplici articolazioni: aristocrazia, togati, ceto medio e popolo. L’idea di definire con precisione le componenti della società di antico regime si è ormai dimostrata utopistica, anche perché i criteri di definizione e di legittimazione erano allora molteplici e variegati: attestazioni giuridiche, occupazione, provenienza geografica, potere economico. In questo complicato universo, il possesso di specifici beni costituiva un elemento importante nel definire l’appartenenza degli individui a un gruppo, in quanto assunzione di un comune stile di vita, ma soprattutto in quanto condivisione di elementi ideali. Le ricchezze da cui è possibile cogliere queste dinamiche socio-culturali, lasciate in eredità e annotate negli inventari, non erano solo costituite da sontuosi gioielli o abiti sfarzosi; potevano essere anche cucchiai di ferro, crocifissi di piombo o perle di vetro colorato. Eppure, quali che fossero le loro caratteristiche, gli oggetti non avevano solo un valore economico, ma erano anche portatori di significati simbolici.
History --- Material Culture --- Naples --- Social History --- Eighteenth Century --- Inventories
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According to Carlo Ginzburg, culture is not only the scholars’ knowledge, but it is also made of all the mixture of a population attitudes, beliefs and behaviours. In this sense, objects are one of the culture’s main expressions. Using materiality as a key, the volume analyses the history of the Neapolitan society during the Eighteenth century in some of its multiple articulations: aristocracy, law men, middle class, lower class. The idea of defining the strata of the ancien regime society is now considered unfeasible, partly because the criteria of definition and legitimation were multiple and different at the time: legal certifications, occupation, geographical origin, wealth. In this complicated universe, owning specific goods was part of the process of definition of the individual affiliation to a group, in terms of having a similar life style, as well as adopting the same ideals. The objects, inherited and annotated into inventories, useful to understand this phaenomenon, were not only precious dresses and jewels, but also iron spoons, lead cruxes, or glass beads. Despite their physical features, the value of these goods was not just economic; it stands also in the symbolic meaning they carried. La cultura, come ha affermato Carlo Ginzburg, non è solo la sapienza dei dotti, ma anche quel «complesso di atteggiamenti, credenze, codici di comportamento» che caratterizza una popolazione. Una delle sue espressioni fondamentali è costituita dagli oggetti. Utilizzando la materialità come chiave di accesso, il volume indaga la storia della società napoletana durante il Settecento in alcune delle sue molteplici articolazioni: aristocrazia, togati, ceto medio e popolo. L’idea di definire con precisione le componenti della società di antico regime si è ormai dimostrata utopistica, anche perché i criteri di definizione e di legittimazione erano allora molteplici e variegati: attestazioni giuridiche, occupazione, provenienza geografica, potere economico. In questo complicato universo, il possesso di specifici beni costituiva un elemento importante nel definire l’appartenenza degli individui a un gruppo, in quanto assunzione di un comune stile di vita, ma soprattutto in quanto condivisione di elementi ideali. Le ricchezze da cui è possibile cogliere queste dinamiche socio-culturali, lasciate in eredità e annotate negli inventari, non erano solo costituite da sontuosi gioielli o abiti sfarzosi; potevano essere anche cucchiai di ferro, crocifissi di piombo o perle di vetro colorato. Eppure, quali che fossero le loro caratteristiche, gli oggetti non avevano solo un valore economico, ma erano anche portatori di significati simbolici.
History --- Material Culture --- Naples --- Social History --- Eighteenth Century --- Inventories
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According to Carlo Ginzburg, culture is not only the scholars’ knowledge, but it is also made of all the mixture of a population attitudes, beliefs and behaviours. In this sense, objects are one of the culture’s main expressions. Using materiality as a key, the volume analyses the history of the Neapolitan society during the Eighteenth century in some of its multiple articulations: aristocracy, law men, middle class, lower class. The idea of defining the strata of the ancien regime society is now considered unfeasible, partly because the criteria of definition and legitimation were multiple and different at the time: legal certifications, occupation, geographical origin, wealth. In this complicated universe, owning specific goods was part of the process of definition of the individual affiliation to a group, in terms of having a similar life style, as well as adopting the same ideals. The objects, inherited and annotated into inventories, useful to understand this phaenomenon, were not only precious dresses and jewels, but also iron spoons, lead cruxes, or glass beads. Despite their physical features, the value of these goods was not just economic; it stands also in the symbolic meaning they carried. La cultura, come ha affermato Carlo Ginzburg, non è solo la sapienza dei dotti, ma anche quel «complesso di atteggiamenti, credenze, codici di comportamento» che caratterizza una popolazione. Una delle sue espressioni fondamentali è costituita dagli oggetti. Utilizzando la materialità come chiave di accesso, il volume indaga la storia della società napoletana durante il Settecento in alcune delle sue molteplici articolazioni: aristocrazia, togati, ceto medio e popolo. L’idea di definire con precisione le componenti della società di antico regime si è ormai dimostrata utopistica, anche perché i criteri di definizione e di legittimazione erano allora molteplici e variegati: attestazioni giuridiche, occupazione, provenienza geografica, potere economico. In questo complicato universo, il possesso di specifici beni costituiva un elemento importante nel definire l’appartenenza degli individui a un gruppo, in quanto assunzione di un comune stile di vita, ma soprattutto in quanto condivisione di elementi ideali. Le ricchezze da cui è possibile cogliere queste dinamiche socio-culturali, lasciate in eredità e annotate negli inventari, non erano solo costituite da sontuosi gioielli o abiti sfarzosi; potevano essere anche cucchiai di ferro, crocifissi di piombo o perle di vetro colorato. Eppure, quali che fossero le loro caratteristiche, gli oggetti non avevano solo un valore economico, ma erano anche portatori di significati simbolici.
Material Culture --- Naples --- Social History --- Eighteenth Century --- Inventories
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Empirismus und Ästhetik werden in den Schriften von Francis Hutcheson, David Hume, Edmund Burke und Henry Home zu einer empiristischen Ästhetik verbunden. Sie argumentiert induktiv, psycho- oder physiologisch, evolutionär und demokratisch und lässt sich als frühe Form der empirischen Ästhetik verstehen. Ihr Transfer nach Deutschland in Rezensionen, Übersetzungen und Anschlussforschungen geht mit unwillkürlichen Anpassungen einher. Für die empiristische Ästhetik in der deutschsprachigen Aufklärung stehen nicht nur Namen wie Lichtenberg, Mendelssohn und Kant, Hamann, Herder und Merck, sondern auch die Übersetzer Dusch, Resewitz und Meinhard, die physiologisch Interessierten Haller, Platner, Lossius und Hißmann sowie die Leipziger Engel, Garve und Riedel, der Prager Meißner oder auch Enzyklopädisten wie Herz, Eschenburg und Schneider. Francis Hutcheson, David Hume, Edmund Burke, and Henry Home combined empiricism and aesthetics to create an empiricist aesthetics that was received and transformed in the German-speaking world. In the tradition of John Locke, an explanation of thinking and association that is grounded in sensualism takes center stage.
Burke, Edmund. --- Eighteenth century. --- Home, Henry. --- Hume, David. --- Hutcheson, Francis. --- Senses. --- aesthetics. --- emotions.
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Enlightenment. --- Enlightenment --- Philosophy, Modern --- Eighteenth century. --- Philosophy. --- Social aspects. --- 1700-1799
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The prolific Mir Taqi Mir (1723–1810), widely regarded as the most accomplished poet in Urdu, composed his ghazals—a poetic form of rhyming couplets—in a distinctive Indian style arising from the Persian ghazal tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero, prosperity is poverty, and death would be preferable to the indifference of the beloved. Ghazals offers a comprehensive collection of Mir’s finest work, translated by a renowned expert on Urdu poetry.
Ghazals, Urdu. --- Delhi. --- Mughal Empire. --- Persian poetry. --- Urdu poet. --- eighteenth century. --- ghazal. --- love poems. --- northern India.
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Over the last three decades Anthony La Vopa has extended his reach as an Enlightenment historian from Germany to England, Scotland, and France. Enlightenment Past and Present: Essays in a Social History of Ideas provides insights into all four contexts, with a view to understanding the Enlightenment's contours in spaces that were distinct but nonetheless shared in a European-wide engagement with a cluster of political, social, and cultural issues. The volume explores a wide variety of themes in the formation of modernity, including the construction of a public, the emergence of modern feminism, the problematic legitimacy of sexuality and marriage, the ideal and practice of friendship, patron-client relations, the conversational sociability of politeness, and the evolution of the essay as a genre. La Vopa aims to demonstrate in practice the new interest in restoring the social to intellectual history without falling back into reductionism. He throws a spotlight on a number of keytexts in eighteenth-century philosophy. In several essays, La Vopa employs the resources of meaning in rhetorical cultures with thick social contexts to present Enlightenment texts not simply as print records, but as rhetorical performances with specific audiences. He also often intertwines contexts by focusing on biographical experience, using 'private' life traces such as diaries and other forms of correspondence, to enhance our understanding of published discourse. While drawing on the history of philosophy, the volume takes a decidedly more historical path through the canon. It includes essay reviews which take stock of developments in Enlightenment studies via critical appraisals of major recent contributions to the field.
Enlightenment --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Social aspects --- Philosophy --- anno 1700-1799 --- Mouvement des Lumières --- Philosophie --- Histoire sociale --- Aspect social. --- Enlightenment. --- Social history --- Gender identity --- Eighteenth century. --- Philosophy. --- Social aspects. --- History --- 1700-1799 --- Europe --- Intellectual life --- Civilization
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Philosophers, Modern. --- Rationalism. --- Enlightenment. --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Knowledge, Theory of --- Religion --- Belief and doubt --- Deism --- Free thought --- Realism --- Modern philosophers --- Political philosophy. Social philosophy
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Reveals the brilliant musical and pedagogical thinking of the famed eighteenth- and early nineteenth-century Neapolitan composer and teacher of royal students. Giovanni Paisiello (1740-1816) was one of the most important composers of opera in the eighteenth century. His operas were performed throughout Europe, and his fame led to appointments as a maestro di cappella and composer at prominent European courts. This book is the first study to address his work as a teacher of composition and what we would today call music theory. The practice of partimento (figured or unfigured bass lines) was an integral part of the training of musicians at the renowned conservatories in eighteenth-century Naples. By employing these often-unprepossessing partimento bass lines, young musicians learned the techniques of variation, improvisation, and composition while seated at the harpsichord. Paisiello's Regole per bene accompagnare il Partimento (Rules for Harpsichordists; 1782) survives in both autograph and printed forms. It contains forty-six partimenti that have long been considered the core of his pedagogic oeuvre. However, two recently discovered manuscripts contain a further forty-one unknown partimenti, notated as two- and three-part disposizioni (realizations). The present study offers numerous insights gleaned from the surviving sources and bolsters our understanding of how to perform the music of Paisiello and his contemporaries: music that has often survived in an incomplete form. These findings are relevant not just for keyboard players but also for singers, instrumentalists, and anyone interested in the inner workings of eighteenth- and early nineteenth-century music.
Partimenti. --- Paisiello, Giovanni, --- Criticism and interpretation. --- Continuo --- Giovanni Paisiello. --- Rules for Harpsichordists. --- composition. --- conservatories. --- disposizioni. --- eighteenth-century Neapolitan composer. --- harpsichord. --- improvisation. --- music theory. --- musical thinking. --- partimento. --- teacher. --- variation.
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There has never been much doubt about the faith of the "infidel historian" Edward Gibbon. But for all of Gibbon's skepticism regarding Christianity's central doctrines, the author of The History of the Decline and Fall of the Roman Empire did not merely seek to oppose Christianity; he confronted it as a philosophical and historical puzzle. Gibbon's Christianity tallies the results and conditions of that confrontation. Using rich correspondence, private journals, early works, and memoirs that were never completed, Hugh Liebert provides intimate access to Gibbon's life in order to better understand his complex relationship with religion. Approaching the Decline and Fall from the context surrounding its conception, Liebert shows how Gibbon adapted explanations of the Roman republic's rise to account for a new spiritual republic and, subsequently, the rise of modern Europe. Taken together, Liebert's analysis of this context, including the nuance of Gibbon's relationship to Christianity, and his readings of Gibbon's better- and lesser-known texts suggest a historian more eager to comprehend Christianity's worldly power than to sneer at or dismiss it. Eminently readable and wholly accessible to anyone interested in or familiar with the Decline and Fall,this groundbreaking reassessment of Gibbon's most famous work will appeal especially to scholars of eighteenth-century studies.
Christianity. --- Rome --- History --- Historiography. --- Autobiography. --- Early Modern Travel Writing. --- Edward Gibbon. --- Eighteenth-Century History. --- Fall of Rome. --- History of Religion. --- Rise of Christianity. --- Roman Empire.
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