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Gene editing. --- Editing, Gene --- Editing, Genome --- Genome editing --- Genetic engineering
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Motion pictures --- Editing. --- Aesthetics.
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Trafülkantun is an eclectic study of the relationship between two exceptional figures around the middle of the 20th century: Pablo Garrido Vargas (1905-1982), jazz pioneer, historian of the cueca and leader for the labor rights of musicians and artists, along with Juan Curilem Millanguir (1912-1985), Mapuche intellectual descendant of the Longko family, state professor, musician and choral director, president of the political organization Unión Araucana. Their mutual work shows an unexplored collaborative, intercultural and anti-colonial power, very early for the time. The structure of the book consists of a critical study, the commented edition of five unpublished texts by both authors and seven ülkantun/ songs compiled by Curilem plus annexes.
Music --- Musicology. --- Editing.
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Theater sind Maschinen des Erscheinens. Und Theatermaschinen, die erscheinen lassen, verbergen sich selbst und bezeugen sich in ihren Effekten. Das teilen sie mit den Machinationen, wie Intrigen bis ins 19. Jahrhundert hießen. Sie widerstreiten dem Primat der dramatischen Handlung und ermöglichen in Verbindung mit Musik und anderen Illuminationen Theater als Spektakel. Die Beiträger*innen des Bandes fragen nach dem Zusammenhang von Maschine, Machination, Schauspiel und Schauraum. Mit der Figur der Maschine denken sie das Theater von seinen Rändern her und arbeiten heraus, wie ein maschineninduziertes Spektakel auch in Theaterformen (weiter-)lebt, denen das Spektakuläre suspekt geworden ist.
Music --- Musicology. --- Editing.
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"Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film. The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer. Three interrelated aspects, Emotion, Performance and Story, influence this decision-making. Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience. With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film. Examples are closely analysed and discussed using frame grabs, graphics and plans. The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally. Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies. Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world"--
Motion pictures --- Cinematography. --- Editing.
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Trafülkantun is an eclectic study of the relationship between two exceptional figures around the middle of the 20th century: Pablo Garrido Vargas (1905-1982), jazz pioneer, historian of the cueca and leader for the labor rights of musicians and artists, along with Juan Curilem Millanguir (1912-1985), Mapuche intellectual descendant of the Longko family, state professor, musician and choral director, president of the political organization Unión Araucana. Their mutual work shows an unexplored collaborative, intercultural and anti-colonial power, very early for the time. The structure of the book consists of a critical study, the commented edition of five unpublished texts by both authors and seven ülkantun/ songs compiled by Curilem plus annexes.
Music --- Musicology. --- Editing.
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Theater sind Maschinen des Erscheinens. Und Theatermaschinen, die erscheinen lassen, verbergen sich selbst und bezeugen sich in ihren Effekten. Das teilen sie mit den Machinationen, wie Intrigen bis ins 19. Jahrhundert hießen. Sie widerstreiten dem Primat der dramatischen Handlung und ermöglichen in Verbindung mit Musik und anderen Illuminationen Theater als Spektakel. Die Beiträger*innen des Bandes fragen nach dem Zusammenhang von Maschine, Machination, Schauspiel und Schauraum. Mit der Figur der Maschine denken sie das Theater von seinen Rändern her und arbeiten heraus, wie ein maschineninduziertes Spektakel auch in Theaterformen (weiter-)lebt, denen das Spektakuläre suspekt geworden ist.
Music --- Musicology. --- Editing.
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Theater sind Maschinen des Erscheinens. Und Theatermaschinen, die erscheinen lassen, verbergen sich selbst und bezeugen sich in ihren Effekten. Das teilen sie mit den Machinationen, wie Intrigen bis ins 19. Jahrhundert hießen. Sie widerstreiten dem Primat der dramatischen Handlung und ermöglichen in Verbindung mit Musik und anderen Illuminationen Theater als Spektakel. Die Beiträger*innen des Bandes fragen nach dem Zusammenhang von Maschine, Machination, Schauspiel und Schauraum. Mit der Figur der Maschine denken sie das Theater von seinen Rändern her und arbeiten heraus, wie ein maschineninduziertes Spektakel auch in Theaterformen (weiter-)lebt, denen das Spektakuläre suspekt geworden ist.
Music --- Musicology. --- Editing.
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Trafülkantun is an eclectic study of the relationship between two exceptional figures around the middle of the 20th century: Pablo Garrido Vargas (1905-1982), jazz pioneer, historian of the cueca and leader for the labor rights of musicians and artists, along with Juan Curilem Millanguir (1912-1985), Mapuche intellectual descendant of the Longko family, state professor, musician and choral director, president of the political organization Unión Araucana. Their mutual work shows an unexplored collaborative, intercultural and anti-colonial power, very early for the time. The structure of the book consists of a critical study, the commented edition of five unpublished texts by both authors and seven ülkantun/ songs compiled by Curilem plus annexes.
Music --- Musicology. --- Editing.
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"Transcriptomics refers to the study of the transcriptome, which is the complete set of RNA transcripts produced by the genome of a specific cell. This book provides an overview of the information that the transcriptome provides and how developments in transcriptomics has transformed our understanding of cell biology. This book is comprised of three parts. Part I serves as an introduction to describe the development of transcriptomics as a technique and the way by which it has enhanced our knowledge and provided a better understanding of the basic biology of cellular function. Part II of the book is written to understand the milestones and contributions of transcriptomics in understanding the dynamics of cancer biology. Part III provides an insight on how transcriptomics is helping us to understand microbes and host-pathogen interaction including bioremediation"--
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